Film Festival

Costume Designers Guild speaks up for 'Harry Potter,' 'Dragon Tattoo' and 'W.E.'

Oscar frontrunners 'The Artist' and 'Hugo' fall to Madonna's living Vogue spread

Costume Designers Guild speaks up for 'Harry Potter,' 'Dragon Tattoo' and 'W.E.'

"Harry Potter and the Deathly Hallows: Part 2" became the first film in the franchise to be recognized by the guild since "The Sorcerer's Stone" in 2001.

Credit: Warner Bros. Pictures

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The 14th annual Costume Designers Guild Awards were held this evening, and it was a good night for wizards, hackers and, uh, Madonna.

The Harry Potter franchise was honored for the first time since 2001 by the group as Jany Temime, who has been with the series since 2004's "The Prisoner of Azkaban," won the Excellence in Fantasy Film award for "Harry Potter and the Deathly Hallows: Part 2." The last Potter costumer awarded by the guild was Judianna Makovsky, way back on the series' first installment, "The Sorcerer's Stone," making for nice bookends for the franchise. The series' only other nomination was for Temime again on "The Order of the Phoenix" in 2007.

Elsewhere, "The Girl with the Dragon Tattoo" won in the contemporary category (beating out films like "Bridesmaids" and "Drive"), while "W.E." costumer Arianne Phillips was the surprise winner of the evening, besting Oscar frontrunners "The Artist" and "Hugo."

Best Costume Design has been one of the toughest categories for me to pick this season. I've buried myself way too deep in the history of that, the cinematography and costume design categories this week. There's this: only the only film in the post-black-and-white split era to win cinematography and costume design but not art direction was 1968's "Romeo and Juliet."

I'm not sure what that means. Probably nothing. Probably that I'm a loser for even looking it up.

Sandy Powell deserves the Oscar for "Hugo" in my book, but I don't think she'll be taking the honor this year. I don't think "Jane Eyre" will figure in (though, per Guy's Oscar Guide on the Best Costume Design category, he's betting on it), and the cynical part of me feels like if the title of "Anonymous" had "Shakespeare" in there somewhere, it might have won. People do just vote blindly in these categories.

The win for "W.E." here gives me slight pause, though. The guild has matched up with the Oscar winner frequently enough as of late. But nevertheless, I'm going with "The Artist," despite the film coming up short tonight. I sense few saw Madonna's critically skewered period romance and most will lean toward one of the two Best Picture nominees.

As previously announced, Clint Eastwood and his costumer of choice Deborah Hopper received the Distinguished Collaborator Award. Presenting Sponsor LACOSTE recognized actress Kate Beckinsale with the Spotlight Award (given to "an actor whose talent and career personifies an enduring commitment to excellence, including a special awareness of the role and importance of costume design," according to the literature), while veteran costumer Marlene Stewart (who, speaking of Madonna, designed the wardrobes of several classic music videos for the artist, including "Vogue," "Like a Prayer" and "Material Girl") received the Disaronno Career Achievement in Film Award. Lou Eyrich was given a similar honor for his television career.

Once again, check out the list of this year's Costume Designers Guild Awards winners below.

Excellence in Period Film: "W.E."

Excellence in Fantasy Film: "Harry Potter and the Deathly Hallows: Part 2"

Excellence in Contemporary Film: "The Girl with the Dragon Tattoo"

As always, remember to keep track of the ups and downs of the 2011-2012 film awards season via The Circuit.

For year-round entertainment news and awards season commentary follow @kristapley on Twitter.

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  • Cumberbatch

    San FranCinema

    I've been feeling all along that W.E. has a chance here, and this may tip me into confidently checking this on my ballot.

    I just don't see The Artist taking this. The black-and-white cinematography will work against it (ironically, because designing clothes for black and white is its own particular skill).

    As for films being "little seen," that doesn't always seem to be a factor in this category, especially when it comes to royalty porn: Marie Antoinette, The Duchess, Young Victoria, etc.

    February 22, 2012 at 3:42AM EST Reply to Comment
    • Default-avatar

      Bill_the_Bear W.E. finally opened here last weekend, and after I saw it, I began to think that it could take the Costume Oscar. The present-day stuff was slightly dull, but the wonderful stuff from the Thirties made up for it.

      February 22, 2012 at 10:20AM EST
    • Krispic3_talkback_profile

      Kristopher Tapley When you see Marie Antoinette, The Duchess and The Young Victoria (all of which were certainly seen more than W.E., in any case), you can tell what they are: royal period pieces. Who knows what W.E. is just by the title if they aren't really aware of it?

      I don't think it has much of a chance at all. And I think it's wonderfully designed. I just don't think anyone saw it.

      February 22, 2012 at 1:13PM EST
  • Dogtooth_end_talkback_profile

    Amir

    Ironic that it not only does not have Shakespeare in its name, but it's rather aptly titled "anonymous."

    February 22, 2012 at 4:29AM EST Reply to Comment
  • Default-avatar

    JJ1

    Must say, the W.E. win surprises. I hadn't figured on W.E., at all. Bad on me. And I wonder if Weinstein has been pushing hard for W.E. in it's sole category.

    February 22, 2012 at 9:54AM EST Reply to Comment
    • Poo_talkback_profile

      Andrej It's directly competing against The Artist, the Weinstein's strongest film, so I don't think they'd be inclined to selfsplitting votes with a film only represented here. It's too risky.

      February 22, 2012 at 10:25AM EST
    • Default-avatar

      JJ1 Yes, I suppose you're right. It's almost as if W.E.'s nomination was the win, itself. But it's still interesting that it won the CDG.

      February 22, 2012 at 11:27AM EST

About This Blog

Spearheaded by editor Kristopher Tapley, In Contention represents a collective of awards obsessives who comment and reflect upon, muse about and attempt to decipher the Oscar season on a daily basis throughout the year, and especially during the Oscar crunch of the fall. Regular contributors include Guy Lodge, Roth Cornet and Gerard Kennedy.

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2011-2012 OSCAR NOMINATIONS

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Best Picture

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Best Supporting Actress

Best Adapted Screenplay

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Best Costume Design

Best Film Editing

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Best Original Score

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Best Animated Feature Film

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