Cannes Film Festival 2013

The Coens give us a first look at 'A Serious Man'

Trailer dazzles and teases, but what's it about?

<p>Michael Stuhlbarg is the lead in the new film from Joel and Ethan Coen, 'A Serious Man,' playing a persecuted university professor seeking metaphysical answers</p>

Michael Stuhlbarg is the lead in the new film from Joel and Ethan Coen, 'A Serious Man,' playing a persecuted university professor seeking metaphysical answers

Credit: Focus Features

It's daring of the Coen Brothers to make a movie starring absolutely no one the general audience recognizes.  To a large extent, they get to make the movies they make because movie stars think it's awesome to work with the Coen Brothers.  And they're right, of course.  It is awesome to work with the Coen Brothers.  Because they are, sorry to be redundant but I have to be because it's true, awesome.

If you haven't seen the trailer for "A Serious Man" yet, go check it out at Apple, where they've got the HD version and an exclusive premiere.  Don't check it out on someone else's imbed, especially if they're earning ad revenue.  That's shady.  Apple's the one place that is officially supposed to have the trailer today, and I'm sure we'll be able to embed it later.

"Please... I need help."

[more after the jump]

I'd argue this is the best trailer for a Coen Brothers film since the first trailer for "The Big Lebowski," cut entirely to the Kenny Rogers song.

It's as great a trailer as that magnificent "Miller's Crossing" trailer.  It's suggestive, provocative, strange, haunting.  The entire trailer is cut to the sound of a character's head repeatedly being slammed into a wall.  BLAP! BLAP! BLAP! BLAP! It's really unsettling, especially with the unfolding mini-drama between Larry Gopnik (played by Michael Stuhlbarg) and the secretary of a rabbi he's trying to see.

"I've had... marital problems."

It looks like Larry's world is falling apart.  His wife wants a divorce.  Someone's writing anonymous letters to the university where he teaches, smearing his name.  He's in a car accident.

"I've tried to be a serious man."

And that voice when she turns him down.  So bizarre.  So off-putting.  And then the assault of Jefferson Airplane, and that same BLAP! BLAP! BLAP! BLAP! as we're reminded of just how many great films these guys have made.

It's a wonderful trailer.  Can't wait to find out when they'll start screening the movie, or if I'm going to have to wait for a festival this fall.

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  • Default-avatar

    ThatWerewolfGuy

    And all that "The Coen Brothers are awesome" talk from the man, who tried to convince them to retire by writing an open letter to them, after they made two movies that were not 100% pure awesomness?
    (If I remember right, it was you! And yes, sometimes I can be pretty resentful. :) )

    July 30, 2009 at 7:35AM EST Reply to Comment
    • Shaggy_werewolf_talkback_profile

      That Werewolf Guy Plus: something went wrong when I logged in, but I don't blame you. ;)

      July 30, 2009 at 7:36AM EST
    • All_purpose_icon_talkback_profile

      drew You missed the point of that open letter, sir. It was a piece of critical hyperbole. My writing about the Coens and my praise of their place in modern cinema, has been consistent throughout my career.

      July 30, 2009 at 8:16AM EST
  • Shaggy_werewolf_talkback_profile

    That Werewolf Guy

    Okay. :) It just confused me when you prominently mentioned your open letter in your review (I think it was your review) for "No Country". It made it look real, like you really wanted the Coen Brothers to quit.
    But this was years ago, so maybe it was just a wrong memory of mine.

    July 30, 2009 at 8:34AM EST Reply to Comment
    • Default-avatar

      readyoufool First off, the "open letter" was in response to "Ladykillers" ( http://tinyurl.com/nadcqy ), not No Country. Ladykillers was bad. There literally was no reason to go see it over the original unless you're in love with tom hanks. Secondly, during the No Country For Old Men review of drew's ( http://tinyurl.com/lrlvyg ) he talks at some length about how the Coen's have finally been reviatlized. And during BOTH of these, the open letter and the No Country review, he explains in great detail why the Coen's lost their spark in the first place. To paraphrase Dr. Cox, do you actually read what you type or do you find yourself drifting in and out? :) (<--smiley makes it all better)

      July 30, 2009 at 9:15AM EST
  • Default-avatar

    Ajax

    This will have its World Premiere at the Toronto Film Fest. Just got announced and it is a bit of a coup that they got it over Venice.

    July 30, 2009 at 2:34PM EST Reply to Comment

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