426 search results for James Thomas
The British television comedy hits the big screen.
CBS has released new shots of Amanda and Parvati in bikinis and James showing his muscles
A complete look at the U.S., World and Next competition slate
Film categories will follow on January 2
Featuring the first single, "Do I Wanna Know?"
One of the ways you can tell 'Spring Breakers' truly hit the satirical target...
Where They Are Now: The former *NSYNC member and Mouseketeer has come a long ...
This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, All Movie Guide
One of the most famous real-life UFO abduction cases on record becomes this character-driven drama from sci-fi screenwriter Tracy Torme. D.B. Sweeney stars as Travis Walton, a forestry worker who disappears one night during an encounter with a flying saucer. Authorities treat with skepticism the outrageous story related by the only witnesses to the event, Travis' five co-workers, who include his best friend and future brother-in-law, Mike Rogers (Robert Patrick). A state lawman (James Garner) finds a tabloid newspaper in the crew's pickup truck and quickly ascertains that tensions had arisen between Walton and a surly fellow logger (Craig Sheffer), leading him to conclude that a murder cover-up is underway. However, all of the men pass lie detector tests and the case becomes stalled until the shocking last-minute reappearance of Travis, who tells a literally fantastic story involving his whereabouts for the past week. ~ Karl Williams, All Movie Guide
Lawrence Kasdan's Silverado is a fond hark back to the all-star, big-budget westerns of the 1950s and 1960s. The various plotlines converge at the town of Silverado, held in thrall by crooked sheriff Brian Dennehy and his behemoth "deputies." The four disparate heroes--Kevin Kline, Kevin Costner, Scott Glenn and Danny Glover--prepare to do battle against Dennehy for personal reasons ranging from mercenary to altruistic. Sidelines characters include duplicitous, dandified gambler Jeff Goldblum, frontier widow Rosanna Arquette and gimlet-eyed saloon owner Linda Hunt. The film is stolen hands-down by Kevin Costner, playing an irresponsible young gunslinger who never speaks when hootin' and hollerin' will do. A classic, High Noon-style showdown caps this rousing retro western. ~ Hal Erickson, All Movie Guide
Although mako sharks are among the fastest and deadliest predators in the ocean, they're not as smart as humans -- at least, they weren't. However, Dr. Susan McAlester (Saffron Burrows) has been using mako sharks as her test subjects for research on the regeneration of human brain tissues. McAlester has altered the DNA of several sharks, raising them close to the level of human intelligence; the sharks have also become faster and stronger in the process. While these DNA experiments have yielded fascinating results, they're also of questionable ethics and legality, earning her the distrust of several members of her crew, including shark authority Carter Blake (Thomas Jane and cook "Preacher" Dudley (LL Cool J). The financial backers of these experiments have also expressed skepticism, so when McAlester is ready to perform some major tests, financier Russell Franklin (Samuel L. Jackson) arrives for the occasion. McAlester and her team are delicately extracting brain tissue from one of the altered makos when the animal regains consciousness - and becomes very angry. The shark not only attacks the researchers but also damages the floating lab, leaving the crew aboard a literally sinking ship, with the makos eager to go a few rounds - in an arena that favors sharks. Deep Blue Sea was directed by Renny Harlin, and filmed in Mexico at Fox Studios Baja in the underwater filming facilities created for James Cameron's Titanic. ~ Mark Deming, All Movie Guide
A mysterious stranger, his face swathed in bandages and his eyes obscured by dark spectacles, has taken a room at a cozy inn in the British village of Ipping. Never leaving his quarters, the stranger demands that the staff leave him completely alone. Working unmolested with his test tubes, the stranger does not notice when the landlady inadvertently walks into his room one morning. But she notices that her guest seemingly has no head! The stranger, one Jack Griffin, is a scientist, who'd left Ipping several months earlier while conducting a series of tests with a strange new drug called monocane. He returns to the laboratory of his mentor, Dr. Cranley (Henry Travers), where he reveals his secret to onetime partner Dr. Kemp (William Harrigan) and former fiancee Flora Cranley (Gloria Stuart). Monocane is a formula for invisibility, and has rendered Griffin's entire body undetectable to the human eye. Alas, monocane has also had the side effect of driving Griffin insane. With megalomanic glee, Griffin takes Kemp into his confidence, explaining how he plans to prove his superiority over other humans by wreaking as much havoc as possible. At first, his pranks are harmless; then, without batting an eyelash, he turns to murder, beginning with the strangling of a comic-relief constable. When Kemp tries to turn Griffin over to the police, he himself is marked for death. Despite elaborate measures taken by the police, Griffin is able to murder Kemp, considerately taking the time to describe his homicidal methods to his helpless victim. After a reign of terror costing hundreds of lives, Griffin is cornered in a barn, his movements betrayed by his footsteps in the snow. Mortally wounded by police bullets, Griffin is taken to a hospital, where he regretfully tells Flora that he's paying the price for meddling into Things Men Should Not Know. As Griffin dies, his face becomes slowly visible: first the skull, then the nerve endings, then layer upon layer of raw flesh, until he is revealed to be Claude Rains, making his first American film appearance. So forceful was Rains' verbal performance as "The Invisible One" that he became an overnight movie star (after nearly twenty years on stage). Wittily scripted by R.C. Sherriff and an uncredited Philip Wylie, and brilliantly directed by James Whale, The Invisible Man is a near-untoppable combination of horror and humor. Also deserving of unqualified praise are the thorouhgly convincing special effects by John P. Fulton and John Mescall. With the exception of The Invisible Man Returns, none of the sequels came anywhere close to the quality of the 1933 original. Trivia alert: watch for Dwight "Renfield" Frye as a bespectacled reporter, Walter Brennan as the man whose bicycle was stolen, and John Carradine as the fellow in the phone booth who's "gawt a plan to ketch the h'invisible man." ~ Hal Erickson, All Movie Guide