Cannes Film Festival 2013

'The Artist' leads with six Golden Globe nods, Spielberg snubbed

'The Descendants' and 'The Help' follow with five as 'Ides of March' rallies

Berenice Bejo received one of six Golden Globe nominations for "The Artist."</p>
Berenice Bejo received one of six Golden Globe nominations for "The Artist."

Credit: The Weinstein Company

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Oh, the Globes. Whether they get things right or wrong -- or both, as in this morning's list -- they never really disappoint. Those who enjoy brandishing pitchforks at the HFPA for their shameless star-whoring have plenty to work with here: Angelina Jolie nominated for Best Foreign Language Film! Madonna nominated for Best Original Song ahead of any of the Oscar-favored tunes from "The Muppets!" George Clooney breaking a Globes record with four individual nominations! And so on and so forth.

But for those who enjoy the Globes more for their taste in offbeat underdogs, there are bright spots too. I'm delighted to see Brendan Gleeson crack a comedy actor nod for his superb work in the tiny Irish black comedy "The Guard," and not just because I predicted it. And just when you thought "A Dangerous Method" had evaporated from the season, it shows up here with a deserved supporting nod for best-in-show star Viggo Mortensen. Meanwhile, I know the many fans of "50/50" among our readers will be pleased with mentions for Joseph Gordon-Levitt and the film itself.

Oddities aside, what's the story here? Much as we expected, "The Artist" cemented its position as the season's frontrunner with a leading haul of six nominations: they may as well give it the statuettes for Best Picture and Actor in the comedy-musical race now. Over in drama, things are considerably murkier, as a couple of would-be frontrunners took a knock.

"War Horse," for example, managed just two nominations -- and a Best Director bid for Steven Spielberg wasn't one of them. (He can console himself with an animated feature nod for "The Adventures of Tintin.") With three nods, "Hugo" did get a mention for Martin Scorsese, but it failed to show up in the acting or writing races. "Extremely Loud and Incredibly Close," meanwhile, didn't show up at all -- as with yesterday's SAG absence, you can put it down to the film's late screening, but in the tight echo chamber that is awards season, this lack of momentum could be a problem. 

What they did like in the drama field, clearly, was "The Descendants," which came on strong with five nominations -- the same number as "The Help," which once more scooped a trio of acting mentions, including one for Jessica Chastain. After an uncertain start, her awards season narrative has been set. But performing nearly as well, and clearly proving the HFPA's collective crush on George Clooney, was "The Ides of March," which was seemingly on the ropes after being blanked in multiple precursor lists. It rallied here with four nominations -- three of them for Clooney himself, and one for Ryan Gosling. (Gosling, as I predicted, was a double nominee, also scoring a comedy nod for "Crazy, Stupid, Love.")

Other points of interest: Tilda Swinton still hasn't missed a beat in her campaign for that elusive Best Actress Oscar nomination. But the momentum slowed here for "Bridesmaids" breakout Melissa McCarthy, who was rather surprisingly snubbed in favor of another Mc: Janet McTeer, who, with "Albert Nobbs" co-star Glenn Close, consolidated yesterday's SAG save. (Close is another double nominee: she was also recognized for the original song she contributed to the film.) After yesterday's SAG snubs, Michael Fassbender, Albert Brooks and Shailene Woodley all recovered here, but Gary Oldman and "Tinker, Tailor, Soldier, Spy," sadly, continue to slip through the cracks. It now falls to the BAFTAs to rescue them. 

Anyway, that it's for major precursors until January, when the guilds will reignite the race. Or will they? As far as I can see, it all seems to be coming very neatly together for "The Artist." Here's the list: 

Best Picture - Drama

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"The Descendants"
"The Help"
"Hugo"
"The Ides of March"
"Moneyball"
"War Horse"

Best Picture - Musical or Comedy
"The Artist"
"Bridesmaids"
"50/50"
"Midnight in Paris"
"My Week With Marilyn"

Best Director
Michel Hazanavicius, "The Artist"
Alexander Payne, "The Descendants"
Martin Scorsese, "Hugo"
George Clooney, "The Ides of March"
Woody Allen, "Midnight in Paris"

