Michael Keaton is the new Dan O'Herlihy.
The "Batman" thesp has signed on to star as OmniCorp CEO Raymond Sellars in MGM/Columbia's upcoming "RoboCop" remake helmed by Jose Padilha ("Elite ...
Director: Joe Wright
Starring: Keira Knightley, Aaron Johnson, Jude Law, Kelly Macdonald, Olivia Williams
Screening at: Toronto
Why: Knightley and Wright reunite for the third time after the critically acclaimed co...
They've been co-workers and pals for decades, but are Superman and Wonder Woman finally ready to be "more than friends?"
According to DC Comics' New 52, the answer is an emphatic yes.
As previewed on E...
Hugh Laurie has exited "RoboCop."
The "House" star was set to play one of the head creators of the cyborg police officer in the upcoming remake of Paul Verhoeven's 1987 sci-fi hit, but has left ...
"Why don't we just remake Cronenberg's [version] with sexy teenagers?"
That [paraphrased] question was posed to director Todd Lincoln by Fox studios in regard to his now-dormant remake of "The Fly,&quo...
I do not envy Adam Berg.
Many first-time feature directors are cutting their teeth on found footage films or remakes these days, simply because that's so much of what is being produced. It's a tough spot to b...
One of HitFix's top ten superhero movies of all time could be getting a remake.
Joe Johnston's "The Rocketeer" - based on the comic-book character of the same name created by Dave Stevens - may have been ...
Lately Cronenberg's most loyal onscreen collaborator (though he skipped “Cosmopolis”), Mortensen remains the only one of his actors ever to secure a leading Oscar nod. When you consider the deliciously sur...
Bradley Cooper is a wanted man.
The in-demand thesp, whose starpower helped propel last year's "Limitless" to a $161 million gross worldwide on a budget of only $27 million, is in talks to star in the per...
With movie studios seemingly in permanent remake/reboot/remodel mode, we thought it was a good time to run down some films from the new century that should be off limits. We've already made an argument for films from ...
