171 search results for Bible
The season ends tonight.
Don Cheadle, Edie Falco, Kevin Spacey and more react to nomination news
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Not even the Baby Jesus is spared
The 'Anchorman' star and the pop phenoms kick off the show's December run
It's the third January switcheroo in six weeks for FOX
Mesopotamia looks an awful lot like Iceland.
The season ends tonight.
Includes:White Comanche (1967) E Dio disse a Caino (1969) Mio Nome Ãˆ Shanghai Joe (1972) Four of the Apocalypse (1975) Keoma (1976) White Comanche In this film, the twin sons of a white man and an Indian woman must struggle to overcome both their sibling rivalry and their conflicting identities. ~ Iotis Erlewine, All Movie Guide E Dio disse a Caino Don't let the title mislead you, this film doesn't come from the Bible Belt; it's actually a western where a trigger-happy quickdraw guy has to draw upon all his talent just to stay alive. ~ All Movie Guide Mio Nome Ãˆ Shanghai Joe Director Mario Caiano, best known for the gorgeous horror film Amanti d'Oltretomba, made eleven Westerns in his career, but none as strange as this one. Perhaps it might help some to recall that the TV-series Kung Fu was enjoying great popularity at around the same time employing a similar East-meets-West theme. This film is much more grim and bloody, however, as it tells the tale of a Chinese man (Chen Lee) who travels to San Francisco in 1882. Looking for a better life, all he finds is scum -- racists, perverts, slavers, greedy conmen and mercenaries. Naturally, the gentle mystic must fight to find inner peace. Lee's major weapon -- aside from knives and lethal yo-yos -- is a devastating punch that rams all the way through his opponents' bodies. But that isn't the half of it. A cardshark gets his eyes gouged out in revolting detail, people are beaten to bloody pulp, and the villain of the piece (Klaus Kinski in a fascinating performance) is Scalper Jack, a mincing, sadistic bounty-hunter who tortures and skins his victims alive. A depressing and violent film, this exercise in bloodletting is powerful stuff and well-acted by a veteran cast including Giacomo Rossi Stuart, Claudio Undari and Gordon Mitchell, who also appeared in Caiano's Erik IL Vichingo. Adalberto Albertini made an unfortunate comic sequel the following year with Kinski (in a different role) and Lee. ~ Robert Firsching, All Movie Guide Four of the Apocalypse A vain gambler (Fabio Testi), a pregnant prostitute (Lynne Frederick), a bumbling alcoholic (Michael J. Pollard) and a man who claims to see ghosts (Harry Baird) become unlikely traveling companions in this unusual spaghetti Western from notorious Italian horror director Lucio Fulci. The only survivors of a frontier-town massacre staged to rid the once-lawful town of its overpowering criminal element, the quartet ride the Western trail in a last-ditch bid to reach the next populated area and get back on their feet. Soon drawing the attention of a trigger-happy bandit named Chaco (Tomas Milian), the four cautiously accept him into the fold when Chaco displays a remarkable talent for hunting. When their newfound friend tortures the foursome and leaves them for dead after feeding them hallucinogens, the remaining survivors' desperate bid for survival leads them to take shelter in a ramshackle mining town inhabited only by men of questionable honor. As the birth of her child draws closer, prostitute Bunny (Frederick) looks to suave gambler Stubby (Testi) for the love and support to bring her child into the world. Though the men of the town reluctantly band together to aid Bunny in the birth of her baby, Stubby finds himself torn between the prospect of fatherhood and his unquenchable thirst for revenge against the supremely evil Chaco. ~ Jason Buchanan, All Movie Guide Keoma Half-breed Keoma (Franco Nero) returns to his border hometown after service in the Civil War and finds it under the control of Caldwell (Donald O'Brien), an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand (Woody Strode) to exact violent revenge. ~ Paul Gaita, All Movie Guide
Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived. ~ Lucia Bozzola, All Movie Guide
Sins of the past catch up with several characters as we head toward the season's third act
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