Best Actor - Drama
George Clooney, "The Descendants"
Leonardo DiCaprio, "J. Edgar"
Michael Fassbender, "Shame"
Ryan Gosling, "The Ides of March"
Brad Pitt, "Moneyball"

Best Actor - Musical or Comedy
Jean Dujardin, "The Artist"
Brendan Gleeson, "The Guard"
Joseph Gordon-Levitt, "50/50"
Ryan Gosling, "Crazy, Stupid, Love."
Owen Wilson, "Midnight in Paris"

Best Actress - Drama
Glenn Close, "Albert Nobbs"
Viola Davis, "The Help"
Rooney Mara, "The Girl With the Dragon Tattoo"
Meryl Streep, "The Iron Lady"
Tilda Swinton, "We Need to Talk About Kevin"

Best Actress - Musical or Comedy
Jodie Foster, "Carnage"
Kristen Wiig, "Bridesmaids"
Charlize Theron, "Young Adult"
Michelle Williams, "My Week With Marilyn"
Kate Winslet, "Carnage"

Best Supporting Actor
Kenneth Branagh, "My Week With Marilyn"
Albert Brooks, "Drive"
Jonah Hill, "Moneyball"
Viggo Mortensen, "A Dangerous Method"
Christopher Plummer, "Beginners"

Best Supporting Actress
Berenice Bejo, "The Artist"
Jessica Chastain, "The Help"
Janet McTeer, "Albert Nobbs"
Octavia Spencer, "The Help"
Shailene Woodley, "The Descendants"

Best Screenplay
"The Artist"
"The Descendants"
"The Ides of March"
"Midnight in Paris"
"Moneyball" 

Best Foreign Language Film
"The Flowers of War"
"In the Land of Blood and Honey"
"The Kid With a Bike"
"A Separation"
"The Skin I Live In"

Best Animated Feature
"The Adventures of Tintin"
"Arthur Christmas"
"Cars 2"
"Puss in Boots"
"Rango"

Best Original Score
Ludovic Bource, "The Artist"
Trent Reznor and Attivus Ross, "The Girl With the Dragon Tattoo"
Howard Shore, "Hugo"
John Williams, "War Horse"
Abel Korzeniowski, "W.E."

Best Original Song
"Lay Your Head Down," "Albert Nobbs"
"Hello Hello," "Gnomeo and Juliet"
"The Living Proof," "The Help"
"The Keeper," "Machine Gun Preacher"
"Masterpiece," "W.E." 

For more views on movies, awards season and other pursuits, follow @GuyLodge on Twitter.

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Guy Lodge
Critic
Guy Lodge is a South African-born critic and sometime screenwriter. In addition to his work at In Contention, he is a freelance contributor to Variety, Time Out, Empire and The Guardian. He lives well beyond his means in London.

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Next 129 Comments
  • Default-avatar

    Kevin

    Just a heads up, mistype in atticus Ross. Thanks for the quick updates, Guy!

    December 15, 2011 at 9:35AM EST Reply to Comment
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    AdamA

    Not a single mention for Desplat in Score or for The Muppets in Song? Already these seem weird.

    December 15, 2011 at 9:43AM EST Reply to Comment
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    Andrej

    No Tinker Tailor Soldier Spy here either. Yikes.

    December 15, 2011 at 9:48AM EST Reply to Comment
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    Aaron

    Well, Melissa McCarthy's campaign came to a grinding halt today. She wasn't even nominated in TV Actress Comedy, which she should've been a shoo-in.

    Also, Extremely Loud was completely shut out. Scott Rudin must be shooting himself in the foot...such a terrible campaign release strategy.

    December 15, 2011 at 10:00AM EST Reply to Comment
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      Cordy I wouldnt read too much into the tv nominee thing. Those nominations are a much bigger joke this year than they ever have been in the past.

      December 15, 2011 at 1:20PM EST
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    guest guesto

    Tintin!

    December 15, 2011 at 10:03AM EST Reply to Comment
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    Guy Lodge

    Apologies for early error in list: Woody in Director, Spielberg out.

    December 15, 2011 at 10:04AM EST Reply to Comment
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    Jasper

    Officially time to stop hoping for Dunst. *sniffle*

    December 15, 2011 at 10:05AM EST Reply to Comment
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    Patryk

    No "Tree of Life" or Elizabeth Olsen? What a joke.

