Written by Mike Carey
Art by Peter Gross
Type: Gallery | Date: Thursday, Dec 26, 2013
Written by Mike Carey Art by Peter Gross Publisher: Vertigo "Carey an...
Type: Article | Date: Monday, Dec 16, 2013
DC Comics' solicitation information for March 2014
Type: Event | Date: Tuesday, Jan 19, 2010
On March 5, 1960, Che Guevara, one of the architects of the Cuban revolution, attended a memorial service for seventy-five men who died while explosive cargo was being unloaded from a ship in the Havana harbor. Photographer Alberto Korda snapped a picture of Guevara at the event, and while it went unpublished at the time, in the late Sixties an Italian publisher, Giangiacomo Feltrinelli, asked Korda's permission to reproduce the image of the then-martyred revolutionary leader. Korda agreed, and within a few years his portrait of Che, wearing a beret and looking with determination to some point in the distance, became one of the most famous photos in the world. Korda didn't mind seeing the photo appear in unlikely places, from banners at protests to T-shirts, but in 2000 he filed suit against the producers of Smirnoff vodka after they used the picture in a magazine advertisement, arguing that he never intended it to be used for commercial purposes. Filmmakers Trisha Ziff and Luis Lopez trace the strange journey of Korda's portrait of Che, from revolutionary symbol to advertising logo and an iconic but little-understood image often adopted by young people who aren't sure who the man is, in the documentary Chevolution. The film includes interviews with actors Antonio Banderas and Gael Garcia Bernal, both of whom have played Guevara on screen, and Tom Morello of the Leftist rock band Rage Against The Machine, who have used the Che portrait on their T-shirts. ~ Mark Deming, All Movie Guide
Type: Event | Date: Sunday, Jan 3, 2010
As for the opening reels, the principal motivating factor is money. After a deliberately confusing pre-credit sequence (not explained until the film's punch line), Tom Jeffers (Joel McCrea) and Gerry Jeffers (Claudette Colbert) are married. "And so they lived happily ever after," exults a title card, "...or did they?" Well, they didn't. After five years of marriage, Tom hasn't raised a dime with his pie-in-the-sky inventions. Using the sort of logic common to Sturges heroines, Gerry decides that the only way to help her husband is to divorce him, marry a wealthy man, and use the second husband's money to finance Tom's schemes. Borrowing money from a generous self-made business mogul known only as the Wienie King (Robert Dudley), Gerry boards a train to Palm Beach, FL, where all the rich folk go. En route, she is "adopted" by the Ale & Quail Club, a group of perpetually drunken millionaires whose idea of a good time is to shoot their rifles at everything that moves (among the club members are such Sturges regulars as William Demarest, Robert Warwick, Jimmy Conlin, Robert Greig, Jack Norton, and Dewey Robinson). Taking refuge from this rowdy crew, Gerry makes the acquaintance of likeable stuffed shirt John D. Hackensacker III (Rudy Vallee), who happens to be one of the wealthiest men in the Western Hemisphere. While Gerry spoons with Hackensacker in Palm Beach, the confused Tom (remember him?) dallies with Hackensacker's man-crazy sister, Princess Centimillia (Mary Astor). How all this straightens itself out is better seen than described, which is pretty much the case whenever one discusses Sturges' singular work, and The Palm Beach Story is vintage Sturges with one side-splitting sequence after another. ~ Hal Erickson, All Movie Guide
Type: Event | Date: Tuesday, Nov 24, 2009
Both actress Judy Davis and director Gillian Armstrong made a big splash on the international scene with this charming Australian film that examines late 19th century Australian society from the perspective of a headstrong woman who refuses to follow convention. The film charts the developing self-awareness of Sybylla Melvyn (Judy Davis) as she grows from an insecure tomboy to a self-assured woman. Sybylla wants to be a writer and stuns her family and friends by her insistence on following her dream. Despite the objections of her family acquaintances, she rejects the marriage proposal from the rich Harry Beecham (Sam Neill) to continue going her own way, in spite of the odds stacked against her in a repressive Victorian environment. ~ Paul Brenner, All Movie Guide
Type: Post | Date: Monday, Feb 4, 2013
Who's the audience for this latest revival of the '60s cult oddity?
Type: Gallery | Date: Saturday, Dec 29, 2012
At her peak, Houston was the golden girl of the music industry. From the midd...
Type: Article | Date: Wednesday, Dec 26, 2012
Puppeteer passed peacefully in England
Type: Gallery | Date: Saturday, Dec 15, 2012
Is he or isn't he? For the last few months, it's seemed like every other e...
Type: Gallery | Date: Friday, Dec 30, 2011
After Hollywood churned out more prequels and sequels in 2011 than almost any...