324 search results for Red Cross
The 25-year-old Vietnam War series holds up well in the golden age of drama
The rousing story of five adolescent people, whose friendship is supposed to last for a lifetime, but war changes everything.
We all know what happened to Walter White at the end of "Breaking Bad,&q...
Previous number of nominations for Album of the Year: 2
Don't pay attention to these dates, really
Intense, three-hour concert delivered both hits and rarities
One act will be sent home, followed by Top 12 performances
10th Anniversary storyline sends 'Walking Dead' over 310K; four more titles break 100K
Includes:Scarlet Street (1945) The Stranger (1946), MPAA Rating: NR The Red House (1947) The Scar (1948) Inner Sanctum (1948) Woman on the Run (1950) Scarlet Street Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty's picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner's photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naÃ¯ve victims in a cruelly realistic world. ~ Linda Rasmussen, All Movie Guide The Stranger The Stranger is often considered Orson Welles' most "traditional" Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed--but not unduly so--by Meineke's presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler. Conscience-stricken by his own genocidal wartime activities, Meineke has come to town to beg his ex-superior Kindler to give himself up. The professor responds by brutally murdering his old associate. If Kindler believes himself safe--and he has every reason to do so, since no one in town, especially Mary, has any inkling of his previous life--he will change his mind in a hurry when mild-mannered war crimes commissioner Wilson (Edward G. Robinson) pays a visit, posing as an antiques dealer. ~ Hal Erickson, All Movie Guide The Red House Delmer Daves directs the noirish thriller The Red House, based on the novel by George Agnew Chamberlain. Edward G. Robinson plays Pete Morgan, a farmer who harbors dark secrets and refuses to let anyone near the red house in the woods behind the house. In order to fend off trespassers, he hires Teller (Rory Calhoun) to stand guard. He lives with his sister, Ellen (Judith Anderson), and his adopted daughter, Meg (Allene Roberts). When they hire Meg's friend, Nath Storm (Lon McCallister), to help out on the farm, the two kids start to wonder about the mysterious red house. The film features an eerie original score by MiklÃ³s RÃ³zsa. ~ Andrea LeVasseur, All Movie Guide The Scar John Muller (Paul Henreid), an intelligent, arrogant criminal who has been a medical student and a phony psychoanalyst, believes that people are only interested in themselves and do not notice what is happening around them. Paroled from prison to a boring job, Muller is more interested in a big score, and along with his old cronies robs a crooked gambling joint owned by Rocky Stansyck (Thomas Brown Henry). Although he gets away with the money, some of his men are caught by Stansyck and identify John as the ringleader. On the run from Stansyck's gang, he is mistaken for Dr. Bartok, a psychiatrist also played by H
Includes:A Farewell to Arms (1932) Meet John Doe (1941), MPAA Rating: NR Penny Serenade (1941), MPAA Rating: NR Till the Clouds Roll By (1946) Life With Father (1947) Father's Little Dividend (1951), MPAA Rating: NR A Farewell to Arms This first film version of Ernest Hemingway's novel A Farewell to Arms stars Gary Cooper and Helen Hayes. Cooper plays Lt. Frederick Henry, a World War I officer who falls in love with English Red Cross nurse Catherine Barkley (Hayes)-after first mistaking her for a woman of ill repute. Henry's friend, Major Rinaldi, is envious of the romance, and pulls strings to have Catherine transferred to Milan. When Henry is wounded in battle, he ends up in the very hospital where Catherine works. They resume the affair, which reaches an ecstatic peak just before Henry is returned to the front. The now-pregnant Catherine remains in Switzerland, sending letters by the bushelfull to Henry. But the jealous Rinaldi sees to it that Henry never receives those letters, leading Catherine to conclude sorrowfully that Henry has forgotten her. As the Armistice approaches, Henry makes his way to Switzerland, hoping to find Catherine. ~ Hal Erickson, All Movie Guide Meet John Doe The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, All Movie Guide Penny Serenade While listening to a recording of "Penny Serenade," Julie Gardiner Adams (Irene Dunne) begins reflecting on her past. She recalls her near-impulsive marriage to newspaper reporter Roger Adams (Cary Grant), which begins on a deliriously happy note but turns out to be fraught with tragedy. While honeymooning in Japan, Julie and Roger are trapped in the 1923 earthquake, which results in her miscarriage and subsequent incapability to bear children. Upon their return to America, Roger becomes editor of a small-town newspaper, just scraping by financially. Despite their depleted resources, Julie and Roger want desperately to adopt a child. It seems hopeless until kindly adoption agency head Miss Oliver (Beulah Bondi) helps smooth their path. Alas, their happiness is once m