    December 15, 2011 at 10:05AM EST Reply to Comment
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      Laura Stewart Yeah, Olsen should have gotten the Rooney Mara spot. I haven't seen TGWTDT & all the reviews are basically love letters to Mara's peformance... but I adore Lizzie Olsen! Plus, if anyone reads Mara's Allure interview they will be amazed at her abundance of ignorance. She also calls herself "aloof"... WHO DOES THAT?!

      I'm sad Young Adult was only nominated for one Globe but I guess one is better than nothing. Poor Patton Oswalt :( I guess they can only nominate one comedian so Hill got it?!

      On a brighter note, the best actor drama category is officially retitled "sexiest men alive" WOO HOO!

      December 15, 2011 at 3:25PM EST
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      AD I agree about Rooney Mara, particularly after that interview on Allure, I think she needs few years of maturing because she sounds so darn ridicoulous or she takes herself too seriously. I wished for Olsen too. I am happy Fassy is back and Viggo is there too! Close is going to be at the Oscar there is no doubt in my mind particularly after SAg and this!

      December 15, 2011 at 4:10PM EST
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      Aden The biggest "WTF" moment in that interview is this: "Who would beat someone up because they're fat?"

      I guess Rooney Mara has never heard of bullying? Good grief.

      December 15, 2011 at 4:30PM EST
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      Laura Stewart @AD- I agree! I was surprised to learn that she's 26. This isn't a gossip site, so I won't rag on her too much but that interview really bothered me. I'm glad you're a fan of Close but I just can't get on board with these nominations for her. If the film was great or her performance was great, then the overdue narrative would make more sense but I can't imagine the Academy rewarding someone for a so-so performance in a bad film. But we shall we.

      @Aden- Yes, that's the exact line I was referring to! That and her complaints about working on television. Cringe-worthy, isn't it?

      December 15, 2011 at 4:36PM EST
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      JJ1 I found Rooney mara somewhat off-putting on Letterman last night.

      December 15, 2011 at 5:56PM EST
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      Laura Stewart Yeah, same here. She seemed uninterested to be there. I'll give her a pass though b/c she had to follow Robert Downey Jr. which is pretty much impossible in the charming-always-says-the-right-thing-and-makes-everyone-laugh category (unless you're of course, George Clooney).

      December 15, 2011 at 7:09PM EST
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    JJ1

    To me, the biggest story is no 'Extremely Loud and Incredibly Close' in Drama, Director, Bullock, or Score. Nothing at all. And yet, strained early word sounds positive.

    Other things that make you go hmmmm ....
    -No TTSS (damn).
    -No McCarthy.
    -No Redgrave.
    -That's McTeer TWICE.
    -That's Hill TWICE.
    -Close nommed for Actress and Song.
    -Foster and Winslet IN for Carnage.
    -Fassbender, yay.
    -50/50, The Guard, yay.
    -Ides of March comes back, yay (one of my faves of the year).
    -Angelina's movie in for foreign.

    I'm glad that the Globes went back to nominating stuff that wasn't The Tourist (which I didn't hate, but ... come on).

    December 15, 2011 at 10:08AM EST Reply to Comment
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      Laura Stewart I was LOLing seeing Jolie's inclusion... not that it's as silly as last years nomination but they are so damn obsessed with Jolie, she was bound to land a nomination one way or anything. Hell, they would give her the Cecil B. Demille award this year if they could! Also, I'm with you on the "hmmmmm" for McTeer and and Close. I really don't think Close will make it all the way to the Oscars. The buzz on that film is nonexistent and I think Theron will have a surge soon... voting doesn't happen till January so crossing my fingers she can take Close out. It's time for battle!

      December 15, 2011 at 3:28PM EST
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      Trex All the reviews I have seen of Nobbs have been pretty bad. It's at 40% on Rotten Tomatoes right now. I think Laura may be right, Theron might take out Close if she starts campaigning a little harder.

      December 15, 2011 at 4:32PM EST
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      Laura Stewart Oh how happy that would make me :) :) Throw in some love for Oldman too, and I'm on cloud nine!

