Comic-Con: 'The Cape,' 'Teen Wolf,' 'Falling Skies' and the great unknown
Three new shows try to connect with the crowd, to varying degrees of success.
David Lyons in "The Cape."
While Fienberg spent the day at Comic-Con in Ballroom 20, covering high-profile TV panels like "True Blood" and Joss Whedon, my assignment was to roam around to some of the smaller rooms and see how some other shows - all of them new, and most of them not debuting until sometime in 2011 - were received.
I already wrote about "The Walking Dead" lovefest and the promising response to "Hawaii Five-0," but both those panels featured known quantities in some way: everyone at the former panel had already read the comic book (or just really liked zombies), and at the letter, everyone knew some combination of Daniel Dae Kim on "Lost," Grace Park on "BSG" or the theme song.
The three afternoon panels I attended - for NBC's "The Cape," MTV's "Teen Wolf" remake and TNT's "Falling Skies" - were far sketchier in what fans knew going in, and only the first of those provided much new intel before the questions started. So how did the crowds react? Some thoughts on each, after the jump...
"The Cape": It's stars David Lyons (the obnoxious Australian doctor from the last couple of years of "ER," as well as "Day One," a show that over the course of the last year was downgraded from a mid-season series to a miniseries to a never-aired series) as a cop who fakes his own death and assumes the guise of his son's favorite comic book hero after he's framed for murder in a city where all the cops are corrupt.
While other new shows are going to screen pilots in their entirety over the weekend, what "The Cape" audience got was something in between a sizzle reel and a pilot. It seemed to feature every scene, but often a condensed version of it where we came in late and left early, so that viewers would get a sense of the whole plot, which involves a supervillain named Chess (James Frain), a troupe of carnival performers who moonlight as bank robbers (headlined by Keith David) and a blogger calling herself Orwell (Summer Glau).
Maybe it was because the scenes didn't have enough time to make some kind of emotional impact, or maybe it was just that "The Cape" seems to be a very generic, if sincere, superhero story, but the crowd's reaction was very, very muted. When a Con crowd is enjoying some footage, they're vocal about it - very vocal. But here, everyone was very quiet, responding audibly only for a gag involving a raccoon, and then a fight scene between little person stuntman-turned-actor Martin Kelbba (who plays one of the carnies) and soccer thug-turned-actor Vinnie Jones (who plays another supervillain with lizard-like skin).
Things pepped up just a bit when the cast came on stage, mainly because the fanboys and fangirls love Glau from "Firefly" and "Terminator," and because they apparently have some residual goodwill from the epic Keith David/Roddy Piper fistfight in "They Live!" But this definitely wasn't an hour that seemed destined to stir the fans into a frenzy waiting for some other NBC drama to fail so "The Cape" could get its timeslot.
"Teen Wolf": "Thank you for coming to see if we ruined 'Teen Wolf' by making it into a TV series," quipped the show's creator, Jeff Davis (who previously created "Criminal Minds") at the start of this panel about a new spin on the '80s Michael J. Fox comedy.
The first act of the MTV show (no premiere date set) was screened for a very, very sparse crowd (most of the room had emptied after "The Cape"), and then Davis and his young, unknown cast set about trying to separate themselves from the Fox movie - which (not that the Fox movie is particularly good) raises the question of why they would bother trying to trade on the name at all, given that the only thing this dark show has in common with the original is that both involve teenage werewolves.
"We loved Michael J. Fox, and we were very forgiving of him, even in his bad werewolf makeup," Davis said, dismissing the original as "a basketball movie" that was more like "The Karate Kid" than the kind of horror thing he wants to do. "The idea here is to take the idea and make it into something new, something sexy and something fun."
The cast - most of whom weren't even alive when the Fox movie came out - all tried to be respectful of the film while admitting they either didn't watch it at all, or watched a few minutes and stopped.
This was also a panel with no real moderator, so Davis ground things to a halt as he spent five minutes or so on each castmember (and, in fairness, director Russell Mulcahy, best known for the original "Highlander"), so by the time things were opened up for audience Q&A, whatever enthusiasm the small crowd might have had was evaporated.
"Falling Skies": This is probably the highest-profile of the three, in that it's produced by Steven Spielberg ("BSG" vet Mark Verheiden is the active showrunner), stars Noah Wyle and Moon Bloodgood, is about the aftermath of an alien invasion of Earth and will no doubt get a huge promotional push from TNT when it launches next June.
It also got the most enthusiastic response of the three - still modest compared to "Walking Dead" (or even "Hawaii Five-0"), but clearly positive. It helped that we only got a sizzle reel, which means they could cut together the best footage from the pilot (including several glimpses of celebrity boot camp maestro and sometime-actor Dale Dye) without having to pause for exposition or characterization.
The series picks up six months after aliens have taken over Earth for reasons unknown. Wyle plays a suddenly-widowed Boston University history professor who finds himself leading a resistance cell (and frequently talking about the American Revolution), while Bloodgood is a pediatrician who lost her husband and daughter in the invasion.
Verheiden liked the idea of picking up well after the invasion itself (which is the period most of these stories take place in), because, "Our people are trying to catch up as much as the audience will be."
There were a few good laugh lines from the panel - Bloodgood at one point said, "I've always thought of myself as a masculine person," and, when asked whom she would most want on her side against an alien invasion, suggested, "Samuel L. Jackson" - and Verheiden and Wyle sounded smart in discussing ways in which the show will be different from the dozens of similar movies and TV shows, and the crowd (a packed room after the sparseness of "Teen Wolf") seemed pleased at the conclusion.
