Cannes Film Festival 2013

Round-up: Time-traveling to the origins of 'Midnight in Paris'

Also: Streep's Thatcher turnaround and Ebert's top docs

<p>Alison Pill and Tom Hiddleston in "Midnight in Paris."</p>

Alison Pill and Tom Hiddleston in "Midnight in Paris."

Credit: Sony Pictures Classics

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The ever-investigative Steve Pond has unearthed an interesting nugget here: a four-page short story written by Woody Allen in 1971 that bears more than a passing resemblance to "Midnight in Paris." In "A Twenties Memory," contained in the collection "Getting Even," the narrator hangs out with F. Scott and Zela Fitzgerald, Gertude Stein, Ernest Hemingway and other Jazz Age luminaries that resurface in the film Allen made 40 years later, making similarly droll, casual observations about their work. Narratively, the film obviously represents a significant elaboration on the premise, so it'd be a stretch to call the screenplay an adaptation -- though the Academy has made similarly sketchy rulings in the past. [Reuters]

Meryl Streep has developed a strong admiration for Margaret Thatcher, apparently. No need to go that far, Meryl. [The Guardian]

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Nathaniel Rogers talks to Jessica Chastain about her all-round 2011 ubiquity. And soy ice cream. [The Film Experience]

A round-up of the year's best movie posters. Good stuff, but they picked the wrong "We Need to Talk About Kevin" one-sheet. [Slant]

Roger Ebert counts down his 20 favorite documentaries of the year. No prizes for guessing his #1. [Roger Ebert]

For those still uncertain about the Best Picture Oscar voting, Christy Grosz recaps how this year's rule changes will work with the preferential system. [Variety

With "Pariah" heading to theaters, Nelson George studies the directors offering a fresh perspective on black America. [New York Times]

Anne Thompson reviews the holiday box-office. It's good news for Ethan Hunt (yay!), but bad news for Tintin (boo!). [Thompson on Hollywood]

Conclusive proof that "The Descendants" and "We Bought a Zoo" are the same movie. [Vulture]

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Guy Lodge
Critic
Guy Lodge is a South African-born critic and sometime screenwriter. In addition to his work at In Contention, he is a freelance contributor to Variety, Time Out, Empire and The Guardian. He lives well beyond his means in London.

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  • Default-avatar

    JLPatt

    So bizarre "Tintin" isn't doing better at the box office. When I went to see it yesterday it was sold out. The kids seem to be flocking to this one.

    December 27, 2011 at 2:51PM EST Reply to Comment
  • Poo_talkback_profile

    Andrej

    I'd add Martha Marcy May Marlene's poster ( goo.gl/a8TWi ) to that list. Like the protagonist, it's a very delicate yet messy workpiece, perfectly describing the mental state she's in.

    I was surprised to see they didn't mention any of the Drive posters. Mistral is this year's comeback font!

    December 27, 2011 at 3:38PM EST Reply to Comment
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    Zack Holtz

    Re. the leading story: That's almost like saying that if a screenplay is adapted from its own outline, it's an adapted screenplay. Ridiculous.

    December 27, 2011 at 5:43PM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Obviously, I agree. I'm just saying the Academy's made similarly iffy calls in the past. Anyway, the classification isn't in question -- I'm just musing.

      December 27, 2011 at 5:48PM EST

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2012-2013 OSCAR PREDICTIONS

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Best Picture

Best Director

Best Actor

Best Actress

Best Supporting Actor

Best Supporting Actress

Best Adapted Screenplay

Best Original Screenplay

Best Cinematography

Best Costume Design

Best Film Editing

Best Makeup And Hairstyling

Best Original Score

Best Original Song

Best Production Design

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Best Visual Effects

Best Animated Feature Film

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Best Foreign Language Film

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