176 search results for Hank Williams
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The critics favorite scored with the HFPA by netting three nominations includ...
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Studio sources say the film did not screen for the group
Hank Williams - Hank Williams: The Unreleased Recordings
This Technicolor retelling of the Gaston Leroux "grand guignol" classic The Phantom of the Opera has a little more opera than phantom, but that's because the stars are soprano Susannah Foster and tenor Nelson Eddy. Claude Rains carries the acting honors on his shoulders, playing a pathetic orchestra violinist who worships aspiring opera-singer Foster from afar. The girl is unaware that Rains has secretly been financing her music lessons with instructor Leo Carrillo. When he runs out of money, Rains attempts to sell the concerto that he's been working on all his life. Mistakenly believing that his precious concerto has been stolen from him, Rains attacks and kills the music publisher he holds responsible. Terrified, the publisher's mistress throws a pan full of acid into Rains' face. Rains runs screaming into the night, and is not heard from for the next reel or so. Soon afterward, the Paris Opera house is plagued by a series of mysterious accidents. The managers are informed via letter that the "accidents" will continue if Foster is not immediately promoted to leading roles. Only after reigning diva Jane Farrar is drugged into incapacitation is Foster given her big break. Farrar accuses Foster's boyfriend, police inspector Nelson Eddy, of doping her in order to advance Foster's career. Farrar is later strangled, and Eddy is accused of the crime. The culprit is, of course, Rains, who now poses as the masked-and-caped "phantom". Maniacally determined that no one will impede Foster's success, Rains causes a huge chandelier to crash down on the opera audience when Foster fails to appear onstage (she'd been kept from performing by police-chief Edgar Barrier, who hoped in this manner to flush The Phantom out of hiding). A chase through the catacombs below the opera house ensues, with Rains holding Foster prisoner. When Rains briefly lets down his guard, the tremulous Foster removes his mask. It's "yecccch," all right, but nowhere near as frightening as the unmasking scene in the silent Lon Chaney version of Phantom of the Opera. The same can be said for the rest of this 1943 remake, though in fairness it appears as though the film wasn't really designed to scare anyone, but instead to serve as a suspense yarn with musical interludes. Hume Cronyn makes his second film appearance in Phantom in a microscopic role. The huge sets designed for this picture were hastily reused for the 1944 Universal melodrama The Climax, starring Boris Karloff and (again) Susannah Foster. ~ Hal Erickson, All Movie Guide
The Lethal Weapon series and the rest of the buddy-cop genre receives the parody treatment in this low-brow comedy. Emilio Estevez stars as Jack Colt, the Mel Gibson-like loose cannon, while Samuel L. Jackson assumes the Danny Glover role as Wes Luger, his exasperated partner. Together, Colt and Luger investigate the murder of Luger's former partner (Whoopi Goldberg) and discover a criminal conspiracy led by the nefarious General Mortars (William Shatner). Hoping to mimic the success of the Naked Gun films, director Gene Quintano (of Police Academy 4 fame) loaded the film with broad visual gags, deadpan slapstick, and gratuitous parodies of The Silence of the Lambs, Basic Instinct, and other movies. The attempt to mimic successful parodies proved ineffective, however, as critics and viewers alike found the parody stale and the juvenile humor dreary. ~ Judd Blaise, All Movie Guide