Will 'Basterds' be the next 'Crash'? Not so fast...
Weinsteins are in the Oscar race, but can they afford it?
Brad Pitt isn't likely to get any Oscar love for his work in "Inglourious Basterds," but his co-stars and director should.
The bigger than expected $38 million opening of The Weinstein Company's "Inglourious Basterds" has fueled speculation that Quentin Tarantino's latest might be a new player for one of this year's wide open ten Best Picture slots. Well, with contenders dropping left and right either because (A) new release dates ("Shutter Island") have them in 2010 or (B) scuttlebutt that the films aren't the players the media think they are (nameless for now), the list of potential candidates is growing smaller and smaller by the week. In fact, even if it were still the traditional five slots people would be whispering about what a weak year it is. With 10? Yeesh.
Now, it's entirely possible "Basterds" could generate enough support within the Academy to crack the top ten, however, there's a long road till January, er, February 2 and Harvey's priority for Oscar is first and foremost Rob Marshall's star-filled "Nine." Luckily, Relativity Media co-financed a majority of movie musical and should support that marketing and awards campaign. But, its hard to believe the cash-strapped Weinsteins have the dollars to pull off a rumored "Crash" like campaign for "Basterds."
Today, the ever-diligent Tom Oh over at The Envelope did report that insiders told him Weinstein plans on adopting the "Crash" strategy of inundating guild and Academy members with full DVD's of "Basterds" as opposed to the whole painful AMPAS watermarked DVD procedure (although the idea the DVDs were the sole reason "Crash" beat "Brokeback Mountain" is ludicrous.). This may be part of Harvey's master plan, but let's be honest here, getting the DVD out in November and December has nothing to do with the Oscar race. It has to do with cash flow for the 2009 financial year.
Clearly a hit, "Basterds" has a chance of making over $100 million domestically and is pretty much guaranteed to do so overseas. Both Weinstein and partner Universal Pictures, who is releasing internationally, have a 50/50 revenue split on the film and, important to consider, both companies have had very disappointing financial returns recently. Even with the DVD market shrinking as it is, both companies can still increase their 2009 revenue by releasing "Basterds" on DVD and Blu-Ray during the busy Christmas season. Most home entertainment companies will be praying that in these tough times DVD's and Blu-Rays are seen as affordable gifts for the holidays and for men, "Basterds" ends up being a nice stocking stuffer (really, it's that simple). The bonus opportunity of sending 120,000 DVDs across Hollywood for Oscar season? Sure, that's a smart move, but that's still more than $500,000 in expenses. Let's see if the Weinsteins have that cash come November. If they end up moving scheduled fall releases "Youth in Revolt" and "The Road," don't count on it.
Campaigning aside, "Basterds" Oscar hopes begin with a supporting actor nomination for the fantastic Christoph Waltz and a screenplay nod for Tarantino (who previously won for "Pulp Fiction.") The standing of "Basterds" and most wild card candidate's Oscar hopes won't really become clear until November at the earliest. And as Harvey knows, a lot can change in three months.
For constant updates on awards season, entertainment news and an few NBA rants or two, follow Gregory Ellwood on Twitter at Twitter.com/HitFixGregory
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Login or create a HitFix account Login SignupBadMrWonka
August 25, 2009 at 7:06PM EST Reply to CommentThe difference was, Crash was a movie they could make people believe was better than it actually was. Inglourious Basterds is a movie that they have to work hard to convince people is actually as good as they say it is. Plus, it wasn't really all the Weinstein's money promoting Crash for the Oscar, it was also Scientology supporting their golden boy, Paul Hackis, er, Haggis. Kenneth Turan said it perfectly about Crash and the Oscar: "I don't care how much trouble "Crash" had getting financing or getting people on board, the reality of this film, the reason it won the best picture Oscar, is that it is, at its core, a standard Hollywood movie, as manipulative and unrealistic as the day is long. And something more. For "Crash's" biggest asset is its ability to give people a carload of those standard Hollywood satisfactions but make them think they are seeing something groundbreaking and daring. It is, in some ways, a feel-good film about racism, a film you could see and feel like a better person, a film that could make you believe that you had done your moral duty and examined your soul when in fact you were just getting your buttons pushed and your preconceptions reconfirmed." It was the perfect storm for Hollywood's fake liberalism. It wants all the gay movies it can make money off of, but it doesn't want to reward them. At least not in the face of the money and power machine of Lord Xenu. Inglourious Basterds could get a nod now that there are 10 slots, but I think it's more likely they toss some of the up for grab slots to a couple indie darlings like Moon. I think the Weinsteins know it, and they'll probably just focus on 2010.
BadMrWonka
August 25, 2009 at 7:08PM EST Reply to CommentAnd not for nothing, but why can't we do paragraph breaks in the comments? To keep us from being long winded like me? ;o)
Excellent point on the paragraphs. We'll add it to the cue.
August 25, 2009 at 7:17PM EST