Film Festival

'Drive' and 'Tinker, Tailor' top London Film Critics' Circle noms

'A Separation' breaks into the top races, Paquin and Lonergan score for 'Margaret'

'Drive' and 'Tinker, Tailor' top London Film Critics' Circle noms

"Drive" received six nominations from the London Film Critics' Circle, including one for Ryan Gosling.

Credit: Film District

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I feel a bit awkward commenting on a set of critics' award nominations that I had a hand in voting for -- any credit or blame for the choices can only bounce back to me and my colleagues in the London Film Critics' Circle. Happily, in this case, it's mostly credit: I realize how absurdly self-congratulatory this sounds, but for my money, this is the strongest of the countless such nominee lists that have been released in the past few weeks.

What can I say? I'm proud that the LFCC is the first group to promote Asghar Farhadi's Iranian Oscar entry "A Separation" from the foreign-language ghetto to the Best Film category. (It scored five nods overall, including a pleasantly surprising Supporting Actress bid for Sareh Bayat.) I'm proud that Kenneth Lonergan was recognized for the screenplay of late-breaking critics' cause "Margaret," while Anna Paquin made it into the Best Actress field. I'm pleased that Kirsten Dunst (look out for my interview with her later this week) cracked the same category for "Melancholia," while more obvious candidates, including Viola Davis, were left out. Critics should be there to mix up the awards race, not handicap it.

I'm particularly pleased that one of my favorite films of the year, "Drive," leads the field with six nominations, including acting bids for Ryan Gosling, Albert Brooks and (jointly with her work in "Shame") Carey Mulligan. Technically, it's tied for the lead with "Tinker, Tailor, Soldier, Spy," but since the latter has more categories to compete in (the LFCC have additional British-only awards), "Drive" and "A Separation" are the real winners here.

Still, it's nice to see the London crowd rallying around Tomas Alfredson's elegant espionage thriller after it's been largely frozen out of the US awards derby -- it was the only British film to crack the top race, though given that "We Need to Talk About Kevin" helmer Lynne Ramsay replaces Alfredson in the director field, it must have been close. "Tinker, Tailor"'s haul here furthers my conviction that it remains the top British contender in the race; expect a strong BAFTA showing too.

Still on the British side of things, I'm thrilled that rising star Tom Cullen received a Best British Actor nod for "Weekend" (which also nabbed a British Breakthrough mention for writer-director Andrew Haigh), though disappointed his equally strong co-star, Chris New, was left out. And it warms my heart to finally see some love for Rachel Weisz's astonishing work in "The Deep Blue Sea" -- thus far the great lost performance of the season.  

Of course, there are some more predictable nominees, too: "The Artist" continues its brisk jog through the precursors with four nods, while supposed frontrunners like George Clooney, Meryl Streep, Michelle Williams and "The Help"'s supporting duo of Octavia Spencer and Jessica Chastain are also invited to the party, despite minimal enthusiasm for their vehicles. ("The Descendants" may have come on strong in the US critics' awards, but across the pond, Best Actor and Screenplay mentions are all she wrote for the film.)

Those who have followed these awards in previous years will notice a few changes: the British Director category has been scrapped, while the supporting races are no longer British-only. Happily, two categories have been added: a documentary award and a multi-discipline Technical Achievement Award, the shortlist for which has been compiled by a smaller committee of Circle members, including yours truly. (I'm as surprised as you that "The Tree of Life" didn't crack the list, but I'm no position to talk: my votes went elsewhere too.)

The winners will be announced at a swanky ceremony at London's BFI Southbank on January 19; check out the full list of nominees below. 

Film of the Year

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"The Artist"
"Drive"
"A Separation"
"Tinker, Tailor, Soldier, Spy"
"The Tree of Life"

British Film of the Year
"The Guard"
"Kill List"
"Shame"
"Tinker, Tailor, Soldier, Spy"
"We Need to Talk About Kevin"

Director of the Year
Michel Hazanavicius, "The Artist"
Nicolas Winding Refn, "Drive"
Asghar Farhadi, "A Separation"
Terrence Malick, "The Tree of Life"
Lynne Ramsay, "We Need to Talk About Kevin"

Actor of the Year
George Clooney, "The Descendants"
Jean Dujardin, "The Artist"
Michael Fassbender, "Shame"
Ryan Gosling, "Drive"
Gary Oldman, "Tinker, Tailor, Soldier, Spy"

Actress of the Year
Kirsten Dunst, "Melancholia"
Anna Paquin, "Margaret"
Meryl Streep, "The Iron Lady"
Tilda Swinton, "We Need to Talk About Kevin"
Michelle Williams, "My Week With Marilyn"

