Cannes Film Festival 2013

Review: Lana Del Rey's 'Born to Die' slumps on impact

Is she gangster, gay, campy, sexy or slouchy?

  • Critic's Rating C-
  • Readers' Rating A-
<p>Lana Del Rey's "Born to Die"</p>

Lana Del Rey's "Born to Die"

I don’t have a problem with Lana Del Rey’s scarlet-harlot-starlet get-up. I don't mind a little peril. My hope was that she wore it well.

The issue of “wearing,” too, is apt in that female pop stars frequently face the demand to “put it on” or risk derision, more so than their male peers. But, no, in this case she wears it out – thins, shrinks -- on “Born to Die,” her debut album.
 
The 12-song set is like a prism through which we view the same dour, half-lidded persona, masochistically bed-bound for her flawed-but-handsome lover to the tune of some very silly rhyming schemes. Each production boldly attempts the same arc and faithful malaise of “Video Games,” her breakout single from 2011, but Del Rey’s vocals and words frequently fail her.
 
She experiments with a variety of vocal affectations, like the squeak toy on “Off to the Races,” pooling her “tiring’” coo behind the beat on “Carmen” and blum-drumming her “standing oh-vay-sha-ah-ahn” on unbearable “National Anthem.” The easy vibrato on “Blue Jeans” warps into a heaving toddler-trill when she’s forced into her higher register. Her pretty lower-middle range is where she should revel, like on “Dark Paradise,” “Video Games” and “Summertime Sadness" (give me a dub remix of this any day). Instead, she often sounds bored, like she could just as easily be asking for directions to the closest subway station as she could be crawling across dirty bedsheets.
 
Slinky “Million Dollar Man,” is the aural equivalent of a half-smoked cigarette, a boozy vocal trope on Audrey Horn’s cheesy “Twin Peaks” theme. “Radio” would be an absolute standout if she didn’t shoot herself in the foot with a refrain that rhymed the words “cinnamon” “vitamin” (pronounced vhit-ah-min) and “f*cking dream on Ritalin.” I like the lyrical trickling effect of "slipping on my red dress, putting on my makeup / Glass full, perfume, cognac, lilac fumes / Says it feels like heaven to him" on "Off to the Races," but then there's that whole girly "loins/coins" thing that turns my soul tar-black. She should have trimmed off infuriating “degenerate beauty queen” “This Is What Makes Us Girls” all together while “National Anthem” is an effective but irritating parody on Lady Gaga meeting blingy hip-hop, a wordy-word song of false wisdom ruined by its own ambition and a misty “kiss kiss.”
 
“Born to Die” is chock-full of modelesque, sensual beats and delectably messy production, easy to work around. What it requires is a commitment to character and self-editing on Del Rey’s part, even with material so dire. It’s fine to drench it reverb, put that pout in slo-mo and power through these dirges of ill-fated love, but for an underdeveloped artist like Del Rey, everything comes out in halves, half-baked, half-finished. For all the songwriter’s desire to be devoured by her Old Man (and by proximity, us) there’s a lot more work to be done to marry her talents and persona to product. Like Prince to “Purple Rain,” that sh*t isn’t born that way, it takes work; for a label like Interscope, they should have known better.
 
 
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  • Default-avatar

    lucy

    does it...

    February 2, 2012 at 1:12AM EST Reply to Comment
  • Default-avatar

    lucy

    is it....

    February 2, 2012 at 1:13AM EST Reply to Comment
  • Default-avatar

    lucy

    did it really? wow no.1 in 11 countries.

    February 2, 2012 at 1:14AM EST Reply to Comment
  • Default-avatar

    James

    Lana is the Bestest and your a snob, maybe if you listen harder while you are disecting the lyrics you hate you will find she says "like a fucking dream im livin in not ritalin. A month from now you will love it.

    February 4, 2012 at 5:28PM EST Reply to Comment
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    Angie

    Obviously your readers disagree, maybe you were a Little Hasty Katie in your review. When her album is number one maybe you will be a little less of a snob and listen again to the music instead of reviewing her persona.

    February 4, 2012 at 5:57PM EST Reply to Comment
    • Jason_talkback_profile

      Mandrake1979 Since when does going to number one make music good? No one is a snob for not liking something. By your reckoning then all Katy Perry's music is equivalent to Mozart's. Which in my opinion is ridiculous, its fecking terrible.

      February 5, 2012 at 5:51PM EST
    • Default-avatar

      Maimuna T Everyone is of course entitled to their opinion but I think it is so odd that you can not find a positive review of this album from critics yet within weeks she has gained thousands of devoted fans who praise not only a few of her songs but the album in it's entirety. It is sad that people have to bash a woman who is not using autotune, wrote the album herself and is obviously charge of her project.

      February 5, 2012 at 10:07PM EST
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    Corey

    Whats with the vendetta against her. I suppose you prefer artists who have 10 writers and use autotune. I think she has brought back artist ownership for a project.

    February 4, 2012 at 7:59PM EST Reply to Comment
  • Default-avatar

    Corey

    Ritalin Haha no wonder you think she suck maybe you should get your ears checked.

    February 5, 2012 at 5:29PM EST Reply to Comment

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