33 search results for Jekyll and Hyde
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The only theatrical feature from Rankin/Bass -- the outfit behind countless animated holiday TV specials including Rudolph the Red-Nosed Reindeer and Frosty the Snowman -- this quaint and colorful production pays amusing homage to nearly every movie monster in Universal's catalog, even to the extent of recruiting Boris Karloff to supply the voice of Baron Von Frankenstein. The story begins as the aged Baron invites all members of the Worldwide Organization of Monsters to attend the unveiling of his ultimate creation, a potion capable of destroying all matter. Before the assembled guests -- including Count Dracula, The Wolf Man, The Mummy, Dr. Jekyll and Mr. Hyde, The Invisible Man, and The Creature from the Black Lagoon -- Frankenstein announces his retirement as the group's leader and the selection of his successor: his bookish, allergy-ridden nephew Felix. Chaos ensues, as nearly every creep and creature on the list begins conspiring against each other in a bid for the coveted office, including the Baron's outrageously voluptuous assistant Francesca (whose very presence stretches the film's "G" rating). The "Animagic" technique of stop-motion puppets is a refreshing medium for the larger-than-life monsters, and the parade of horror movie put-ons should delight viewers of all ages. Though the original negative was believed lost to neglect after the film's poor box-office performance, a pristine print has resurfaced, much to the delight of devoted fans who first discovered this gem via Halloween TV airings. ~ Cavett Binion, All Movie Guide
A late entry from the foundering Hammer Studios, this intriguing and highly original twist on the vampire motif -- featuring for once a hero more charismatic than the vampires with which he does battle -- was the first in a planned series of Kronos films, but poor planning on behalf of its overseas distributors killed the franchise's great potential in the American market. Kronos (Horst Janson) -- a kind of swashbuckling Sherlock Holmes of the occult sciences -- and his hunchbacked companion Professor Grost (John Cater), arrive in the village of Durward where the local young wenches are being victimized by a family of vampires that drain youth, not blood, from their victims, turning them into withered old hags. Kronos' mystical intuition and powers of deduction lead him to the elderly Lady Durward (Wanda Ventham) and her pompous children Paul (Shane Briant) and Sara (Lois Daine), and he soon squares off against his vampiric foes with a lethal sword (fashioned from a sacred cross) and a bag of occult tricks (including an interesting use of dead frogs). Well-photographed and cleverly directed by Brian Clemens (Dr. Jekyll & Sister Hyde), this is one of Hammer's few attempts to broaden its audience in the 1970's -- a trend which reached its zenith of zaniness with everybody kung fu fighting in the Hammer/Shaw Brothers collaboration Legend of the Seven Golden Vampires. ~ Cavett Binion, All Movie Guide
Includes - Freaks (1932) Dr. Jekyll and Mr. Hyde (1941), MPAA Rating: G House of Wax (1953) The Haunting (1963), MPAA Rating: G Freaks The genesis of MGM's Freaks was a magazine piece by Ted Robbins titled Spurs. The story involved a terrible revenge enacted by a mean-spirited circus midget upon his normal-sized wife. In adapting Spurs for the screen, writers Willis Goldbeck, Leon Gordon, Edgar Allan Wolf, and Al Boasberg retained the circus setting and the little man-big woman wedding, all the while de-vilifying the midget and transforming the woman into the true "heavy" of the piece. German "little person" Harry Earles plays Hans, who falls in love with long-legged trapeze artist Cleopatra (Olga Baclanova). Discovering that Hans is heir to a fortune, Cleopatra inveigles him into a marriage, all the while planning to bump off her new husband and run away with brutish strongman Hercules (Henry Victor). What she doesn't reckon with is the code of honor among circus freaks: "offend one, offend them all." What set this film apart from director Tod Browning's earlier efforts was the fact that genuine circus and carnival sideshow performers were cast as the freaks: Harry Earles and his equally diminutive sister Daisy, Siamese twins Violet and Daisy Hilton, legless Johnny Eck, armless-legless Randian (who rolls cigarettes with his teeth), androgynous Josephine-Joseph, "pinheads" Schlitzie, Elvira, Jennie Lee Snow, and so on. Upon its initial release, Freaks was greeted with such revulsion from movie-house audiences that MGM spent the next 30 years distancing themselves as far from the project as possible. For many years available only in a truncated reissue version titled Nature's Mistakes, Freaks was eventually restored to its original release print. ~ Hal Erickson, All Movie Guide Dr. Jekyll and Mr. Hyde 1941's Dr. Jekyll and Mr. Hyde is the second sound version of the Robert Louis Stevenson "doppelganger" tale. This time Spencer Tracy plays the benevolent Dr. Jekyll, whose experiments in releasing the evil impulses within himself transform him into the bestial Mr. Hyde. The problem here is that while Tracy is convincing enough as Hyde, we have trouble accepting him as the kindly Jekyll--exactly the opposite of the 1931 version, in which Fredric March was credible as both Jekyll and Hyde (in fairness to Tracy, it must be noted that he didn't want to play the role and had to be forced into it). MGM decreed that no publicity pictures be released showing Tracy in his Hyde makeup, thereby building up audience anticipation. It's just as well that MGM kept these pictures under wraps: Tracy's Hyde looks less like the Living Personification of Evil than like a man who's been on a three-day bender. The most fascinating aspect of this version of Dr. Jekyll and Mr. Hyde is the casting of the two leading ladies. Ever since the 1920 John Barrymore version of this story, it has been de rigeur to symbolize the schism between Jekyll and Hyde by giving him both a "good" and "evil" girlfriend. Originally, MGM adhered to typecasting by assigning the good girl to Ingrid Bergman and the bad one to Lana Turner. But Bergman begged the studio to be allowed to play the more wicked of the two ladies; as a result, hers is by far the best performance in the picture. Neither as lively as the 1920 version nor as innovative as the 1931 remake, MGM's Dr. Jekyll and Mr. Hyde is weighted down with tiresome dialogue and over-obvious symbolism (catch that dream sequence in which Ingrid Bergman and Lana Turner make like racehorses!) Despite its shortcomings, Dr. Jekyll and Mr. Hyde was infinitely preferable to the next remake, Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953). ~ Hal Erickson, All Movie Guide House of Wax This simplified (but lavish) remake of the 1933 melodrama The Mystery of the Wax Museum was the most financially successful 3-D production of the 1950s. In his first full-fledged "horror" role, Vincent Price plays Prof. Henry Jarrod, the
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The Mexican horrorama Man and the Monster is yet another wrinkle on the Faust story. A concert pianist, desirous of international fame, sells his soul to the devil. Satan's price: whenever the pianist plays a particular selection, he turns into a monster. After a string of brutal murders perpetrated by this musical Jekyll/Hyde, he is foiled by a quickwitted concert master. When the orchestra strikes up the fatal tune, the pianist goes through his slavering metamorphosis before a packed audience, who presumably spend the rest of the evening paging through their programs to see if the monster is a hitherto unannounced guest artist. Abel Salazer produced, wrote and starred in Man and the Monster, which was originally titled El Hombre Y El Monstruo. ~ Hal Erickson, All Movie Guide
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August sales dip, but Marvel's "Infinity" tops 250K
August sales dip, but Marvel's "Infinity" tops 250K