British Actor of the Year
Tom Cullen, "Weekend"
Michael Fassbender, "Shame" and "A Dangerous Method"
Brendan Gleeson, "The Guard"
Peter Mullan, "Tyrannosaur" and "War Horse"
Gary Oldman, "Tinker, Tailor Soldier, Spy"

British Actress of the Year
Olivia Colman, "Tyrannosaur"
Carey Mulligan, "Shame" and "Drive"
Vanessa Redgrave, "Coriolanus" and "Anonymous"
Tilda Swinton, "We Need to Talk About Kevin"
Rachel Weisz, "The Deep Blue Sea"

Supporting Actor of the Year
Simon Russell Beale, "The Deep Blue Sea"
Kenneth Branagh, "My Week With Marilyn"
Albert Brooks, "Drive"
Christopher Plummer, "Beginners"
Michael Smiley, "Kill List"

Supporting Actress of the Year
Sareh Bayat, "A Separation"
Jessica Chastain, "The Help"
Vanessa Redgrave, "Coriolanus"
Octavia Spencer, "The Help"
Jacki Weaver, "Animal Kingdom"

Screenwriter of the Year
Michel Hazanavicius, "The Artist"
Alexander Payne, Nat Faxon and Jim Rash, "The Descendants"
Kenneth Lonergan, "Margaret"
Asghar Farhadi, "A Separation"
Peter Straughan and Bridget O'Connor, "Tinker, Tailor, Soldier, Spy"

Foreign Language Film of the Year
"Mysteries of Lisbon"
"Poetry"
"Le Quattro Volte"
"A Separation"
"The Skin I Live In"

Documentary of the Year
"Cave of Forgotten Dreams"
"Dreams of a Life"
"Pina"
"Project Nim"
"Senna"

Breakthrough British Filmmaker of the Year
Joe Cornish, "Attack the Block"
John Michael McDonagh, "The Guard"
Richard Ayoade, "Submarine"
Paddy Considine, "Tyrannosaur"
Andrew Haigh, "Weekend"

Young British Performer of the Year
John Boyega, "Attack the Block"
Jeremy Irvine, "War Horse" 
Yasmin Paige, "Submarine"
Craig Roberts, "Submarine"
Saoirse Ronan, "Hanna"

Techncial Achievement of the Year
Cliff Martinez (original score), "Drive"
Dante Ferretti (production design), "Hugo"
Robert Richardson (cinematography), "Hugo"
Manuel Alberto Claro (cinematography), "Melancholia"
Joe Letteri (visual effects), "Rise of the Planet of the Apes"
Chris King and Gregers Sall (film editing), "Senna"
Alberto Iglesias (original score), "The Skin I Live In"
Maria Djurkovic (production design), "Tinker, Tailor, Soldier, Spy"
Paul Davies (sound design), "We Need to Talk About Kevin"
Robbie Ryan (Cinematography), "Wuthering Heights"

Be sure to keep track of the ups and downs of the 2011-2012 film awards season via The Circuit.

For more views on movies, awards season and other pursuits, follow @GuyLodge on Twitter.

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  • Default-avatar

    Rodrigo de Oliveira

    The technical achievement list is pretty sweet. The editing in "Senna" and the cinematography in "Melancholia" are really outstanding. I just wish "Jane Eyre" was more in the mix, at least amongst the Brits. That's the best cinematography I've seen this year.

    December 20, 2011 at 8:57AM EST Reply to Comment
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    JJ1

    Loving this entire set of nominees. And though I haven't seen Deep Blue Sea, happy Rachel Weisz got 'some' recognition. Guy, do you feel any kind of anti-Weisz sentiment after the Aranofsky/Craig thing? Or am I just inventing something from thin air? It just seems strange that she's received such little acclaim this year with several films that are apparently stellar.

    December 20, 2011 at 9:16AM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Not such a stellar year for her, alas - The Whistleblower was a yawn, and 360 was an embarrassment (not that she's in it much). The Deep Blue Sea is a good film, and she gives the performance of her career in it, but it's also a chamber piece that has struggled to find an audience in the UK.

      In short, I really don't think her personal life has anything to do with it.

      December 20, 2011 at 1:49PM EST
    • Default-avatar

      JJ1 gotcha. Thanks :)

      December 20, 2011 at 2:26PM EST
    • Images_talkback_profile

      Laura Stewart You forgot Dream House... eek! Not a stellar year for her, indeed. But I LOVED The Deep Blue Sea... yet another reason this years potential Best Actress line-Up is a little disappointing.

      December 20, 2011 at 5:33PM EST
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    Hope

    It seems weird to me that Tomas Alfredson didn't make the cut while Tinker Tailor was nominated in both Film of The Year and British Film of The Year. Yes, Gary Oldman was sensational as George Smiley and Maria Djurkovic’s production design was extraordinary, but Alfredson’s touch was all over the movie. It’s Alfredson’s film.