      December 15, 2011 at 4:37PM EST
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      Aaron I'm starting to think that Rooney Mara may actually be the fifth nominee for best actress. Once the film becomes more widely seen, she will probably gain of lot of fans, although the same could be for Theron, too (I'm just thinking TGWTDT will be a much bigger hit). But I do think Close is WAY more vulnerable than Swinton, who I think is sitting comfortable at fourth right now.

      December 15, 2011 at 4:39PM EST
    • N25501058_36871357_8293821_talkback_profile

      Mykill I will be heading prayer circles for the "5th slot" for Best Actress to go to Theron or Olsen over Close from now until nomination morning. If there wasn't such a danger for mediocre films/performances being such a real threat this year in that category then I wouldn't be so anxious...

      December 15, 2011 at 4:59PM EST
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      Laura Stewart @Aaron- Yeah that is certainly a possibility. It just doesn't look to be an awards play. I'm wondering if the studio is going to send out screeners or if they are relying on good worth of mouth to convince actors to go see the film in theaters?

      @MyKill- Hahaha that genuinely made me laugh out loud. I will be wishing upon lucky stars every night for that 5th slot to go to Theron (or Olsen).

      December 15, 2011 at 5:10PM EST
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      Laura Stewart I have a feeling EL&IC might pull a True Grit, although TG wasn't snubbed by the SAG's. Rudin isn't stupid, so I imagine his strategy will pay off come Oscar time.

      December 15, 2011 at 5:12PM EST
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    Gustavo

    Spielberg wasn't nominated.

    December 15, 2011 at 10:09AM EST Reply to Comment
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      JJ1 Slightly surprised. But they obviously loved Ides of March, Midnight in Paris, and Hugo. No Daldry, either. No idea what to think about EL&IC come Oscar time.

      December 15, 2011 at 10:16AM EST
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    The Other James D.

    Wow, SO much better than those atrocious SAG nominations. These are probably the strongest Globe nominations in ages. No "The Tourist" in sight.

    They actually nominated Fassbender, YES! Here's hoping that enough of the actors' branch were outraged yesterday and have some faith restored after his Globe nom today to keep him in contention. Still kinda worried, but feeling less pessimistic.

    Also so glad Swinton was recognized here as well.

    Double nods for Gosling! Awesome.

    Seriously, Hill again?! Please, please let him be the less-talented Mila Kunis of this season, aka shut-out from the Oscars.

    Good for Brooks. Bad for McCarthy--of all the places that would nominate her....But I would not rule her out. Breslin was snubbed for LMS, but Collette got a nod. Her SAG support indicates she's still in the mix.

    This is quite a blow for Redgrave and Oldman. Oy. I blame "The King's Speech" for squashing British goodwill.

    December 15, 2011 at 10:13AM EST Reply to Comment
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      JJ1 Kris, Guy, whomever ...

      ... can Redgrave and Oldman missing a lot mean that they simply aren't as cherished (a la Dench, Maggie Smith, Winslet, Emma Thompson, etc) as assumed? For as incredible as Redgrave and Oldman are, you would think that they'd have more accolades over the years (even within BAFTA). Does that translate here in the States, as well (among peers, etc)?

      Or is it that the competition is too steep?

      Or is it simply a "it's the movie they're in" issue?

      What do you guys think is going on? Thanks :)

      December 15, 2011 at 10:22AM EST
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      Joe7827 At least Redgrave has an Oscar. What's it gonna take for Oldman to get a darn nomination?

      December 15, 2011 at 10:39AM EST
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      Arty Redgrave is a beloved actress, but 'Coriolanus' has had no traction at all, with The Weinstein Company concentrating on their bigger names / surer things. It's a weak film, too, when all is said and done: nothing like the depth to appeal to Shakespeare afficionados, or the swagger to convert the masses.

      I really thought Oldman would be a lock for the nomination this year, and I still think there's a good chance he'll swing back into favour before the Academy announce their nominees. There are things against him, though:

      - Despite exceptional BO figures on 4 screens, the film was released too late in the US to ride the wave of Venice acclaim and breakout British success that might have encouraged more voters to watch it early on. It's been lost slightly amid showier December titles, and I suspect a lot of voters have not yet bothered with their screeners.

