Round-up: Time-traveling to the origins of 'Midnight in Paris'
Also: Streep's Thatcher turnaround and Ebert's top docs
Alison Pill and Tom Hiddleston in "Midnight in Paris."
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The ever-investigative Steve Pond has unearthed an interesting nugget here: a four-page short story written by Woody Allen in 1971 that bears more than a passing resemblance to "Midnight in Paris." In "A Twenties Memory," contained in the collection "Getting Even," the narrator hangs out with F. Scott and Zela Fitzgerald, Gertude Stein, Ernest Hemingway and other Jazz Age luminaries that resurface in the film Allen made 40 years later, making similarly droll, casual observations about their work. Narratively, the film obviously represents a significant elaboration on the premise, so it'd be a stretch to call the screenplay an adaptation -- though the Academy has made similarly sketchy rulings in the past. [Reuters]
Meryl Streep has developed a strong admiration for Margaret Thatcher, apparently. No need to go that far, Meryl. [The Guardian]
Nathaniel Rogers talks to Jessica Chastain about her all-round 2011 ubiquity. And soy ice cream. [The Film Experience]
A round-up of the year's best movie posters. Good stuff, but they picked the wrong "We Need to Talk About Kevin" one-sheet. [Slant]
Roger Ebert counts down his 20 favorite documentaries of the year. No prizes for guessing his #1. [Roger Ebert]
For those still uncertain about the Best Picture Oscar voting, Christy Grosz recaps how this year's rule changes will work with the preferential system. [Variety]
With "Pariah" heading to theaters, Nelson George studies the directors offering a fresh perspective on black America. [New York Times]
Anne Thompson reviews the holiday box-office. It's good news for Ethan Hunt (yay!), but bad news for Tintin (boo!). [Thompson on Hollywood]
Conclusive proof that "The Descendants" and "We Bought a Zoo" are the same movie. [Vulture]
2012-2013 OSCAR PREDICTIONS
Best Picture
Best Director
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Adapted Screenplay
Best Original Screenplay
Best Cinematography
Best Costume Design
Best Film Editing
Best Makeup And Hairstyling
Best Original Score
Best Original Song
Best Production Design
Best Sound Editing
Best Sound Mixing
Best Visual Effects
Best Animated Feature Film
Best Documentary Feature
Best Foreign Language Film
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Login or create a HitFix account Login SignupJLPatt
December 27, 2011 at 2:51PM EST Reply to CommentSo bizarre "Tintin" isn't doing better at the box office. When I went to see it yesterday it was sold out. The kids seem to be flocking to this one.
Andrej
December 27, 2011 at 3:38PM EST Reply to CommentI'd add Martha Marcy May Marlene's poster ( goo.gl/a8TWi ) to that list. Like the protagonist, it's a very delicate yet messy workpiece, perfectly describing the mental state she's in.
I was surprised to see they didn't mention any of the Drive posters. Mistral is this year's comeback font!
Zack Holtz
December 27, 2011 at 5:43PM EST Reply to CommentRe. the leading story: That's almost like saying that if a screenplay is adapted from its own outline, it's an adapted screenplay. Ridiculous.
Guy Lodge Obviously, I agree. I'm just saying the Academy's made similarly iffy calls in the past. Anyway, the classification isn't in question -- I'm just musing.
December 27, 2011 at 5:48PM EST