Cannes Film Festival 2013

Academy narrows visual effects race to 15 films

'Tree of Life,' 'Hugo' and 'Rise of the Planet of the Apes' in the running

<p>An effects-heavy scene from "The Tree of Life." </p>

An effects-heavy scene from "The Tree of Life." 

Credit: Fox Searchlight Pictures

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Since I took over the Visual Effects category in our Contenders section, I've been maintaining that there isn't much to say about that particular race until the Academy begins narrowing the field a little -- and after the first cut today, leaving a longlist of 15 films, there's still little to add to the conversation. All the nominees everyone has been predicting all along are present and correct: "Rise of the Planet of the Apes," "Hugo," "Harry Potter of the Deathly Hallows: Part 2" and so on.

Of the Top 15 titles we had listed in the Contenders section, 12 made the cut: there was no love for the CGI period recreations of "Anonymous" or (and this was always a risky guess) the motion-capture acrobatics of "The Adventures of Tintin." Most disappointing to me is that the breathtakingly stylized digital imagery of "Immortals" got no love -- it struck me as more artistically ambitious FX work than, say, "Thor," but I freely admit to being a luddite in these matters. Perhaps what it lacked was a colon on the title: six of the 15 films that did make the grade boast one.

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"Thor," incidentally, is one of three Marvel comic adaptations in the running, alongside "Captain America" and "X-Men: First Class"; DC's "Green Lantern," the effects work of which was roundly jeered by fans and critics alike, is absent. Fair, but ouch.

The three films scoring higher than our Contenders chart suggested they would are "Sucker Punch" and a pair of soon-to-be-released sequels, "Sherlock Holmes: A Game of Shadows" and "Mission Impossible: Ghost Protocol." (I've just returned from seeing the latter, by the way, and am pleased to report that it mostly kicks ass. But more on that later.) None are unexpected inclusions, at least at the longlist stage. Meanwhile, even though I've had it predicted for a nod all along, I'm relieved to see the Douglas Trumbull-aided supporting effects of "The Tree of Life" weren't overlooked. It could easily have happened.

My predicted nominees, then, remain unchanged: "Rise of the Planet of the Apes," "Hugo," "Harry Potter and the Deathly Hallows: Part 2," "Transformers: Dark of the Moon" and "The Tree of Life," with the added weight of major-category prestige making "Hugo" a formidable challenger to prohibitive frontrunner "Apes." Unless Pottermania strikes -- though perhaps it's worth noting that the entire franchise has scored only two previous nominations in this category.

The longlist will be reduced to a bakeoff list of 10 contenders early next month, with the final five nominees revealed on January 24.

The full list: 

"Captain America: The First Avenger"

"Cowboys and Aliens"

"Harry Potter and the Death Hallows: Part 2"

"Hugo"

"Mission Impossible: Ghost Protocol"

"Pirates of the Caribbean: On Stranger Tides"

"Real Steel"

"Rise of the Planet of the Apes"

"Sherlock Holmes: A Game of Shadows"

"Sucker Punch"

"Super 8"

"Thor"

"Transformers: Dark of the Moon"

"The Tree of Life"

"X-Men: First Class"

Guy-lodge-sm
Guy Lodge
Critic
Guy Lodge is a South African-born critic and sometime screenwriter. In addition to his work at In Contention, he is a freelance contributor to Variety, Time Out, Empire and The Guardian. He lives well beyond his means in London.

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  • Krispic3_talkback_profile

    Kristopher Tapley

    I'm glad they expanded the bake-off from seven to 10, so there won't be embarrassment for the obvious two that miss the cut from bake-off to nominations, like last year.

    Anyway, Tintin should have at least made it this far.

    December 9, 2011 at 10:27PM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Agreed on both counts.

      December 9, 2011 at 10:44PM EST
  • A_talkback_profile

    Rashad

    Transformers
    HP
    Hugo (I'd much rather Real Steel here)
    Tree of Life
    Apes

    I'd hate to see ILM's work go unrewarded again.

    And shouldn't Tree of Life be disqualified? Didn't it use effects from another movie?


    Thor has one of my favorite images of the year:
    http://www.blu-ray.com/movies/screenshot.php?movieid=22652&position=13

    December 9, 2011 at 10:36PM EST Reply to Comment
    • Default-avatar

      VFXguy ILM's visual effects work represents five films from this list.

      Super 8, Transformers: Dark of the Moon, Mission Impossible: Ghost Protocol, Pirates of the Caribbean: On Stranger Tides, and Cowboys and Aliens.

