Watch: Linkin Park's Mike Shinoda talks 'The Raid' and band's new album
'Tron' co-composer Joseph Trapanese rounds out phenomenal martial arts film score
PARK CITY -- The fluidity and close-action shots of martial arts in "The Raid" can enable even the most pacifistic viewer to feel like they can fight. Some of the most impressive combat sequences were delivered by actors and martial artists who were slight in stature, or "ordinary" building dwellers shakily foisting automatic weaponry in their under-sculpted arms. Most of the Indonesian film is shot in a single building, in crappy apartments or littered hallways.
Director Gareth Evans' movie was shot with an extraordinarily small budget with exceptional result, so much so that Sony Pictures picked it up after it bowed at the Toronto Film Festival last year. Among the biggest revamps in time for the Sundance Film Festival was a brand new score, helmed by Linkin Park frontman Mike Shinoda and film composer Joseph Trapanese, who linked up with Daft Punk to complete the music to "Tron" just a couple years ago.
I didn't see the TIFF version, but from what I can tell from here, "The Raid" only benefits from these guys, due to the power of the audio and the added visibility of big-name artists.
Shinoda thought the pair-up was so good, Linkin Park may be absorbing a new member: he joked that Trapanese will be the "seventh guy in the band. We're gonna have dueling bass solos. It's like watching KISS, this guy."
Both of the musicians sat down with me during the festival this week, to discuss the pressure of trying to improve upon a film that was already beloved.
"It'd be difficult to handle this first score on my own," Shinoda said, explaining his inaugural endeavor into composing for what Trapanese called a "bold yet really classic action film."
There's nothing cheap about the sound of the film, and it's overall beefy and confrontational, with bubbling electronica during the quiet, creeping moments, and aggressively rock-like during the fight sequences. Evans' dark humor was met with playful musical themes, like thudding dance rhythms as bodies hit the floor or as faces met dry wall. Shinoda and Trapanese said they actively avoided trying to make it sound generically Asian or specifically Indonesian, but instead melded what they knew with what I'd describe as the apocalypse on a small scale.
"Linkin park music always has been a mashup of many different things we love that we listened to growing mixed with stuff that we made ourselves," Shinoda said, mentioning that the process here was the same. He'd like to work on scores again, but still has the band as his priority. "I still have to put Linkin Park as the number one thing in my life, but there are times that I can work at other things and as long as I know that I know I can give it one hundred percent of the energy that it needs to get done and it be great, then I'll be happy to work on something else."
Linkin Park is about to announce 2012 tour dates, and Shinoda says fans can expect the active rock band's fifth full-length album "mid-year." LP's last LP was 2010's critically praised "A Thousand Suns."
Check out the video above for more on the composing process, Shinoda's feelings on writing for film and more.
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