'Fantastic Mr. Fox' trailer debuts to decidedly mixed buzz
Are low-tech animation, big star voices, and classic source material enough?
Wes Anderson's 'The Fantastic Mr. Fox' looks like a throwback to classic stop-motion animation from the '60s
During the entire production of "The Fantastic Mr. Fox," images have been on lockdown to such a degree that we didn't even have a basic idea of what the style of the film might be. When you say "stop-motion animation," that doesn't really have anything to do with the look of the film... it's just a technique.
The last two weeks have been sort of an avalanche of material about the film, though, including the debut of the first trailer, and the reaction has been diverse, to say the least.
If you haven't seen it, you should start with USA Today's photo gallery, which contains a fair bit of excellent reportage about who's playing what and how the film's been built.
I've heard from many friends who find the trailer almost unspeakably ugly, who hate the animation, and who think the movie stars overwhelm the piece. When my wife was pregnant, both times, I did a lot of reading to the tummy, and I particularly enjoyed reading Roald Dahl. There's something particularly juicy about the way he plays with words that makes those books fun to read aloud, and The Fantastic Mr. Fox was one of the books that we read more than once.
Yahoo! Movies got the trailer premiere, and now Fox Searchlight's released it through their YouTube channel as well:
[more, including trailer, after the jump]
You can mark me down in the "really liked what I saw" camp on this one. I love Clooney's voice for Mr. Fox, I love the wry sense of humor, I love the very low-tech look of the animation... it pushes the right buttons for me. It's the opposite of the slick studio animation we're used to seeing, and that's what I like about it.
It's just a quick glimpse, true. The finished film is still a big fat question mark. But for now, color me curious based on this first glimpse, and confused by the intense negative reactions of so many of my peers.
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Los Angeles has changed since 1990, and Drew McWeeny, all-around Chauncey Gardner of movie fandom, has seen it all as an industry insider and screenwriter who wrote for 12 years as "Moriarty" for Ain't It Cool News.
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Login or create a HitFix account Login SignupDonnieDarko I couldn't agree more, Ben.
August 3, 2009 at 8:03AM EST Reply to CommentI think this looks awful, and I was really expecting good things too. I thought the source material would be treated with respect (a la Peter Jackson and LOTR), with the humans representing a real source of menace and terror; and the foxes having integrity and warmth.
Instead, we get poor animation, ridiculous dialogue, stupid music, awful pratfalls, needless modernisation and a completely inappropriate tone.
I am very disappointed.
DonnieDarko I meant I couldn't agree less, Drew!!
August 3, 2009 at 8:05AM EST Reply to CommentMark I love how Anderson has kept his key visual look and compositions, very impressive.
August 3, 2009 at 8:18AM EST Reply to CommentMr. Dark Wow. A 90-minute Robot Chicken episode featuring George Clooney. Yeah, um, not going to pay $10 to see that.
August 3, 2009 at 11:59AM EST Reply to CommentJoeK I'm a bit nonplussed....though I don't think that trailer does whatever effort was put into the movie much justice. I think of the trailer for Where The Wild Things Are in comparison for some reason though I don't necessarily draw a line between the two movies. I guess this trailer just feels like it came from the generic kid-targeted movie trailer blender...it panders where WTWTA doesn't but still hits everyone in the right spot. I'm going to pin this on whoever cut that together and selected that music and wait until the movie proves me wrong or not.
August 3, 2009 at 2:34PM EST Reply to Comment
I think the general public has trouble handling films that are highly stylized. Sometimes one manages to be a hit (Sin City, for instance) but usually they bomb like Grindhouse.
August 3, 2009 at 5:30PM EST Reply to CommentJoeK This is very true and there is no way to predict which time/type people outside of a predetermined audience will be accepting. As much as people bray about the same old thing coming at them over and over again they can be pretty closed minded whenever presented with something different.
August 4, 2009 at 1:01PM ESTkamikaze Wes Anderson's been making precious little dollhouse movies since the beginning. He must be relieved to jettison the cumbersome actor element and switch to stop-motion characters.
August 4, 2009 at 5:21PM EST Reply to Comment