206 search results for Lee Child
"12 Years A Slave"
A thoughtful chat with the title character from one of the season's biggest films
Why: The Stones are a liberal bunch, and are instantly disapproving of Everet...
Also: 'Wolf' clocks in at three hours, and Philomena on 'Philomena'
One of the ways you can tell 'Spring Breakers' truly hit the satirical target...
Best character: Big Mama Owl -- as the name suggests, the chief source of com...
Steve Coogan stars opposite Judi Dench in this Stephen Frears directed movie.
Dear 'New Girl': 'Stop Trying to Make Nick and Jess Happen!' Rosie O'Donnell: I think I was Barbara Walters' least-favorite host on "The View" Josh Hutcherson gets punched in his "SNL" promos
Filmmaker Mark Hartley explores Australia's hidden genre in this documentary that casually casts aside "official" film history to celebrate the demented genius of director Brian Trenchard-Smith, and the exciting wave of little-known but supremely entertaining films that entertained adventurous Australian filmgoers throughout the 1970s and '80s. Every film student worth his or her weight in celluloid has seen Breaker Morant and Picnic at Hanging Rock, but what about the lesser-known gems that didn't make the film-school textbooks? In his forward to Tim Lucas' book Mario Bava - All the Colors of the Dark, director Martin Scorsese states, "We have to keep resisting the idea of official film history, a stately procession of 'important works' that leaves some of the most exciting films and filmmakers tucked away in the shadows." In this documentary, director Hartley explores the films forgotten by "official film history" with the comprehensive eye of a true film buff. As a child watching such films as Snapshot and The Man from Hong Kong, Hartley immediately recognized how wildly disparate they were in tone and execution from the films that comprised Australia's traditional film library. Appearing like American genre films that just happened to be shot in Australia and cast with Australian actors, these so-called "Ozploitation" flicks flourished in the wake of relaxed censorship laws down under. Yet despite constant chatter about the "new wave" of Australian cinema, financially successful films like The Man from Hong Kong and Patrick that were popular both at home and abroad were never mentioned, sneeringly dismissed as "genre" films rather than Australian films. Perhaps in the wake of such successful Australian films as Wolf Creek and Undead -- and looking ahead to such films as the slasher shocker Storm Warning and the eagerly anticipated remake of Long Weekend -- curious filmgoers are finally prepared to discover what they've been missing all these years. ~ Jason Buchanan, All Movie Guide
Rumored and anticipated for years, the two biggest icons of the slasher genre finally meet in Freddy Vs. Jason, the eighth entry in the Nightmare on Elm Street saga and the 11th film in the Friday the 13th series, though with Jason X taking place in the future, it should be noted that the events of this film take place after the ninth film Jason Goes to Hell. And it is hell where Freddy Kreuger (Robert Englund) and Jason Voorhees (Ken Kirzinger, donning the hockey mask for the first time in a controversial snub against series veteran Kane Hodder) finally become acquainted. Banished there for eternity, Freddy devises a plan to manipulate Jason into continuing his work, hacking up the teenagers of Elm Street. All goes well at first until Jason realizes he's been duped by "the dream master" and is none too pleased. Coaxed by surviving teenagers Will (Jason Ritter), Lori (Monica Keena), and Kia (Destiny's Child's Kelly Rowland), Jason and Freddy descend upon Crystal Lake for a mano a mano battle royal. Helmed by Hong Kong director Ronny Yu (Bride of Chucky, The Bride With the White Hair), Freddy Vs. Jason features the director of the first Friday film, Sean S. Cunningham serving as producer. ~ Matthew Tobey, All Movie Guide