113 search results for local natives
Photos from the Chicago festival, including Fitz & the Tantrums, Deftones, DFA1979
And some unnaturally colored water
From Muse to Local Natives, large and small, we've got some new music picks for you
Oscar nominee stars opposite Christian Bale, Woody Harrelson, Zoe Saldana
Terrence Malick, the universally acclaimed American filmmaker responsible for the key 1970s features Badlands and Days of Heaven, returns for a rare directorial outing with the sweeping period piece The New World -- an epic dramatization of Pocahontas' relationships with John Smith and John Rolfe. Malick's story opens at the dawn of the 17th century, just prior to the colonization of the United States -- when the North American population consisted of an interconnected series of native tribes. In April 1607, three maritime vessels approach the unfamiliar continent, with 103 sailors on board. As members of the Virginia Company, these adventurers carry a royal charter to mount a society on the edge of the new continent. John Smith (Colin Farrell) sits chained below one of the decks. He is a 27-year-old loose cannon, who, for his persistently rebellious acts, has been sentenced to death by hanging as soon as the ships dock. Nevertheless, Captain Christopher Newport (Christopher Plummer) acknowledges Smith's ability to aid with exploration and consents to pardon him as a result. Upon landing, Smith seeks assistance from local Native American tribes with colonization, but runs into the unexpected -- he falls desperately in love with Pocahontas, or "Playful One" (Q'orianka Kilcher), the daughter of the omnipotent Chief Powhatan (August Schellenberg). Needless to say, this does not sit well with Powhatan or the rest of the tribe. Moreover, the oft-bellicose Smith enters a head-to-head conflict with his fellow Britons when he finds his tempestuousness calmed by the tranquility of the new landscape, as the anger and violence of his shipmates concurrently build in the face of the Native Americans. Later, Smith temporarily returns to England; believing that Smith is dead, Pocahontas accepts the hand of plantation owner John Rolfe in marriage (with her father's blessing) and follows Rolfe back to the old country. When Smith returns to America, his intended is nowhere to be seen, and the entire community teeters on the brink of a British-Indian war. Malick shot the production on location in Virginia; it co-stars Jonathan Pryce, John Savage, and David Thewlis. ~ Nathan Southern, All Movie Guide
Sister Dorothy Stang was a nun from Ohio who was seventy-three years old when she was murdered in Brazil. Stang was part of a group of Christian activists who were working with natives in the Brazilian rainforests to create sustainable agricultural projects to help the locals support themselves without damaging the environment. Stang and her colleagues were also helping native landowners reclaim land that had been stolen or taken from them under false pretenses by ranching and logging concerns. Stang's efforts to help Brazil's poor did not make her many friends among the wealthy and powerful, and when she was killed, many believed she was the victim of hired assassins working under the command of men wanting to protect their political and economic interests. Filmmaker Daniel Junge directed the documentary They Killed Sister Dorothy, which profiles the late Sister Stang and offers both evidence and informed opinion about who killed her and why. Narrated by Martin Sheen, They Killed Sister Dorothy was a prize-winner at the 2008 South by Southwest Film Festival. ~ Mark Deming, All Movie Guide
This schlock horror classic from the 1970s is a product of the career ebb experienced by director John Frankenheimer. Robert Foxworth stars as Dr. Robert Verne, an inner-city physician renowned for his compassion and fairness. So he's asked by the EPA to mediate a dispute between Native American tribes and a polluting paper mill in isolated northern Maine. Accompanied by his pregnant wife Maggie (Talia Shire), a classical musician, Robert journeys to the deep woods, where he meets the tribal leader, John Hawks (Armand Assante) and a representative of the mill, Mr. Isley (Richard Dysart). It turns out that the mill is indeed poisoning the local water supply with mercury, causing illness among tribe members and some mutated local wildlife. The Native Americans and the paper mill point fingers at each other for a rash of recent disappearances in the area, but Robert believes that something more ominous is responsible when he observes a huge salmon eat a duck. He's proved right when he encounters an enormous, mutated grizzly bear with a taste for human flesh. Unfortunately for Robert and Maggie, he has taken one of the creature's cubs back to camp, leading an angry mother bear to his tent flap. ~ Karl Williams, All Movie Guide
Includes:White Zombie (1932), MPAA Rating: NR Revenge of the Zombies (1943) Night of the Living Dead (1968), MPAA Rating: NR Oasis of the Zombies (1982) White Zombie It is altogether typical of Bela Lugosi's lousy business judgement that he accepted one of his finest film roles for a mere $500 dollars. In the haunting low-budgeter White Zombie, Lugosi stars as Murder Legendre, a shadowy character who exercises supernatural powers over the natives in his Haitian domain. Coveting beautiful Madge Bellamy as his bride, wealthy Robert Frazier is refused her hand in marriage. He enters into an unholy agreement with Lugosi, whereby Madge will fall ill and die, then be resurrected as a zombie-and, implicitly, Frazier's love-slave. This is accomplished, but Lugosi, relishing the hold he has over Frazier, refuses to release Madge's soul. She is ultimately rescued from Living Death by her faithful beau Robert Harron and missionary Joseph Cawthorn (heretofore merely