Bryan Cranston talks about on-set turbulence with 'Detachment' director Tony Kaye
Cranston doesn't feel the script for the Adrien Brody film was honored
Bryan Cranston feels uneasy with the way the new film 'Detachment' treated the screenplay that originally attracted him to work on the film.
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Bryan Cranston spent the last two weeks on the set of the new film 'Get A Job,' and was just getting ready to leave for the set of "Breaking Bad" when a group of reporters sat down with him to discuss his role in the film. In the middle of the interview, he confessed to having serious disagreements with director Tony Kaye, most famous for fighting with Edward Norton on the set of "American History X."
In trying to frame a question about how Cranston picks his projects now that he's not worrying about financial stability, one of the reporters brought up the example of "Detachment," a new film that is on VOD now, and rolling out in a limited release this week in a few cities theatrically. He told Cranston he loved the movie and then started to ask his question.
"Wait," Cranston said, "did you like 'Detachment'?"
The reporter said again that he loved it, and Cranston seemed surprised. "I haven't seen it," he told the assembled press. "I'm surprised to hear that actually." When asked to clarify, he continued, "Because I felt that Carl Lund, the writer of 'Detachment,' wrote a really beautiful, haunting script. And I didn't feel that it was honored."
Shocked by Cranston's frankness, the reporters pushed him for more on that disagreement. "I was upset with that. I really was. And so I didn't see the movie." He sighed, resigned, and continued, after searching for the right way to phrase himself, "Tony Kaye is a very complicated… interesting fellow."
He smiled as he chose his words carefully. "I don't believe that I'll be working with him again. I didn't not get along with him on a personal level. But I just honor the writing. I really think that writing is the most important element there is. It is the springboard. It is where everything starts. And if you don't honor that -- which I didn't feel it was -- then where are you?"
He leaned in as if telling everyone a secret. "And I'm not the only actor on that film to feel that way."
He settled back again, shaking his head. "If it turned out good, I"m happy for that, I just don't want to do a movie just to do a movie. I want to be able to look back on everything that I've done and be proud. It doesn't mean it has to be a box-office hit, and it doesn't have to be lauded by every critic."
This is just one of many skirmishes Kaye has been involved one. The "American History X' set was chaotic, but in post-production, Kaye and star Edward Norton clashed almost constantly, with Kaye even dropping his "Directed By' credit at one point, giving his credit to his dog instead.
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March 23, 2012 at 1:22PM EST Reply to CommentI love what Cranston is building as his identity as an artist in the industry. What a very honest and authentic response.
GuanoLad
March 23, 2012 at 8:36PM EST Reply to CommentReporters always say they loved a movie the actor was in.
Tausif Khan
March 23, 2012 at 9:00PM EST Reply to Comment1) Hasn't Cranston been in a lot of films in the last year doing bit parts?
2) Isn't Edward Norton also cantankerous (= Marvel's Hulk)?
CinemaPsycho
March 24, 2012 at 2:11AM EST Reply to CommentGlad someone is standing up for the screenwriter for a change, but... that's Hollywood, man. If you expect the writing to be honored in every film you make, you're going to be disappointed pretty often.
Chris
March 24, 2012 at 1:24PM EST Reply to CommentAlthough it's got to be difficult for the screenwriter and actors to work on a set like that, I don't think there's only one way to make a good film. Kaye may be a volatile personality and the finished product may be drastically different from what everybody thought they were making, but as long as he delivers the goods I don't know if that's so terrible.
mary
March 25, 2012 at 7:03PM EST Reply to CommentI saw the film on VOD last night. It's unfocused, completely devoid of nuance and seems like a highlight reel of horrors. Yet you get the feeling this was meant to be more of an ensemble film like Gosford Park or The Hospital. I can't see Bryan Cranston, William Petersen and Blythe Danner signing up to do this film based on the end result. The three of them together share about four minutes of screen time. Critics have been saying how badly underwritten the supporting roles are, but common sense would dictate the roles have been badly edited out of the film. I respect Bryan for coming forward to defend the writer and his work. I've never heard of an actor of his stature doing such a thing. Bryan must have felt very passionate about the writer's original work. It will be interesting to see if other actors come forward with similar stories.
...
September 1, 2012 at 8:16AM EST Reply to CommentA quotation mark instead of a apostrophe in " I"m ". That ruined the article, I refused to read on...