Review: Clooney's 'Ides Of March' is smart conversation-starter
Film doesn't work dramatically as a whole, but still packs a punch
- Critic's Rating B-
- Readers' Rating B+
Ryan Gosling gives good smart in George Clooney's new film 'The Ides Of March'
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It will not come as a shock to any moderately-aware adult living in America that modern politics is a shell game for the corrupt, but even if you already know the ideas that fuel George Clooney's latest film as a director, "Ides Of March," there is a certain amount of dramatic pleasure to be taken from watching the exact moment where someone's idealism flickers out and dies forever. While the film's script has some issues, and there are a few choices that I found distracting, overall, this is a solid adult drama that benefits enormously from a strong and compelling cast.
Stephen Myers (Ryan Gosling) is the assistant campaign manager for Governor Michael Morris (George Clooney), a tough-talking Democratic Presidential candidate still mired in primary season. Steven and his superior, the much-more-jaded Paul Zara (Philip Seymour Hoffman), are both confident that they've got a winning candidate in Morris, but for Stephen it goes deeper than that. Paul's a killer, the sort of campaign manager who puts victory above everything else, while Stephen actually still feels like he needs to believe in the person he's working for, and in Morris, he feels like he finally has that Presidential idea, a good man with good ideas. Their opponent in the primaries, Sentator Pullman (Michael Mantell), is a faceless obstacle to them, represented mainly by his campaign manager, Tom Duffy (Paul Giamatti). Duffy admires Stephen and the way he works a room, and he makes no secret of the fact that he'd love to hire Stephen away.
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Ryan Gosling is one of the most interesting young guys working today, and I like him for the same reason I like Clooney in the film. You can see them thinking. These are smart people, and for me to invest in the movie, I have to be able to believe in the chess game they're playing. There's a scene near the end of the film between the two of them that is my favorite moment in the movie, and it never turns into a cheap case of histrionics. Instead, I get the feeling this is the way many decisions are made, with subtle and unsubtle demonstrations of power from both sides. Gosling's having a great year as a performer, and he manages to carry the film and be appealing even as we watch his soul ebb away.
My problem is that the way they present the inner working of the political machine is both too simplified for general audiences and too familiar. There is a scandal brewing that Stephen learns about, and while I'm glad Clooney was smart enough to give Morris feet of clay, I wish they'd come up with something else as the scandal. This seems somewhat pedestrian, and the resolution of things depends on some of the shoddiest police work in the history of shoddy police work. There are a few too many conveniences, moments where things fall into place for dramatic purpose but without feeling genuine. It doesn't derail the film for me, but it held me back from really loving what the cast was doing.
Even so, the film is handsomely made, and it does ask some solid questions that we should be asking about the process itself these days. The way we elect our Presidents is deeply broken, and "Ides Of March" suggests that the flaws are inherent, that people are the weak link, and that the sort of people who are attracted to this world are exactly the sort of people we should fear having in office. It may not connect all the dots, but "Ides Of March" should leave adult audiences plenty of fodder for great conversation after they see it.
"The Ides Of March" opens in theaters everywhere October 7, 2011.
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About This Blog
Los Angeles has changed since 1990, and Drew McWeeny, all-around Chauncey Gardner of movie fandom, has seen it all as an industry insider and screenwriter who wrote for 12 years as "Moriarty" for Ain't It Cool News.
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September 9, 2011 at 4:33PM EST Reply to CommentI saw Farragut North on stage in L.A., with Chris Pine in the Ryan Gosling role and Chris Noth in the PSH role; Olivia Thirlby was the intern. (Neither of the actual candidates is seen in the stage version; the drama all plays out with the underlings.) It was great, very compelling and very slick. I can understand how they'd need to put the real candidates in the movie version, especially if Clooney was going to star in it. Looking forward to seeing how this was adapted.
gregel
September 9, 2011 at 5:14PM EST Reply to CommentI def liked this more than Drew. Very good drama in my book. Stuck with me.
mmcb105
September 12, 2011 at 10:56AM EST Reply to CommentI know he is already a star, but between this movie and Drive, it looks like Ryan Gosling is on the verge of mega-stardom similar to Johnny Depp or George Clooney himself. Political thrillers, when done right, can be really entertaining. I'm looking forward to this movie, hopefully it will be as though-provoking as you say.