Cannes Film Festival 2013

'The Good Guys' - 'The Dim Knight': Where's Walter White when you need him?

A dog poisoning case leads to a meth ring.

<p>A bad guy gets the drop on "The Good Guys."</p>

A bad guy gets the drop on "The Good Guys."

Credit: FOX

A quick review of last night's "The Good Guys" coming up just as soon as my code for the copy machine works...

Like Todd VanDerWerff over at The AV Club, I thought "The Dim Knight" was a little too busy for its own good, and would have rather the bad guy portion of the hour focus more on the John Woo-esque hitman and his terrified translator. Still, I enjoyed the hour a bunch, and Whitford is definitely growing on me (and the show has wisely tilted more towards comedy since the pilot).

That said, I'm not sure this one's going to merit weekly reviews. It's a fun summer diversion (and, assuming Fox sticks to the fall schedule, it should be an entertaining show to kick off the weekend come September), but there's not much worth analyzing. "Burn Notice" shakes things up weekly in terms of the clients, the undercover identities and strategies that Michael adopts, the larger season story arcs, etc., where the four "Good Guys" episodes have been minor variations on the same amusing theme.

The most notable development here was the idea that Jack and Dan might work their way out of the doghouse (on a case, appropriately, that started off with poisoned dogs), and of course that had to get scotched, Gilligan-style. (Though you would think Jack could have come up with a more convincing lie, like saying The Dim Knight snuck out the back door during the shootout.) There will come a point, however, where the show's going to have to have the boss confront the way that every minor case these two work eventually leads to crime lords and foreign assassins and a hail of bullets and explosions - even if the way she confronts it is to suggest they stick to minor crimes because they have an uncanny knack for following small trails to bigger prey.

Anyway, I'll check back in with a review if an upcoming episode is noticeably different. In the meantime, what did everybody else think?

Alan-sepinwall-sm
Alan Sepinwall
Sr. Editor, What's Alan Watching
Alan Sepinwall has been reviewing television since the mid-'90s, first for Tony Soprano's hometown paper, The Star-Ledger, and now for HitFix. His new book, "The Revolution Was Televised," about the last 15 years of TV drama, is for sale at Amazon. He can be reached at sepinwall@hitfix.com

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  • Default-avatar

    Dino

    I can see why it may not remain in your weekly rotation, but the show really has grown on me. It's cheesy and funny and just a good time to watch. Definite summer fun and has gotten better since the pilot.

    June 22, 2010 at 12:00PM EST Reply to Comment
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    JimBriggs

    I don't want to critique the show too much, because it really is fun to watch, but wouldn't Jack and Dan's work in taking down a major meth operation override allowing The Dim Knight to get away, and thus get them out of the doghouse?

    Also, how come Dan is the only one on the show with some semblance of a Texas accent?

    Anyway, "cheesy and funny" was a good description, and I'll keep watching.

    June 22, 2010 at 12:21PM EST Reply to Comment
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      Chrissy The ADA has a southern accent (no idea if it's Texan). Presumably Dallas is a big enough city that some of its citizens aren't strongly accented and others are transplants, though, right?

      June 22, 2010 at 10:26PM EST
  • Futurama_nixons_head_talkback_profile

    jobert

    From your 'Memphis Beat' review: "Take the Elvis references away, and 'Memphis Beat' could take place in any city, with any kind of cases."

    Sometimes 'The Good Guys' tends to overdo the Texas accents, but the show definitely feels tied to its setting. I'm sure there are probably some other Dallas residents who might not feel the same way, but it's a large part of why I enjoy the show.

    June 22, 2010 at 12:25PM EST Reply to Comment
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      Alanna I was born and raised in Richardson, and my family still lives here. I left TX ten years ago for another city I now love dearly. As much as I gripe about D/FW -- for reasons that have nothing to do with politics -- it's still a deep part of who I am. Something about this show gets under my skin and makes me feel happy and nostalgic, especially recognizing the various locations. I'm glad it's filmed on location because it really does get D/FW right. Though I'm also iffy about some of the thick accents, like the young ADA who sounds like a southern belle -- even if she was also born and raised there, in my experience most young urban professionals in the South let their thick accents fade away, if they ever had them at all.

      June 22, 2010 at 1:39PM EST
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    SWG

    Shows often start out with variations on the same theme. The first half dozen episodes of Chuck were almost interchangeable but that's forgiveable to me if they branch out later on after they've laid that foundation as I'm sure this show will do if given a chance.