      TIN TIN probably disqualifies due to having no live action photography. AMPAS hasn't nominated effects work on animated films. BAFTA in contrast nominated Pixar's Toy Story 3 last year with Inception winning in the Best Special Visual Effects category.

      December 10, 2011 at 1:18AM EST
    • A_talkback_profile

      Rashad Guess I should have clarified: their work on Transformers.

      December 10, 2011 at 3:13AM EST
  • Default-avatar

    JuanL

    No Anonymous. Quite sad.

    December 9, 2011 at 11:14PM EST Reply to Comment
  • Default-avatar

    JuanL

    Thor over Anonymous? Really Academy.

    December 9, 2011 at 11:15PM EST Reply to Comment
  • Default-avatar

    Kawikatai Kai

    As much as think Tintin deserved to be here, I read this as very good news for it's Best Animated Category chances.

    Clearly, the Academy sees this film as animation.

    Spielberg will be back with a vengeance with Robopocalypse (in pre-prod since 2008!).

    December 10, 2011 at 12:35AM EST Reply to Comment
    • Yeah-yeah-yeahs_f8p9_talkback_profile

      LaHaine I agree, this just may increase its chances for a best animation nomination.

      December 10, 2011 at 12:12PM EST
    • Guypic_talkback_profile

      Guy Lodge I really think you're reading too much into this. The animation branch and the visual effects branch are entirely separate entities.

      December 11, 2011 at 6:04AM EST
  • N25501058_36871357_8293821_talkback_profile

    Mykill

    I agree that Immortals deserved to be recognized as well - that final image with the battle in heaven was bat-shit cuh-razy awesome. I think the visual effects sequences with the viscera and limbs being bashed in and torn apart during the various "god-time" fight scenes was really cool too. The impressive CGI effects combined with the insanely gorgeous costumes, cinematography, set design, and, well, the actors themselves, really added together to make one of my favorite visual experiences in film this year (which I understand I am definitely in the minority.) If there was ever a film that I would buy a special edition Blu-ray for then this is the film.

    December 10, 2011 at 1:48AM EST Reply to Comment
  • Xavier_s_talkback_profile

    lazygarfield

    I completely agree with your list of 5.

    December 10, 2011 at 1:59AM EST Reply to Comment
  • Default-avatar

    JJ1

    Sad for Immortals and Anonymous.

    I feel like the "5" are what most people are saying: HP7:2, Hugo, Apes, ToL, Transformers 3.

    But I think spoilers are Super 8, Real Steel, or Thor (I still think that rainbow bridge is fantastic).

    December 10, 2011 at 9:04AM EST Reply to Comment
  • Default-avatar

    Lucky

    what about Melancholia? nobody thinks it deserves a mention?

    December 10, 2011 at 2:47PM EST Reply to Comment
    • N25501058_36871357_8293821_talkback_profile

      Mykill I do!!! The opening sequence was amazing looking and that final image was unforgettable. I guess b/c the special effects in Melancholia didn't call so much attention to themselves like the rest of the films in contention did that it wasn't really in play?

      December 10, 2011 at 3:05PM EST
    • Tumblr_linbqgiznz1qz9qooo1_r1_500_talkback_profile

      Dooby I completely forgot about that! The effects in Melancholia were some of the best of the year!

      December 10, 2011 at 3:13PM EST
    • Default-avatar

      JLPatt Way too subtle.

      December 10, 2011 at 5:31PM EST
    • Hal_9000_talkback_profile

      DylanS I watched Melancholia last night, the special effects are used very well, but they're not really all that impressive.

      December 10, 2011 at 8:35PM EST
  • Default-avatar

    sharkman

    Well, when Guy says a mainstream blockbuster is pretty good, I always get excited because it actually means it's probably good.

    December 10, 2011 at 5:47PM EST Reply to Comment
  • Poo_talkback_profile

    Andrej

    It's a pretty decent list of the usual suspects, but it's missing Attack the Block. Frowny face.

    December 11, 2011 at 8:30AM EST Reply to Comment
  • Default-avatar

    johannsebastien

    Anonymous's recreation of 1600's London was fantastic. No surprise that Roland knows FX, but he did that on a much smaller budget than he's used to. The other glaring omission is FAST FIVE. If the Academy's not going to have a STUNTS category (which that movie would take in a cakewalk), then the practical FX geniuses on that thing should get their praise here. I mean, did you see the final chase on that thing? I know they didn;t really destroy Rio with two cars and a ten-ton safe, so a Visual FX nomination would be much deserved.

    December 11, 2011 at 11:34PM EST Reply to Comment

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