      - It really isn't an Academy performance. No fireworks. He doesn't shout, laugh, cry. And while Oldman, whose work could seldom be called restrained, deserves credit for such an internalised characterisation, it doesn't exhibit the range of more obviously virtuosic performances in the category.

      - the Fassbender factor. They'll be splitting Brit votes all over the shop, which is why we shouldn't rule out a Michael Shannon or Demian Bichir surprise in Best Actor on nomination morning.

      December 15, 2011 at 12:32PM EST
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      Laura Stewart I think this may be the strongest Globes... ever?

      December 15, 2011 at 3:29PM EST
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      Mykill @Laura Stewart - in terms of a lot of the film nominations, I think you might be right. In terms of the TV nominations...yikes, they seemed to have been all over the place there.

      BUT, they did nominate Fassbender, Theron, Swinton, Brooks, and Plummer in their respective categories and that couldn't make me happier. If all those names are called on Oscar nominations morning then I will be a happy camper!

      December 15, 2011 at 3:57PM EST
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      Laura Stewart I haven't even looked at the TV nominations, but I wouldn't be surprised to see them all over the place. They have to mess up somewhere, right? Ha. And I too hope those 5 names are called Oscar nominations morning... please oh please Oscar gods!

      December 15, 2011 at 4:03PM EST
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      Laura Stewart I spoke too soon... I just now skimmed the Animated category. Cars 2?! Really?? At least they recognized Arthur Christmas. Pick your poison, I guess.

      December 15, 2011 at 4:39PM EST
    • N25501058_36871357_8293821_talkback_profile

      Mykill I agree about the animated film category - this year has been such a bummer of a year that I really don't have an egg in that race so to speak. Hopefully next year they will be able to recover with another standout year in animation...

      December 15, 2011 at 5:02PM EST
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    Dalurae

    1) Starfucking much?
    2) It's The Weinstein Co. Awards. LOL.
    3) I'm sad Oldman failed to get a nod YET AGAIN.
    Oh well, but then I loved Gosling in Ides of March and DiCaprio in J.Edgar so..
    4) Glad to see some love for Glenn Close!
    5) No Spielberg. I did not see that coming.

    December 15, 2011 at 10:22AM EST Reply to Comment
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      Graysmith I actually think they were far less starfucking this year than usual. They could've easily put Cameron Diaz, Jennifer Aniston, Steve Carell and a whole other bunch of very mainstream and popular actors in there but instead opted for the likes of Gleeson, Swinton, McTeer, Mortensen, Foster and so on. The Best Supporting Actress list reads like a Who's Who of "I've Never Heard Of Anyone Of Them!" for the average person. And most of the really big names were already in the race so their names popping up here wouldn't really constitute starfucking (it's only starfucking when it's unexpected and undeserved a la The Tourist last year).

      I'll give you Angelina Jolie's foreign language film nomination though. That was most certainly starfucking (though I have no idea how the film has been received).

      December 15, 2011 at 10:37AM EST
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      Dalurae Haha, I was actually referring to Jolie, Clooney and Gosling though I'm one of the few who loved (not just liked) Ides of March :D But yeah, I agree this year they went less starfucking than last year. Last year with the The Tourist noms, ugh..

      December 15, 2011 at 10:54AM EST
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      Danny Based on the Newsweek article, where a journalist who lived through the Sarajewo siege basically attested to the film's authenticity, I would venture that Jolie's film might be deserving of recognition - doesn't mean it isn't starfucking on the Globes' part as well.

      December 15, 2011 at 5:22PM EST
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    Graysmith

    Wow, I did terribly with my predictions. I did predict Woody for Best Director though and I'm happy I got that one right. I can only hope it'll eventually lead to a Best Director Oscar nomination.

    Man, they really loved The Ides of March. It seemed to be down and out and here it comes roaring back. Well, roaring back might be overstating it.. But it's good for the Oscar season that things are still open-ended. It feels like there are still plenty of surprises and changes possible.

    December 15, 2011 at 10:23AM EST Reply to Comment
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    Graysmith

    Oh, and I can't believe Melissa McCarthy didn't get nominated. I'm not a big fan of the performance, but if there was ever a place suitable for it, this would've been it.

