A quick review of tonight's "Parenthood" coming up just as soon as the doggie Gestapo starts asking me questions...
Due to the fall deluge, these reviews may be pretty short for the next few weeks, se...
The Killers’ last album “Day & Age” was marked by their further embrace of glitter and dance. New “Battle Born,” in a way, is their ignoring the day and age – that is, this curr...
It seems hard to believe that I've got to wrap up my Toronto thoughts for this year by Thursday morning, when I switch gears into Fantastic Fest mode, which I'll be covering for the rest of the month. That means...
No matter what she accomplishes in her career, Carly Rae Jepsen’s defining hit will always be “Call Me Maybe.”
Fans of that charming ditty, which ruled the airwaves this summer, will find plenty t...
I posted my review of NBC's "Revolution" over the weekend. Now it's your turn. (Or, it is for those of you who didn't already watch it online and comment in the initial review.) For those of y...
As I've said, I won't be writing reviews of every new fall series, but Dan and I did discuss "The Mob Doctor" at length on last week's podcast. The short version is that while I like Jordana S...
A major part of Pink’s appeal over the past decade has been that she is so down to earth. Her considerable pop chops put her up there with Rihanna, Beyonce and Katy Perry, but she is the furthest thing from a po...
If you had told me before the beginning of this year's Toronto Film Festival that I would prefer Rob Zombie's film to Terrence Malick's film, I would have laughed in your face.
And I would have been wrong.
One t...
One of the hardest experiences of the Toronto Film Festival for me was an afternoon screening of "The Impossible," a remarkably well-made movie about an English family living in Japan who head to Thailand fo...
With the majority of his post-"Armaggedon" leading-man vehicles underperforming or outright flopping at the box-office ("Bounce," "Reindeer Games," "Gigli," "Paycheck"...