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All through his childhood, Alan Sepinwall's relatives told his parents, "All that boy does is watch television! How's he going to make a living doing that?" His career as a TV critic has been 15 years and counting of his attempt to answer their concerns. "What's Alan Watching" is a blog whose title is self-explanatory: Alan watches TV shows, then writes about what he watched. He can be reached at sepinwall@hitfix.com
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Login or create a HitFix account Login SignupDavid I find the fact that you say The Walking Dead audience loved it, and then say The Cape audience was quiet, then applauded at the end... and that if the audience likes something they are vocal while watching it, utter BS.
July 23, 2010 at 9:31PM EST Reply to CommentI just watched a bootleg of the entire The Walking Dead trailer from SDCC on youtube and the audience was dead quiet until the end, then they applauded. Just like you describe The Cape panel. The Walking Dead Audience did not seem very excited while watching at all. They seemed like they were quietly paying attention.
I think you are fibbing.
David I would also like to add that reading this article sounds more like you crying about not getting to go to the particular panels you wanted to because you were there on company time.
July 23, 2010 at 9:37PM ESTIf you didn't want to go to Teen Wolf then go to SDCC on your own time.
sepinwall I was in the room for Walking Dead. I have not listened to your bootleg, but I can assure you that the crowd was vocal early and often during the Walking Dead trailer, and there was a clear difference to the energy in the room both during the video and the Q&A.
July 24, 2010 at 1:23AM ESTAnd I was perfectly happy to attend most of the panels I did. Teen Wolf was the only one that felt like a waste of my time, but it came in between two I was interested in, and the same thing would have happened had Dan and I swapped roles.
David Humbug. Yours was the only negative comment on twitter that I saw except for people retweeting you, or responding to your tweet.
July 24, 2010 at 6:26AM ESTThere may have been some in the last few hours but all the tweets I read during and up to a few hours after the panel were positive to downright excited. And I was using the search function.
In that much you were wrong in saying the fanbois and girls are not eagerly awaiting a fall show on the NBC lineup to get an early cancellation and make way for The Cape, because I can assure you, we cannot wait. Seriously, how could you even imply that fanbois would not be chomping at the bit to see the object of their fanaticism every week on television? That is a contradiction of the word fanboi.
The show has a dream team cast, including the man who is single-handedly making the Tara plotline on True Blood watchable again with his brilliant acting. It will surely have and epic score and at least above average writing for television... I mean really. Did you live through the '80s? I grew up with The A-Team and Airwolf, I am no pretentious hipster snob. I can enjoy a program other than a medical drama or copshow.
It just seems to me you broke out and attacked David Lyons and you have a bone to pick or something... it comes through in your writing as much as my fanboyism comes through in mine, I am sure.
Phooey.
Lighten up, Francis.
July 24, 2010 at 3:23PM ESTRedFi Wow. Teen Wolf? Really? I vividly remember watching the Michael J. Fox version back in the day when I was in grade school, but I've never once since that time thought it needed the serialized treatment. Weird.
July 23, 2010 at 10:13PM EST Reply to CommentLoving your updates - even though you were making me insanely jealous while I was at work.
Chrissy It was serialized - as a cartoon I used to watch in elementary school. I remember loving it, but then, I was 6. So there you go.
July 26, 2010 at 12:56PM ESTvelocityknown I love Summer Glau, but I need to know if there's more reason than her alone to tune into "The Cape" whenever it does end up on TV.
July 23, 2010 at 10:26PM EST Reply to CommentMy guess is it'll be replacing one of NBC's Monday night shows. Praying that it isn't "Chuck" but ratings were at Party Down levels on the home stretch of last year. Hoping that it replaces "Chase" which looks to be another boring police procedural.
Stu comicon? I was hoping for a pillars of the earth review
July 23, 2010 at 10:59PM EST Reply to Commentsepinwall Go to Fienberg's blog. I never had time to watch it (or interest in making time).
July 24, 2010 at 1:24AM EST
I love Keith David, too. The Cape trailer a few months back didn't do anything for me, but I was thrilled to see Keith David, just because he was getting regular work again.
July 24, 2010 at 12:00AM EST Reply to CommentI'm watching The Thing next week. I'm really curious to see what he looked like thirty years ago.
DavidR Write a comment...
July 24, 2010 at 12:16AM EST Reply to CommentDavidR I quite liked the Teen Wolf script and would love to see a few seconds of footage. This and the American version of Skins could make a very solid hour for MTV. (They are half hour dramas right? Hour long shows don't seem to fit in.)
July 24, 2010 at 12:21AM EST Reply to CommentI'm not surprised about The Cape, it does not look like a good show.
Echos Myron The Walking Dead panel was the only reason to attend Comic-Con, much like AMC is the only reason to turn on your TV.
July 24, 2010 at 3:34AM EST Reply to CommentM "...raises the question of why they would bother trying to trade on the name at all, given that the only thing this dark show has in common with the original is that both involve teenage werewolves."
July 24, 2010 at 9:44AM EST Reply to CommentYou could pretty much say the same about Buffy and it seemed to work out okay for them.
sepinwall Except that Joss Whedon wrote both. The show was his attempt to do right by a concept he felt the movie screwed up.
July 24, 2010 at 9:48AM ESTTracey Re Teen Wolf: I'm getting used to movies that steal the name of a popular older movies that have little or no relation to the new one. But why would anyone in their right mind steal from a piece of crap like Teen Wolf, that succeeded only because it was released a month after the blockbuster Back to the Future?
July 24, 2010 at 2:23PM EST Reply to Commentrobcrogers3 Alan, between the name of The Cape, the superhero theme, the city with corrupt cops, and, especially, the carnival performers as villains, I'm getting a Devil's Cape vibe from this show. Are these just superficial similarities, do you think?
August 1, 2010 at 7:57AM EST Reply to Comment