    December 15, 2011 at 10:24AM EST Reply to Comment
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    The Great Dane

    Gosling gets 2 nominations - and NONE of them is for Drive... Drive out, Tree of Life out, Extremely Loud out, Melancholia out, Redgrave and McCarthy out (who is the frontrunner in Supporting Actress now - both of The Help Girls???? That just CRIES for vote splitting), War Horse and Dragon Tattoo, J. Edgar ans Shame get minimum attention.

    December 15, 2011 at 10:28AM EST Reply to Comment
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    Chris138

    Well, I've got a feeling BAFTA may be the only group recognizing Oldman this season. Such a bummer.

    Also, I didn't see the Viggo Mortensen nod coming.

    December 15, 2011 at 10:29AM EST Reply to Comment
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    McAllister

    Why no Muppets songs?

    December 15, 2011 at 10:31AM EST Reply to Comment
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      Mykill That made me really sad D^,: I think the Oscars will be nice to the Muppets though...

      December 15, 2011 at 12:02PM EST
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      Laura Stewart I am shocked! Man or Muppet is my favorite song from a movie this year!! Hahah

      December 15, 2011 at 3:29PM EST
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      Danny Ditto. Man or Muppet for the statue!

      December 15, 2011 at 5:23PM EST
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    Chase Kahn

    Of course the HFPA would nominate Gosling for every movie he's done this year except, you know, the one that's good.

    December 15, 2011 at 10:35AM EST Reply to Comment
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      Laura Stewart Ides is good. So much more in their wheelhouse than Drive which seems to be more of a critical darling than anything else.

      December 15, 2011 at 3:31PM EST
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    Chase Kahn

    Okay, Viggo Mortensen wins the WTF!? award for the day.

    December 15, 2011 at 10:36AM EST Reply to Comment
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      Guy Lodge It's a terrific performance, though. Good on them.

      December 15, 2011 at 10:42AM EST
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      thekingbulletin Agreed. Mediocre film, but Mortensen steals it.

      December 15, 2011 at 11:54AM EST
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      DylanS He's terrific in ADM, and terrific in everything he's in. I think he could potentially get an Oscar nom.

      December 15, 2011 at 11:55AM EST
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      Chase Kahn Oh no, I'm not criticizing their decision or the performance AT ALL, I haven't even seen "A Dangerous Method" yet (Doesn't come out until the 23rd here in Dallas) it's just completely unexpected.

      December 15, 2011 at 1:39PM EST
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    forg

    Looks like that's it for Extremely Loud and Incredibly Close. They should have that embarg

    Cars 2 still made it! :D

    December 15, 2011 at 11:12AM EST Reply to Comment
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      forg "they should have that embargo lifted" If the movie was really good then maybe it could have benefitted from early good word. If Extremely Loud is good then it would be a shame if they miss out with all these awards

      December 15, 2011 at 11:15AM EST
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    John G.

    They've done very well by the Comedy categories here, nothing questionable. Recognizing Gleeson was a quality move and proves that they've decided once again to take comedy seriously. The In Bruges lovefest at the Globes in 2008 was spectacular and the piece of energy that catapulted Martin McDonagh to the Oscar nomination. Also glad to see Owen Wilson nominated and tapping Gosling for Crazy Stupid Love was a canny move.

    Ides of March isn't necessarily back in the thick of it - the Globes occasionally find love for a drama no one else has the hots for. Revolutionary Road comes to mind, but there's also The Great Debaters, Bobby, Kinsey, on and on. Ides of March fits the profile like a glove (although I quite liked the movie myself).

    December 15, 2011 at 11:13AM EST Reply to Comment
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    rentrobuff

    What's the fourth individual nomination for George Clooney? Actor, Director, Screenplay, and...? I don't see it.

    December 15, 2011 at 11:24AM EST Reply to Comment
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      Guy Lodge Picture. He's a producer on Ides.

      December 15, 2011 at 11:30AM EST
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      forg Producer?

      December 15, 2011 at 11:33AM EST
    • Guypic_talkback_profile

      Guy Lodge I'm not sure what you're asking here.