    I enjoyed last night's episode, and think that if this show were on USA network or HBO it would be getting more praise from various quarters. It's just for some reason everyone loves to hold broadcast network shows to a higher standard than they do cable.

    June 22, 2010 at 12:43PM EST Reply to Comment
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      Robert I agree completely, especially with your last point. If this show debuted on TNT or USA, it would probably get a LOT more attention than it is being on FOX.

      Also, I noticed that the FX network is airing the previous weeks episode on Monday's at 10pm.

      June 24, 2010 at 5:37PM EST
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    Lazlo Toth

    So what if the stories follow similar general patterns? I know exactly what a pint of Chubby Hubby is going to taste like every time, but I still enjoy it immensely once a week, without any guilt or ill effects. TGG is unfailingly well written and well acted, and consistently funny. I don't expect my ice cream to fill all of my nutritional needs; a pleasant diversion is enough. Same with this show. It's the most entertaining thing on TV right now, by far.

    June 22, 2010 at 3:12PM EST Reply to Comment
    • Midnight_run_mca255950_talkback_profile

      sepinwall I like the show. I don't object to it giving us the same formula every week. I just have nothing new to say about that formula, and therefore won't be writing more until/unless they offer me up something different enough to inspire new thoughts.

      June 22, 2010 at 3:21PM EST
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    gally

    I really like the show. It's silly, but that obviously doesn't mean it's not good. It doesn't take itself too seriously and is just good fun. Besides, there's nothing else on right now.

    June 22, 2010 at 3:23PM EST Reply to Comment
  • 9yearsold_talkback_profile

    klg19

    I, too, understand the challenge in reviewing a show that has a fairly repetitious formula, no matter how well that formula is executed, so I'll forgive you for dropping TGG from the rotation (yes, I know this means you'll sleep better tonight).

    So I'm happy for this opportunity to say how much I'm enjoying the show, especially Whitford, who is just sheer joy to watch. The easy seduction of the pink-shirted loading dock clerk was hilarious and still somehow completely believable.

    "Memphis Beat," on the other hand, was painful in every way. I guess the writers were afraid that viewers would find it as generic as you did, so they hammered us over the head with endless references to how very, very special Memphis is ("sacred ground"? really??). Blech.

    June 23, 2010 at 12:07AM EST Reply to Comment
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      Sean All of Stark's come-on's, talk-downs and seductions have been very well written and executed.

      Last week, his disarming of the angry wife with the loaded gun in the front yard was also hilarious and yet still completely believable. Whitford is able to pull off those scenes with a great deal of charm and sincerity.

      June 24, 2010 at 5:50PM EST
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    VisionOn

    I haven't changed my opinion of the show since the first episode. It looks and feels like a cable show, which is probably holding it back on an OTA network.

    The show would benefit greatly from faster pacing and more gags. There are good comedic scenes throughout but the sections in between seem to just lethargically wander along.

    If you watch the previews you are almost certain to see every good gag in the episode.

    June 23, 2010 at 3:07PM EST Reply to Comment
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    blingbling

    I like this show for the same reason I like "Castle." Both Bradley Whitford and Nathan Fillion have decided to rise above lukewarm material and not-exactly-scintillating supporting casts and just have a ball anyway. I can say that both the writing and the supporting actors have gotten better on "Castle," and if "The Good Guys" could actually write better material for Hanks' character, I think "The Good Guys" could actually be more than a summer fill-in. Heck, I'd even be able to excuse those horrible scenes with the 8-foot-tall, underwear-challenged D.A.

    June 23, 2010 at 9:29PM EST Reply to Comment
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    Diane

    Has anybody mentioned Whitford's tie-tac yet? I've been a little out of the loop, so sorry if this is a repeat. He wears the same handcuff tie-tac every week and I've been wondering if that's an homage to Wojciehowicz from Barney Miller?

    June 24, 2010 at 2:12AM EST Reply to Comment
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    TXCaddyKing

    Still love this show. Now I know what New Yorkers/Jerseyers feel like when I hear the name of a street/city that is part of where I live. Probably different since so much is filmed in NY.

    June 25, 2010 at 6:07PM EST Reply to Comment
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    7s Tim

    I just realized why the theme song was so familiar; it's wildly similar to the theme of Spectacular Spider-man. go here:

    http://www.youtube.com/watch?v=7t3tNaaPou8

    and then jump to about 40 seconds in. someone tell my im not crazy.

    July 1, 2010 at 10:07AM EST Reply to Comment

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