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24 search results for David O. Selznick

  • Gone with the Wind

    Type: Event | Date: Tuesday, Nov 17, 2009

    Includes:Gone With the Wind (1939), MPAA Rating: G The Making of a Legend: Gone with the Wind (1989) Gone With the Wind Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide The Making of a Legend: Gone with the Wind This made-for-cable documentary traces the filming of the imperishable classic Gone with the Wind, from its inception to its triumphant Atlanta premiere in December of 1939. Filmmaker David Hinton interviews as many survivors of the experience as he's able to round up, but the main attraction of this film is its precious "test" clips. We watch a montage of screen tests of the many actresses considered for the role of Scarlett O'Hara, ranging from such front-runners as Paulette Goddard to such not-a-chancers as Lana Turner. The Goddard footage is particularly enjoyable as we watch her eagerly reciting the lines of all the characters as she auditions for Scarlett. The documentary also turns up several tantalizing bits of trivia, notably the fact that the film was shown to a preview audience with an entirely different musical score (portions of which are played on the soundtrack). There is, of course, very little suspense involved in Making of a Legend, but even those who've heard all the Gone With the Wind factoids from other sources will watch in fascination as the saga unfolds. This documentary was produced by David Selznick's sons, and written by iconoclastic movie historian David Thomson. ~ Hal Erickson, All Movie Guide
  • GONE WITH THE WIND (5PC) (W/BOOK) / (FULL COLL) - DVD

    Type: Event | Date: Tuesday, Dec 1, 2009

    Includes:Gone With the Wind (1939), MPAA Rating: G The Making of a Legend: Gone with the Wind (1989) Gone With the Wind Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide The Making of a Legend: Gone with the Wind This made-for-cable documentary traces the filming of the imperishable classic Gone with the Wind, from its inception to its triumphant Atlanta premiere in December of 1939. Filmmaker David Hinton interviews as many survivors of the experience as he's able to round up, but the main attraction of this film is its precious "test" clips. We watch a montage of screen tests of the many actresses considered for the role of Scarlett O'Hara, ranging from such front-runners as Paulette Goddard to such not-a-chancers as Lana Turner. The Goddard footage is particularly enjoyable as we watch her eagerly reciting the lines of all the characters as she auditions for Scarlett. The documentary also turns up several tantalizing bits of trivia, notably the fact that the film was shown to a preview audience with an entirely different musical score (portions of which are played on the soundtrack). There is, of course, very little suspense involved in Making of a Legend, but even those who've heard all the Gone With the Wind factoids from other sources will watch in fascination as the saga unfolds. This documentary was produced by David Selznick's sons, and written by iconoclastic movie historian David Thomson. ~ Hal Erickson, All Movie Guide
  • Shirley_temple_home_top_story

    Shirley Temple, child star, passes away at 85

    Type: Article | Date: Tuesday, Feb 11, 2014

    Temple retired at 21 but remained in the public consciousness for decades
  • Pga_home_top_story

    'Gravity' and '12 Years a Slave' tie at the 2014 PGA Awards

    Type: Post | Date: Monday, Jan 20, 2014

    'Frozen' and 'We Steal Secrets' take honors for animation and documentaries
  • James-gandolfini-51_home_top_story

    Notable Celebrity Deaths of 2013

    Type: Gallery | Date: Thursday, Dec 26, 2013

    Paul Walker, the star of "The Fast and The Furious" franchise ...
  • Joanfontaine1945lsapphoto_home_top_story

    Oscar-winning actress Joan Fontaine dies at age 96

    Type: Article | Date: Sunday, Dec 15, 2013

    Thesp won an Academy Award for her performance in Hitchcock's 'Suspicion'
  • Pic_home_top_story

    Roundup: Bond producers honored by PGA

    Type: Post | Date: Thursday, Oct 31, 2013

    Also: McConaughey in THR's actors' roundtable, and David Simon on '12 Years'
  • Pic1_home_top_story

    Production begins on George Clooney's 'The Monuments Men'

    Type: Post | Date: Tuesday, Mar 5, 2013

    Could he be back at the Oscars next year?
  • Argo_home_top_story

    'Argo,' 'Wreck-It Ralph,' 'Searching for Sugar Man,' 'Homeland' win PGA Awards

    Type: Post | Date: Sunday, Jan 27, 2013

    Does that wrap it up for Best Picture or is there more nuance at play?
  • Pic_home_top_story

    On 'Rebecca' and 'Foreign Correspondent,' Hitchcock's 1940 double-shot at Oscar glory

    Type: Post | Date: Wednesday, Nov 21, 2012

    Hitch probably never came closer to victory than his first time at bat
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