      December 15, 2011 at 11:36AM EST
    • Ah, that makes sense. I was confused by "individual nomination". You made it sound like a solo contribution.

      December 15, 2011 at 11:42AM EST
    • Guypic_talkback_profile

      Guy Lodge Ah, right. Well, on that basis, the screenplay nomination isn't individual, either.

      December 15, 2011 at 11:47AM EST
    • True enough!

      December 15, 2011 at 12:00PM EST
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      forg Guy, I was not actually asking something, that was my "uncertain" reply to RENTROBUFF hence the "?". I didn't see your reply when I posted that comment :)

      December 15, 2011 at 12:02PM EST
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    HoustonRufus

    Well, the Globes are always fun, eh?! ha! I like your write up Guy. Even in a more casual piece, your writing impresses.

    Happy for Fassbender, Gordon-Levitt, Viggo and Gosling, though I was surprised to see Ides come on so strong. Well, maybe not. That does seem like more of an HFPA film, especially with Clooney involved. I just thought Gosling's performance in Drive is more interesting, even if it maybe didn't exhibit as much range. Would have preferred a stronger showing for Drive, but I also like that HFPA stirred things up a little. Even with The Artist taking on front runner status more and more, the shifting in the other races is keeping the season suspenseful.

    December 15, 2011 at 11:40AM EST Reply to Comment
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    Drew C

    This sounds bad, but I'm already starting to try to figure out who the Mila Kunis of the season is. You know that performance that many don't seem to get that still gets in on multiple short lists and nominations galore.

    Is it Jonah Hill? Or maybe Leo DiCaprio? I just feel like the other shoe's going to fall for one of these performances by the time Oscar comes around. I was already for it to be McCarthy, but the Globes shoot their wad early and thankfully dealt with that potential silliness.

    Still missing the Nessa Redgrave....They need to watch that screener, and the nomination for 50/50 and Joe Gor-Levitt was thankfully included.

    Guy I would have loved you to be right on the Drive front, and I need some more Tree of Life.

    December 15, 2011 at 11:50AM EST Reply to Comment
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      CaptainCanada McTeer would also be in the running.

      December 15, 2011 at 1:08PM EST
    • Do-not-want-dog_talkback_profile

      The Other James D. I said the exact same thing, if you look up at my huge comment up above. Kunis deserved a slot last year, but this is about the patterns here. If there's any justice, Hill will be this year's Kunis: not enough Academy members will either respect him enough to nominate him or he won't garner the amount of #1s and #2s needed with his barely-even-there-reading-lines-and-leaving performance to score a nod, and be thrust out.

      December 15, 2011 at 2:18PM EST
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      Aaron I think it will be Hill (although I hate comparing him to Mila Kunis, who is a much better actor in general and who I felt deserved a nomination last year). I think we will see 1-2 surprises in supporting actor this year a la Michael Shannon in Revolutionary Road (Maybe Ben Kingsley? Max Von Sydow? Ezra Miller). I just don't see Hill gaining a lot of #1 and #2 votes, like the Other James D said. I also have a hard time imagining McTeer making it and am thinking (more like praying) that the Brits push Vanessa Redgrave to a surprise nomination.

      December 15, 2011 at 4:48PM EST
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    Anonimo

    This is such a crazy year indeed. The only clear thing is that 'The Artist' is the strong frontrunner. 'The ides of march' returning to the race is such a weird thing. Maybe Harvey Weinstein' comments about the film were much more important that we all expected. Also, 'The Tree of Life' complete shut out is quite odd given the love that the critics have shown. Also, Drive lovers were expecting some help from the HFPA. Still not getting why a movie that generates so much passion on small groups is not getting buzz for this Oscar season. Specially when all this "getting a best pic nom" is all about getting passion in small groups, getting number ones. I still think 'Drive' is getting lots of nº1s. Or maybe it's me confusing academy members with critics.

    On best actor, it's good to see Fassbender back to the race and Gosling fighting for an award (even if it's not for 'Drive', he's pretty good in 'The ides of march'. 'Drive' is a very much constrained performance. I still think Oldman will come back sometime with the BAFTAs around.

    On best actress, I got the feeling Mara is a filler in this cathegory. Viola, Meryl, Tilda, Michelle and Glenn (undeservedly) is the Oscar line up.

