Cannes Film Festival 2013

Is Will Smith set to suffer in Biblical update 'Joe' for David O. Russell?

Two tough schedules might mesh for high concept riff on the story of 'Job'

<p>Will Smith attended the Justin Bieber premiere in Los Angeles with his entire family.</p>

Will Smith attended the Justin Bieber premiere in Los Angeles with his entire family.

Credit: AP Photo/Chris Pizzello

The story of Job is a fascinating one, and if there's any section of the Bible I feel could really work in the hands of a smart modern filmmaker, that's it.

Right now, David O. Russell is as white-hot as he's ever been in his career, and even if he didn't win the Oscar this weekend, getting nominated really was the victory for him.  We talked in the most recent Motion/Captured Podcast about the way he's rebounded after the near-disaster of "Nailed," a dark political comedy that fell apart during production, and I'm thrilled to see how many projects he's got lined up.  Not all of them will happen, of course, but for a director, it's crucial that you overdevelop, because so many things can derail a film, no matter how good it sounds.

It makes sense that Russell would want to work with Paul Tamasy and Eric Johnson again after the success they've all enjoyed with "The Fighter," and Tamasy and Johnson just sold their new spec "Joe" to Sony and Overbrook Entertainment, with Will Smith attached to star. 

It was on the Movie B.S. podcast that Eric Snider and Jeff Bayer got the Tamasy to open up about his script and just how it was inspired by the Biblical tale of Job, as Collider noted when they pulled this quote:

Tamasy: We sold a project to Sony with Overbrook and Will Smith.  It’s a modern version of the story of Job.

Snider: Will Will Smith be playing Job?

Tamasy: He’ll be playing “Joe.”  The movie’s called Joe.  It’s about a man [who is living] the American dream.  He’s got the nice house, white picket fence, great kids, great wife, nice cars.  God and the devil get together every thousand years to bet on a man’s life, and the fate of the world is at stake.

What all of us get hit with in a lifetime, this man gets hit with in one week.  And it’s about whether or not he can still pick himself up from that and survive it.  It’s a dramedy.  At it’s heart, it’s a comedy — but it’s got, obviously, a real dramatic core to it.

I can honestly say that I would not think "dark comedy" when I think of the Book Of Job.  "Unbearably dark horror film" would be more my read of the material.  The entire notion of having your faith tested because of a bet between God and the Devil is terrifying and miserable and brutally unfair.  Job is punished beyond anything that seems rational or reasonable, and it's all about proving that even the most God-loving person can be broken if he has everything taken from him.  These are the stories that sort of freak me out when I meet people who take every word of the Bible as literal truth.  If you honestly believe that story happened exactly as written, that is a nightmare.

I hope this isn't played like a "Bruce Almighty," but I doubt Russell would be capable of that sort of film.  In the meantime, he's also developing "Uncharted," based on the PS3 video game series, "Cocaine Cowboys," based on the documentary, "2 Guns" and "Old St. Louis," both with Vince Vaughn attached, and more.  He's a busy dude right now, and Will Smith has to finish "Men In Black 3" eventually, then figure out if he's going to make that Wachowski-scripted Robin Hood/SF film or that Andrew Niccol project "The City That Sailed," about a magician whose daughter makes a wish that they could be together, causing the island of Manhattan to break loose and set sail across the ocean to where she waits in England.  He's also still talking about remaking "Uptown Saturday Night" with Denzel Washington and he may well end up with an onscreen role in the remake of "Annie" that is going to star his daughter Willow.

We'll have more on this one as it comes together, and I hope they do something really provocative with the material, as it sounds like a strong place to start.
 

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    Kilgore Jones

    A Serious Man was an interpretation of the book of job...and was damn good imo

    February 28, 2011 at 8:52PM EST Reply to Comment
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    Jason Geyer

    This also sounds like Neil Simon's play, "God's Favorite": http://en.wikipedia.org/wiki/God%27s_Favorite

    February 28, 2011 at 10:20PM EST Reply to Comment
  • Mahabs_talkback_profile

    Miles

    "...it's all about proving that even the most God-loving person can be broken if he has everything taken from him"

    The book of Job is actually all about whether or not Job continues to trust God after he has everything taken away. In the story, the bet between God and Satan occurs because Satan believe Job's trust in God is contingent on the fact that Job is wealthy and prosperous.

    March 1, 2011 at 2:58AM EST Reply to Comment
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    Intheknow

    Write a comment...

    March 1, 2011 at 3:23AM EST Reply to Comment
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    mrknow

    Nailed isn't dead yet....heard its test screening this week

    March 1, 2011 at 3:24AM EST Reply to Comment


  • Is he actually in talks with the Wachowskis for an SF Robin Hood? I first read about the story on AICN in that Matrix sequels article and it was quickly debunked, right? So what's exactly the scene here?

    Also, I really hope they don't go "comedy" with this route. I'm excited about the premise... but what the writer said about it being a comedy really forebodes something sinister for me.

    March 1, 2011 at 5:36AM EST Reply to Comment
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    Dave I

    The story of Job is a very powerful one. However, I can't help but think Job + Will Smith + Dark Comedy =Failure.

    I really do not see this setup being something that Will Smith would really fit into. More to the point, I don't like Will Smith in this because I don't want this as a dramedy. I don't want it as "a bet where the fate of mankind hangs in the balance. I would want a more somber, more intimate story. There is very little room for humor in the story of Job, and throwing it in there to make it a dark comedy cheapens it. Similarly, it has nothing to do with the "fate of mankind" and has everything to do with the fate, salvation, and faith of a man. Why is that not enough? Similar to Faust, the stakes of one man's salvation should be enough. Somehow pin the fate of all mankind on some "every thousand years" bet, and you have lost my interest.

    The premise of a modern day telling of Job (or a historical telling for that matter) would work for me. Turn it into some dramedy and take away the teeth of a story that is ultimately about losing everything and struggling to maintain your faith and I will detest it. Keep it epic, heartfelt, and true to what actually happens to Job (not just sugarcoat it with ridiculous circumstance and aww-shucks humor) and you have the possibility for a very special and powerful movie. But Job is so powerful because it is so stark and unrelenting. Anything less, considering the moral and stakes of the story, will be a slap in the face.

    -Cheers

    March 1, 2011 at 10:50AM EST Reply to Comment
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    Fastbak

    That story freaked me out when it was retold in South Park to Kyle who got a bad case of hemorroids while Cartman bought an amusemnent park! I can't imagine a real version of that story set in modern day being any less traumatic.

    March 1, 2011 at 11:56AM EST Reply to Comment

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