    December 20, 2011 at 10:06AM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Agree he does a terrific job, but 'Kevin' is also a directorial tour-de-force for Ramsay, so I find it hard to argue with that inclusion. Someone has to get left out.

      December 20, 2011 at 1:52PM EST
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    K. Bowen

    Best BP list of all the groups?

    December 20, 2011 at 10:07AM EST Reply to Comment
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    meep

    I thought I might see some of Tinker, Tailor's supporting cast on that list. Oldman's is a given.

    December 20, 2011 at 10:09AM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge I've said it before - too many strong performances, no consensus, split votes. I'm sure there were a lot of votes spread between the ensemble. I voted for Hardy.

      December 20, 2011 at 1:53PM EST
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    Derek

    Jacki Weaver!!

    December 20, 2011 at 10:43AM EST Reply to Comment
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    Jack

    If A Separation were in English and starred George Clooney, I have no doubt in my mind it'd be sweeping a majority of awards this year. Good on London for keeping it fairly in the conversation as a film as good as any other released this year.

    December 20, 2011 at 11:12AM EST Reply to Comment
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    Mykill

    can we replace the oscar frontrunners for best actor and best actress with this list please? kthanxbye

    December 20, 2011 at 11:27AM EST Reply to Comment
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    Lola

    Guy, do you think Jacki Weaver is a good bet for a BAFTA Supporting nom this year too?

    December 20, 2011 at 11:57AM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Could happen, but I'm doubtful. BAFTA is more likely to remember Oscar contenders from the previous year if they actually won - like Halle Berry and Charlize Theron.

      December 20, 2011 at 2:55PM EST
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    Andrew F

    That is one sexy list of nominations.

    December 20, 2011 at 1:00PM EST Reply to Comment
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    rentrobuff

    I finally saw "Tinker Tailor Soldier Spy" last night, and I seem to be the only person who thinks it's absolutely terrible. Sure, the crafts work is astonishing, but I don't understand the love for the film otherwise.

    December 20, 2011 at 1:14PM EST Reply to Comment
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      JLPatt Explain, please. I'm genuinely curious, as I feel most people's negative reactions (some of mine, included) stem from the ridiculously murky, confusing narrative.

      December 20, 2011 at 5:13PM EST
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      Laura Stewart JLPATT- The audience I was sitting with hated it. The tone + slightly confusing narrative is probably too much for people who are going to the movies to "escape". I highly enjoyed TTSS and I would recommend it to all my friends. Best in show for me was Tom Hardy.

      December 20, 2011 at 5:37PM EST
    • Default-avatar

      JLPatt Indeed, my audience didn't seem to be too fond of it either. After it ended the woman sitting behind me could not stop complaining about how boring it was and how she kept falling asleep.

      Then again, there seemed to be a good amount of people who knowingly chuckled at certain parts - likely viewers who had previously read the book and/or seen the 70s miniseries. I'm sure for them it was decidedly easier to follow.

      December 20, 2011 at 6:20PM EST
    • Default-avatar

      JJ1 There's such a differnce between the viewer who is excited and pumped to watch a film like TTSS and the viewer who is just going to see the film because it's what's playing and the trailer looked good enough. I imagine the latter viewer would def. get bored by a film like TTSS. Shame.

      I had that reaction from viewers last year when I saw 'Never Let Me Go'. 2 women behind me clearly had NO idea what the film was about prior and complained throughout the film about how boring it was. Extremely irksome.

      December 20, 2011 at 7:18PM EST
    • Exactly, JLPatt. I didn't understand a thing that happened from beginning to end, other than that there was a mole. The atrocious, arbitrary editing made the film incoherent to me. Honestly, it feels like this film was made purely for lovers of the novel and/or miniseries, as it does NOT stand on its own.

      December 22, 2011 at 12:45AM EST
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    David

    You guys have great taste!

    December 20, 2011 at 2:09PM EST Reply to Comment
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    Paul Outlaw

    Odd that Mulligan gets a nod as British Actress of the Year, but she's shut out of Supporting Actress. Does not bode well...once again.

    December 20, 2011 at 3:13PM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge I believe we considered her a lead in Shame. (Ditto Berenice Bejo, incidentally.)

      December 20, 2011 at 3:24PM EST
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      Paul Outlaw Of course, she had even less of a chance in the general Actress of the Year category. Swinton manages to be the only leading actress nominated twice. But at least Mulligan's short-listed somewhere.

      December 20, 2011 at 5:44PM EST
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    Graysmith

    Curious that Viola Davis wasn't picked when her co-stars grabbed two for supporting.