the comedy relief). Few talkie horror films have ever so expertly captured the "feel" of the silent cinema as White Zombie; the film's ethereal, ghostlike ambience enables the audiences to accept even the most ludicrous of plot twists. The producers, Victor and Edward Halperin, use the film's tiny budget to their advantage, evocatively suggesting the horrors that they haven't the financial wherewithal to show on screen. Lugosi is superb throughout, making the most of such seemingly innocuous lines as "Well, well, we understand one another better, now." Long ignored or shunted aside as insignificant, White Zombie can hold its own with any of the like-vintage Universal horror classics. ~ Hal Erickson, All Movie Guide Revenge of the Zombies The second of Monogram's "zombie" thrillers, Revenge of the Zombies is better than the first, if only because of its powerhouse cast. John Carradine does his usual as Von Alltermann, a mad scientist in the employ of the Nazis. Commissioned to create a race of "living dead" warriors for the Third Reich, Von Alltermann takes time out to attempt to revitalize his deceased wife Lila (Veda Ann Borg). Stumbling into the doc's laboratory is heroine Jen (Gale Storm), who is rescued in The Nick by undercover FBI agent Larry (Robert Lowery). As in King of the Zombies, Mantan Moreland provides his patented bug-eyed comedy relief; good taste aside, he's the best thing in the picture. ~ Hal Erickson, All Movie Guide Night of the Living Dead When unexpected radiation raises the dead, a microcosm of Average America has to battle flesh-eating zombies in George A. Romero's landmark cheapie horror film. Siblings Johnny (Russ Streiner) and Barbara (Judith O'Dea) whine and pout their way through a graveside visit in a small Pennsylvania town, but it all takes a turn for the worse when a zombie kills Johnny. Barbara flees to an isolated farmhouse where a group of people are already holed up. Bickering and panic ensue as the group tries to figure out how best to escape, while hoards of undead converge on the house; news reports reveal that fire wards them off, while a local sheriff-led posse discovers that if you "kill the brain, you kill the ghoul." After a night of immolation and parricide, one survivor is left in the house.... Romero's grainy black-and-white cinematography and casting of locals emphasize the terror lurking in ordinary life; as in Alfred Hitchcock's The Birds (1963), Romero's victims are not attacked because they did anything wrong, and the randomness makes the attacks all the more horrifying. Nothing holds the key to salvation, either, whether it's family, love, or law. Topping off the existential dread is Romero's then-extreme use of gore, as zombies nibble on limbs and viscera. Initially distributed by a Manhattan theater chain owner, Night, made for about 100,000 dollars, was dismissed as exploitation, but after a 1969 re-release, it began to attract favorable attention for scarily tapping into Vietnam-era uncertainty and nihilistic a
Includes:Grumpy Old Men (1993), MPAA Rating: PG-13 Grumpier Old Men (1995), MPAA Rating: PG-13 Grumpy Old Men This cheerful holiday comedy, a surprise box office smash, featured a generous dollop of raunchy, crude humor and was greatly elevated by the presence of masterful performers in the lead roles. Jack Lemmon is John Gustafson, an ice-fishing Minnesota native who has been feuding with his neighbor and former best friend Max Goldman (Walter Matthau) for decades. The battle of wills between John and Max is characterized by crude name calling and harmless practical jokes. Max is unaware that John is having serious problems, chiefly that his daughter Melanie (Daryl Hannah) is experiencing marital woes and that his house is about to be confiscated by an officious IRS agent (Buck Henry). When it seems that John and Max may finally put aside their childish rivalry, however, sexy new neighbor Ariel (Ann-Margret) arrives and dates both men, pitting them against each other more fiercely than ever before. Despite their mutual loathing, the death of a friend, John's problems, and a budding romance between Max's son Jacob (Kevin Pollak) and Melanie may force the two old friends to reconcile. ~ Karl Williams, All Movie Guide Grumpier Old Men In this sequel to the surprise hit Grumpy Old Men, life goes on much as it usually does in Wabasha County, Minnesota, with the only notable differences being that John Gustafson (Jack Lemmon) and Max Goldman (Walter Matthau) are getting along all right (or at least to the extent that they're capable of getting along with each other), and that John's marriage to free-spirited Ariel (Ann-Margret) is working out quite nicely. John and Max's great obsession in life remains fishing, and both are vying to reel in "Catfish Hunter," a trophy fish that local anglers have been trying to catch for ages. However, Max is outraged when Maria Ragetti (Sophia Loren) and her mother Francesca (Ann Morgan Guilbert) arrive in town and take over the local bait and tackle shop, only to announce that they're going to close it down and open an Italian restaurant in its place. Max goes to remarkable lengths to foil Maria's plans, but John thinks that his friend needs a wife, and that Max and Maria might make a good match. Grandpa Gustafson (Burgess Meredith) seems to think he'd be a good mate for Francesca, but then again he's not known for being very fussy about women. John's daughter Melanie (Daryl Hannah) and Max's son Jacob (Kevin Pollak) are trying to work out their own plans to get married, and they might just make it to the altar if John and Max can stop interfering. Grumpier Old Men proved to be the last role for veteran actor Burgess Meredith, who died two years after it was released. ~ Mark Deming, All Movie Guide
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