Film Festival

Sundance Review: 'Secrets of the Tribe'

Jose Padilha observes the academics who have been observing the Yanomami people

Sundance Review: 'Secrets of the Tribe'

'Secrets of the Tribe'

Credit: Sundance

The title of the HBO Films documentary "Secrets of the Tribe" is a bit of a trick.

The feature, premiering as part of Sundance's World Cinema Documentary Competition, is set against the backdrop of the popular field of Yanomami Indian studies, but that isn't the tribe in question. No, Jose Padilha's doc is actually focused on the intellectual tribe of anthropologists and academics who have built their careers and expanded their livelihoods by studying, exploiting and possibly even harming the Yanomami.

Napoleon Chagnon, one of the doc's central figures, called his then-groundbreaking study "Yanomamo: The Fierce People," but as somebody who grew up in a family of academics, I can vouch for the fierceness of professors and researchers as well. Even those uninitiated in the publish-or-perish world or in the jungle of the tenure system won't have much doubt on its brutality after watching "Secrets of the Tribe."

But "Secrets of the Tribe" isn't just about a group of eggheads calling each other names (though there's a lot of that), it's an often provocative interrogation of how all ambitious people impact the world around them and how difficult (or impossible) it is to be a mere observer.

[More on "Secrets of the Tribe" after the break...]

The field of Yanomami studies broke out in the 1960s when anthropologists like Chagnon and Jacques Lizot headed to the Brazil-Venezuela to observe one of the world's few remaining "virgin" cultures.

Accepting that documentaries about the Yanomami themselves are legion, Padilha ("Bus 174") unfolds his damning case observing the observers, starting with what appear to just be petty intellectual squabbles between men who have been calling each other out in articles, books and journals for decades.

So we hear about Chagnon's research bringing evolutionary biology into anthropology and attempting to prove a connection between violence and virility among the Yanomami. This is a contentious debate that yokes in long-debated questions about the aggressive nature of the tribes, the reasons behind that aggression and data gathering disputes that have carried on well past the point at which that date was even vaguely statistically relevant anymore.

That feels like trivial stuff, but scholars like Chagnon and Kenneth Good take it seriously and Padilha is willing to let both men make their cases without taking a side. At times the editing feels sympathetic to both men, but there's ample directorial mocking, or at least raised eyebrows.

Then the charges get more serious. Good grew so close to the Yanomami that he married a girl who, by Western Standards, would have been wildly underage. This bringing up questions of academic ethnics, but also of ethnocentric morality, with Good fiercely defending his since-ended marriage (and ensuing book) and Chagnon going to far as to tersely call his rival a pedophile.

Then things get even worse, as we learn about the sexually predatory behavor of Lizot, a protegee of Claude Levi-Strauss, who traded guns and other goods for sexual favors with the young Yanomami boys. The Yanomami have no particular interest in fudged statistics appearing in articles in Science magazine, but as we see the more tangible ways the visiting anthropologists harmed their lives, actual Yanomami tribesmen get more and more camera time. Lizot, who opted not to appear on camera, is condemned by an international team of scholars and experts who fail to understand how his behavior was allowed to continue unabated for years. Chagnon is criticized for not stepping in, though Padilha isn't able to get him to indicate how much he knew and when he knew it.

Padilha's subjects have even grander charges to lay out against Chagnon, specifically participation in homicide and genocide. Some of those claims are easy enough to substantiate. Chagnon took a people he already though of as fierce and helped them upgrade their arsenals by giving them machetes, axes and other potentially violent implements.

The charges of genocide aren't nearly as well laid out and constitute the weakest part of the documentary. I get that on one expedition, Chagnon and geneticist James Neel arrived in the midst of measles outbreak and allegedly managed to make things worse for the natives, possibly intentionally in the name of research. I'd begin by getting offended at the anthropologists who drop words like "genocide" to categorize the loss of a couple hundred lives (many of which can't possibly be attributed to anything done by the academics), but what I don't get is the hows, the whys and what Padilha thinks really occurred.

Those charges seem to have less to do with anything verifiable and more to do with journalist Patrick Tierney's "Darkness in El Dorado," a book that tries to sculpt a "Heart of Darkness"-style journey for Chagnon's time with the Yanomami, even if no such nadir existed in real life.

It's an extra bit of hyperbole that the documentary doesn't need, because even without gilding that specific lilly Padilha has an easy time proving that the men who spent time among the Yanomami succumbed to all manner of destructive and self-destructive lunacy.

What we're left with is an array of academics, some of whom are trying to make their names on actual scholarship, while others are betting their credentials on starting feuds that sell books, but offer no enlightenment past that. And then there are the Yanomami themselves, so extensively studied, so irreparably changed and yet still guarding most of their most meaningful secrets.

 

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    amylynn

    I am so excited to see this movie! The lens turned to the observers! If you are interested in remote indigenous cultures, visit ninosdelaamazonia.org

    Here you will see photos of everyday life in the rainforest for a remote indigenous tribe in the Peruvian Amazon. BUT - the photos were all taken by the indigenous children! Intimate and real. Find out how they live and what THEY want.

    January 26, 2010 at 1:57AM EST Reply to Comment


  • Yanomami leaders watch these films and ask that their feelings be known. In the words of Timoteo Perez, a Yanomami leader, "I saw their videos and how they portrayed my people. There were books full of pictures of my people, some of whom I knew and who were dead. It brought tears to my eyes."

    I'm glad to see these issues and this film gaining attention because of Sundance. We have been working with Timoteo's Yanomami community for eight years to tell their side of the story in another film: Yai Wanonabalewa: The Enemy God.

    You can find information and hear more of what the Yanomami have to say about themselves at: http://www.theenemygod.com

    Please listen to our indigenous brothers and sisters.

    Tom

    January 26, 2010 at 1:15PM EST Reply to Comment
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    Russell C.

    This exposes the world of academia for what it really is the exploitation of others to line pockets. No level of indecency and immorality is too great. These are the published and award winners. The teachers of the next generation through the collegiate system. No wonder the young act like complete animals. They are being taught by animals.

    March 24, 2011 at 7:46PM EST Reply to Comment
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      Georgie Ahhh. Yes, it's a secret cabal of balding Econ and Sociology professors driving America's youth culture. You should see them passing out club drugs at raves like candy! Hell-bent on the destruction of traditional American values. Damn atheists.

      October 14, 2011 at 2:21PM EST
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    Fil

    For everyone interested in Yanomamo culture or the work of anthropologists among them, you can read it from the Yanomamo perspective in the following book:
    Spirit of the Rainforest: A Yanomamo Shaman's Story.

    Translated by someone that grew among the Yanomamo, this is one of best books ever on anthropology or Amazon indigenous cultures.

    May 10, 2011 at 5:54AM EST Reply to Comment
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