Want one more 'Kick-Ass' character poster?
Lionsgate continues the blitz with an introduction to Kick-Ass himself
Aaron Johnson plays the title character in the upcoming Matthew Vaughn adaptation of Mark Millar's 'Kick-Ass'
Have you noticed that "Kick-Ass" decided to jump in this week with their campaign at full volume?
First we got the four teaser posters of the characters all standing above the city with their backs to us.
Good stuff. I like the fact that they are playing coy a bit with the audience right now. There's so much in "Kick-Ass" that it's hard to know where to start when you're describing it, and so just introducing characters is a smart way to begin.
Then yesterday, the trailer for the film showed up, and reaction was a little mixed.
Keep in mind, this is a film that covers a lot of ground in terms of tone. What you're seeing in a teaser like this is just one of the many colors that the film utilizes.
Knowing that, I think the new poster they released today is even better than the first ones, and I hope we get more character posters done in this style. These are genuine poster art, and although the character campaign isn't the most innovative idea in the world, executed right, it's one of my favorites ways to sell a movie.
Here's Aaron Johnson as Kick-Ass:

You can thank MySpace for the debut.
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November 12, 2009 at 7:13AM EST Reply to CommentThis is supposed to be "poster ART"? It looks gawd-awful terrible. That dialog type has no character to it and looks like a toss-off (cheap) from standardized fonts (the background needs to be darker to make it stand out). The "Kick-Ass" spray-paint logo looks even more Photoshop cheap! It's supposed to be stenciled on but then someone decided to give it the spray flares and drips to suggest graffiti ("The kids will love that!"). Hell, the spray effects look like they were done by a monkey!
Then you can see how sharp focus the boots are and yet the actor's face is all air-brushed. The lack of professionalism to this design and its execution is amazing in how it reveals both the stinginess behind it and the disdain for the public's eye.