    Also curious that Lubezki didn't get noticed for The Tree of Life when the film otherwise did so well.

    But, a solid line-up. Certainly one of the more solid ones so far.

    December 20, 2011 at 3:52PM EST Reply to Comment
    • Images_talkback_profile

      Laura Stewart I know these nominations don't have too much of a bearing on how the Academy will vote but I do think it's strange that Davis has been shut out of quite a few Critics awards. Williams' is in the lead and I do think she's the frontrunner. People are underestimating her appeal, especially when she's playing a role that hits so close to home for her. I hate to bring up the tragedy of Heath Ledger's death but very few people will understand what it's like to lose someone at a young age. I can't imagine her not utilizing that experience in her performance as Marilyn had a similar tragic fate.

      December 20, 2011 at 5:40PM EST
    • Default-avatar

      JJ1 I feel like people insdie the Academy clearly like Williams. She's been nommed twice and is ready for 3. But Davis may be the sentimental vote; or the representative vote for The Help; or both. No?

      December 20, 2011 at 7:20PM EST
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    JLPatt

    Simply can't understand "Melancholia" for Best Cinematography. I love the film, but that shaky cam nonsense should rule it out.

    December 20, 2011 at 5:15PM EST Reply to Comment
    • Tumblr_linbqgiznz1qz9qooo1_r1_500_talkback_profile

      Dooby I also find the shaky cam jarring, but you can't argue with the superb use of lighting (the outdoor wedding scenes?) and the exquisite composition of the shots (most obvious in the prologue).

      December 20, 2011 at 5:45PM EST
    • Default-avatar

      JLPatt Yes, the outdoor scenes are lovely (although I prefer the gliding shot through the mist as Justine and Claire ride their horses - beautiful), and the prologue is sensational, but it's just not enough for me. The shaky cam ends up dominating too much of it.

      December 20, 2011 at 6:17PM EST
    • A_talkback_profile

      Rashad Agreed the shaky cam was nauseating, and I hated the Ann Lebowitz looking slow-mo opening

      December 20, 2011 at 6:39PM EST
    • Default-avatar

      JJ1 Well, I thought Melancholia's "look" was very ... painterly. Some striking 'images'.

      But I agree that I wouldn't necessarily scream "Oooh, yeah, awesome cinematography. Great lensing, lighting, angles, etc." when I think of the film.

      December 20, 2011 at 7:22PM EST
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    Laura Stewart

    If Drive gets nominated for Best Picture, Director, or Actor, I am streaking (for celebratory reasons, of course)!

    December 20, 2011 at 5:34PM EST Reply to Comment
    • Default-avatar

      JJ1 I may join ya, haha

      December 20, 2011 at 7:22PM EST
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    Dalurae

    Bummer Tomas Alfredson's not nominated. But otherwise a solid list. It shows what a great year for British cinema. Hope TTSS snags a couple of awards.

    December 20, 2011 at 7:49PM EST Reply to Comment
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    JFK

    Submarine was the best film I saw in 2010 (early screener) so I'm very happy to see those actors make the list. ;)

    December 20, 2011 at 9:46PM EST Reply to Comment
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    Harry

    where is the love for Tomas Alfredson? He made Tinker Tailor the gorgeous film that it is...

    December 21, 2011 at 9:28PM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge As did all five Best Director nominees with their respective films -- who to leave out? There's plenty of love for Alfredson in the Circle, I assure you, but sadly, someone has to miss.

      December 21, 2011 at 9:51PM EST
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    Michelle

    Hey, be sure to check out (and like) an awesome video interview with the talented Tilda Swinton, who currently stars in the movie " We Need to Talk About Kevin" at: http://culturecatch.com/vidcast/tilda-swinton

    December 22, 2011 at 5:05PM EST Reply to Comment


  • .Love the fact that Alberto Iglesias' score for The Skin I Live In got a mention. For my money it is the best score of the year.

    January 3, 2012 at 8:12PM EST Reply to Comment

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Spearheaded by editor Kristopher Tapley, In Contention represents a collective of awards obsessives who comment and reflect upon, muse about and attempt to decipher the Oscar season on a daily basis throughout the year, and especially during the Oscar crunch of the fall. Regular contributors include Guy Lodge, Roth Cornet and Gerard Kennedy.

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2011-2012 OSCAR NOMINATIONS

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Best Picture

Best Director

Best Actor

Best Actress

Best Supporting Actor

Best Supporting Actress

Best Adapted Screenplay

Best Original Screenplay

Best Art Direction

Best Cinematography

Best Costume Design

Best Film Editing

Best Makeup

Best Original Score

Best Original Song

Best Sound Editing

Best Sound Mixing

Best Visual Effects

Best Animated Feature Film

Best Documentary Feature

Best Foreign Language Film

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