    Is it me or the supporting cathegories are uncontroled chaos. What a mess. I almost dislike every nomination. I think the Academy is going to fix this thing with A LOT of changes. It's seems HFPA, BFCA and SAG didn't get it right. I still hope supporting actor is Plummer vs. Brooks and supporting actress is not all about The Help.

    The best direction of this year is Refn's for 'Drive'. Hands down. Did Clooney do a better job than Refn's or Malick's? At least, 'Midnight in Paris' got some love. Everyone's predicting Scorsese for a win here but I think it's an easy award for Hazanavicius.

    And for music, it's sad. TGWTDT has a BORING score. Count me as one that have listened to the whole 3CDs score and there's nothing great in using those isolated electronic samples one after the other. And the W.E. is just a joke (as much as I admired Korzeniouski, he's nominated just because he did the music for a Madonna film). Desplat will come back for Oscar season even if it's for his worst score this year, 'The ides of march'. I would love to see some recognition and admiration for the best scores of the year: 'Soul surfer', 'Jane Eyre' but I guess if you're not a BP nominee you cannot be nominated in this cathegory anymore. I miss the times when a movie like 'The Red Violin' was nominated just for best score and won it. But I guess with a music brach filled every year with outsiders the whole sense of listening to soundtracks before nominating is just gone.

    December 15, 2011 at 11:56AM EST Reply to Comment
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      Rashad 100% agreed about about Reznor's score. I hav no clue what people are going gaga for. So many better scores went unnoticed.

      December 15, 2011 at 1:55PM EST
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    ben1283

    My favourite Ryan Gosling performance of the year was in Crazy, Stupid, Love (unless you count Blue Valentine, since that wasn’t released in the UK until this year), so I’m pleased to see that. Also pleased for JGL, who was great in 50/50, a film that I thought had a lot of problems, but which he was wonderful in. I wasn’t expecting it, but I’m sad that Ewan McGregor wasn’t had much traction for Beginners. I loved that performance.

    December 15, 2011 at 11:58AM EST Reply to Comment
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      HoustonRufus I wasn't wild about Crazy Stupid Love, but that movie worked as well as it did because of Gosling and Stone. So I'm pleased to see him nominated. Frankly, I'd rather have seen Stone nominated for Crazy Stupid Love than Foster or Winslet.

      December 15, 2011 at 12:21PM EST
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      ben1283 I wasn't a fan of the movie either, really. But Gosling was great, and that seduction scene with Emma Stone was the sexiest thing on cinema screens this year.

      December 15, 2011 at 12:50PM EST
    • Ben1283, agreed! Gosling and Stone ran away with that movie and that scene was reminiscent, in its own way, of the legendary kissing scene in Notorious. As for Gosling, I'd say it was the performance that proved he has knock-out movie-star charisma - and, no, I'm not talking about this abs!

      December 16, 2011 at 12:53AM EST
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    forg

    Didn't realize Kate Winslet is a double nominee again this year since she also has that Mildred Pierce nod

    December 15, 2011 at 12:04PM EST Reply to Comment
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    Anonimo

    ...And in animation this is just a very poor line up. CGI and box office seem the only good values for the HFPA. 'Cars 2'? Really? Where's 'Kung Fu Panda 2'? One of most emotive and best reviewed animated film of the year with 12 Annie noms (the most nominated film for the animators). We're heading to a lot of surprises here on Oscar nominations announcement. 'Chico & Rita', 'A cat in Paris' or 'Arrugas' will be nominated for sure. Animators love to spread the wealth. I agree Tintin may be out of the race because of the problems of mocap. This is Rango for the win and Winnie the Pooh, Chico & Rita, Kung Fu Panda 2, Puss in boots as potential nominees.

    December 15, 2011 at 12:04PM EST Reply to Comment
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    forg

    I guess Extremely Loud and Incredibly’s best shot right now is to make a splash in the box office, coupled with good reviews of course.

    December 15, 2011 at 12:08PM EST Reply to Comment
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    guest guesto

    Much like with True Grit, these people take good directing for granted and don't realize it hwne they see it. Terrible.

    December 15, 2011 at 12:32PM EST Reply to Comment
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