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7 search results for Kagemusha

  • Kagemusha - Blu-ray Disc

    Type: Event | Date: Tuesday, Aug 18, 2009

    Just as many American studio-era directors found acclaim abroad that was denied them in their home country, by 1980 Akira Kurosawa's reputation outside Japan exceeded his esteem at home. As uncompromising as ever, he found considerable difficulty securing backing for his ambitious projects. Unsure he would be able to film it, the director, an aspiring artist before he entered filmmaking, converted Kagemusha into a series of paintings, and it was partly on the basis of these that he won the financial support of longtime admirers Francis Ford Coppola and George Lucas. Set in the 16th century, when powerful warlords competed for control of Japan, it offers an examination of the nature of political power and the slipperiness of identity. For some time, Shingen Takeda Tatsuya Nakadai has been able to stay removed from the heat of battle by using his brother Nobukado Tsutomu Yamazaki as a double. As the film opens, Nobukado offers another option, having discovered a condemned thief (also played by Tatsuya Nakadai) bearing an uncanny resemblance to the warlord. After he insists on witnessing the fall of an enemy in person, Shingen falls victim to a sniper's bullet, forcing his advisers to present the thief as the fallen warrior. At first awkward in his new position and plagued by dreams in which the spirit of his double confronts him, he slowly grows into the role even as his enemies begin to advance on his kingdom. The winner of the Palm D'Or at Cannes, Kagemusha: The Shadow Warrior has also been released as The Double. ~ Keith Phipps, All Movie Guide
  • Zack_snyder_seven_samurai_star_wars_home_top_story

    Zack Snyder developing stand-alone 'Star Wars' film inspired by 'Seven Samurai'?

    Type: Post | Date: Monday, Jan 14, 2013

    Kurosawa and 'Star Wars' have always gone hand-in-hand
  • Werner_home_top_story

    Oscarweb Round-up: Star in more movies, Werner!

    Type: Post | Date: Wednesday, Oct 5, 2011

    Also: Baldwin, Martin and Shankman join forces once more and Searchlight declares a date for 'Shame'
  • Ponyo_autism_morning_read_home_top_story

    TMR: Drew on G4, 'Ponyo' and autism, and a new Michael Moore trailer

    Type: Post | Date: Thursday, Aug 20, 2009

    BoingBoing wraps up its 'Boosh' bash and this week in DVD and BluRay
  • Star-wars-oscars_home_top_story

    On 'Star Wars' Day, a look at the franchise's Oscar history

    Type: Post | Date: Sunday, May 4, 2014

    22 nominations, seven wins and a tro of special achievement awards
  • AK 100: 25 Films by Akira Kurosawa

    Type: Event | Date: Tuesday, Dec 8, 2009

    Includes:Sanshiro Sugata (1943) The Most Beautiful (1944) The Men Who Tread on the Tiger's Tail (1945) Sanshiro Sugata 2 (1945) No Regrets for Our Youth (1946) One Wonderful Sunday (1947) Drunken Angel (1948) Stray Dog (1949) Scandal (1950) The Idiot (1951) Rashomon (1951) Ikiru (1952) Seven Samurai (1954) Record of a Living Being (1955) The Lower Depths (1957) Throne of Blood (1957) The Hidden Fortress (1958) The Bad Sleep Well (1960) Yojimbo (1961) High and Low (1962) Sanjuro (1962) Red Beard (1965) Dodes'ka-Den (1970) Kagemusha (1980), MPAA Rating: PG Madadayo (1993) Sanshiro Sugata This first effort by Japanese director Akira Kurosawa was originally released as Sanshiro Sugata . The film, made under reasonably smooth conditions despite the war, is based on a best-selling novel about the creation of Judo. Most of the film explores the relationship between the creator of this form of self-defense and his faithful protege. In addition to establishing the reputation of Kurosawa, the film made a popular star of Susumu Fujita. Sanshiro Sugata was remade by Shigeo Tanaka in 1955 and again by Seiichuro Uchikawa ten years later. ~ Hal Erickson, All Movie Guide The Most Beautiful Following up on his successful directorial debut, soon-to-be cinematic master Akira Kurosawa helms this war-era melodrama about female factory workers dutifully toiling for the greater good of the Imperial war effort. Under the watchful eye of their paternalistic factory manager (played by Kurosawa regular Takeshi Shimura), the young women workers fight through their own trials and tribulations to produce high-quality optical equipment factory under extremely spartan, almost militaristic conditions. One lass (Takako Irie) gets ill and is forced to convalesce over her own objections. Another insists on continuing with her work after falling and breaking her leg. Still another is desperately trying to hide her tuberculosis so she can stay on the assembly line. The shift leader (Yoko Yaguchi), whose mother is dying at home with no one to care for her, struggles to set a good example for her underlings and struggles to find a mislaid half-finished lens. ~ Jonathan Crow, All Movie Guide The Men Who Tread on the Tiger's Tail Akira Kurosawa's Men Who Tread on the Tiger's Tail was put together at the last minute when Kurosawa's plan to direct a costume picture called Doko Kono Yari fell through (the producer couldn't get any horses!) Utilizing the costumes, sets and actors already commissioned, Kurosawa spent one long evening writing a screenplay based on the old Kabuki piece Kanjincho. The central character, a dimwitted porter who almost causes the film's plot to go awry, was played by Enoken, a stage actor and longtime personal favorite of Kurosawa's. Originally titled Tora no o o fumu Otokotachi, Men Who Tread on the Tiger's Tail was impressive enough for English-filmmaker Michael Powell to request permission to remake it on a larger scale (he never did). Completed in 1945, the film was not generally released until 1952. ~ Hal Erickson, All Movie Guide Sanshiro Sugata 2 This 1945 Japanese film by renowned director Akira Kurosawa, is a sequel to its better known predecessor, Sanshiro Sugata (1943). Both concern the relationship between Shogoro Yano (Denjiro Okochi), the founder of the martial arts discipline of Judo, and Sanshiro Sugata (Susumu Fujita), one of his principal students. Like many such relationships, this one is shown to be a blend of the spiritual and the intimately personal. As the film was made during World War II, it not surprisingly contains vignettes in which Europeans are made to appear extraordinarily piggish and vulgar. This film was re-released in a slightly shorter, re-edited and subtitled version in 1981 and was first seen in the U.S. at the Film Forum in New York City in 1989. It is of interest both as a tightly-crafted martial arts master-and-student film, and as an early example of Kurosawa's mature style. ~ Clarke Fountain, A
  • Thin_man_final_home_top_story

    Stuff To See In LA: February 2nd - 8th

    Type: Post | Date: Monday, Feb 2, 2009