A mostly positive day of films at Sundance concluded at the Eccles theater Friday night with the directorial debut of John Wells' "The Company Men." Wells, the creator of such critically acclaime...
One of the more anticipated features at Sundance this year was Spencer Susser's intriguing "Hesher." Unfortunately, instead of being a potential breakout at the festival, the results are a mixed bag that wil...
The first true crowd pleaser debuted early during the first day of the 2010 Sundance Film Festival and its the charming "happythankyoumoreplease." And the standing ovation and frequent laughter during ...
After "HOWL," I had to hurry across Park City from the Eccles Theater so I could make it to the Egyptian in time for the Shorts Program I. Dan Fienberg already reviewed the majority of the films from t...
It's always tough to be the first film in a festival. And at Sundance, the conventional wisdom I've always heard from veterans is that the oepning night film is rarely good.
Let's just say conventional wisdom h...
Jon Hamm was all smiles at the Thursday premiere of "Howl" at the 2010 Sundance Film Festival
The 2010 Sundance Film Festival hasn't even officially begun yet and the first major acquisition has already occurred. According to Variety, Paramount Pictures has picked up worldwide rights to David Guggenheim'...
The 2010 Sundance Film Festival, or Sundance Twentyten as the institute has dubbed it, kicks off Thursday night with the world premiere of "Howl." The narrative directorial debut of noted documentarian...
We have descended on Park City en masse, and this year, we come to conquer.
Last year, HitFix had been up and running for about a month when we flew to Sundance, and I was still getting my bearings, having just left ...
One of the first films I watched for this year's festival was last night, a very small film called "Bass Ackwards." Directed by Linas Phillips and also starring him, "Bass Ackwards" ...
