Is Robert Zemeckis this year's Best Animated Film category savior?
'A Christmas Carol' may be the magic 16th qualifier to expand the category
Robert Zemeckis isn't being a Scrooge this year. He's allowing 'A Christmas Carol' to be submitted for Best Animated Feature after previously keeping 'The Polar Express' and 'Beowulf' out of past races.
Robert Zemeckis may not be a happy man right now. The Oscar-winning filmmaker has never believed that his motion capture films "The Polar Express" and "Beowulf" were considered animated pictures so he'd never bow to studio pressure and submit them for the ultra competitive Best Animated Feature race. This year that story has changed.
Rumors were circling for weeks that Zemeckis was being pressured to change his tune for his upcoming adaptation of "A Christmas Carol." According to Kris Tapley at In Contention, Zemeckis has finally bowed to requests within Walt Disney and the industry at large to submit "Carol." However, that's only part of a complicated equation as there is no guarantee "Carol" will be deemed eligible by the Academy's animation branch because it is motion capture. Why would people like Disney and Pixar head John Lasseter, Focus Features and Fox Searchlight be rooting for it to make the cut? Because if "Carol" doesn't qualify there may be only three animated feature nominees this year and some excellent films will get the shaft. Oh, Oscar. Here we go again.
In their infinite wisdom, the Academy created the Best Animated Feature to recognize some of the great films that weren't getting nominated for the traditional Best Picture category. Sure, "Beauty and the Beast" had made the cut, but when the arguably superior "The Lion King" was overlooked a few years later the Academy realized it had a problem on its hands. With a best animated short category in existence why not a feature one? It finally came to pass in 2002 when "Shrek" beat out Pixar's "Monster's Inc." for the inaugural statue (much to the dismay of Lasseter and his Northern California crew). In what seemed like a smart move at the time, the Academy set up a rule that there had to be a minimum of 8-10 qualifying films a year for the award to be even included in th show and that unless there were 16 eligible entries, only three nominees would be announced. 16 or more? The traditional five nominees would make the cut. Sadly though, the larger pool has only come to pass once, in 2003.
Fast forward to calendar year 2009 and you've got the strongest crop of nominees ever. And if 16 nominees aren't deemed A-O.K. by the Academy this time around two seriously good films will get left in the cold. So far, the magic 16 are... (listed in no significant order)
1. "Up"
2. "Monsters vs. Aliens"
3. "Coraline"
4. "9"
5. "Ponyo"
6. "The Princess and the Frog"
7. "Mary and Max"
8. "Evangerion"
9. "Cloudy With A Chance of Meatballs"
10. "Astro Boy"
11. "The Fantastic Mr. Fox"
12. "Tinkerbell and the Lost Treasure"
13. "Ice Age: Dawn of the Dinosaurs"
14. "Battle for Terra"
15. "Planet 51"
16. "A Christmas Carol"
The Envelope's Pete Hammond notes there's also a chance a little known French contender titled "A Town Called Panic" that was acquired domestically by Zeitgeist, may have already qualified with the necessary one week theatrical release, but it appears no one can confirm that at the moment. If not, you can put money down that Disney, Fox Searchlight and Focus will be more than willing to make sure it is as it could provide a "safety" 17th submission.
And that perhaps is the more pressing issue here. The Academy put in the 16 picture rule in place to make sure films that didn't deserve to make the cut such as the imported "Pokemon" releases wouldn't sour the artistic excellence on hand. Instead, there have been too many years were worthy nominees have been denied recognition because it was only a three nod year. Granted, that's the Oscar game in all categories, but at this point it's just becoming silly. Either the nominating process should be determined on a year by year basis on a voting system or a committee of animation industry peers within the Academy should weigh in on a case by case basis.
For those playing the prediction game (and aren't we all), here are the top five candidates if the category is expanded.
"Ponyo"
"Up"
"Coraline"
"The Fantastic Mr. Fox"
"Cloudy With A Chance of Meatballs"
If there are only three? Well, "Up" is a lock, but beyond that it would be way too close to call (at least right now). And here you thought all the excitement was just in the Best Picture race.
Do you think they should expand the Best Animated Feature category to five nominees this year? Share you thoughts below.
News From Our Partners
-
The Saturdays Are Sexy Housewives Seeking a 'Gentleman' in New Video
Enter for a Chance to See Emblem3 Live on 'Good Morning America!'
Bruno Mars Rumored for 'American Idol' Judge Spot
-
Critics Consensus: Fast & Furious 6 is Certified Fresh
Red Carpet Photos with Vin Diesel, Michelle Rodriguez, Gina Carano and More
Video: The Hangover Part III Cast Interviews
-
Is There Hope For Jaime & Brienne Shippers?
PHOTOS: Inside Lucille Austero's New Apartment
WATCH: Full-Length Trailers For 'The Millers,' 'Hostages' And 'Mom'
-
Less Jaywalking, More Web-friendly Clips: Dos and Don'ts for Seth Meyers' Late Night Career
What to Watch Tonight: The Season Premiere of Rookie Blue and the Series Premieres of Save Me, Showville, and Does Someone Have to Go?
Nashville Season Finale Review: Funerals, Proposals, Car Accidents, Oh My?
-
'Sons of Anarchy' Season 6 Adds 'The Shield's CCH Pounder As…
David Boreanaz, Minka Kelly, Tom Felton and More Go 'Full Circle' for DirecTV
Syfy's 'Helix': David Slade Directing 'Battlestar Galactica' Creator Ron Moore's New Series
-
The Telefile - Save Me: Lightning Strikes NBC
The Telefile - Modern Family: Goodnight, Gracie. Hello, Series Highlight.
The Telefile - Critics' Choice Television Awards 2013: Nominees Announced
-
Cannes Film Festival: Cannes 2013, Day Eight: Blue Is The Warmest Color captures a relationship’s rawness and beauty
Hear This: Pantera’s “Walk” is the cry of aggrieved, disaffected youth
Watch This: Vanishing Point caters to car nuts and existentialists alike
-
'Hangover III': The Reviews Are In!
Jennifer Aniston Breaks Bad, Strips Down In 'We're The Millers' Trailer
'Star Wars' Fans Still Love To Hate Ewoks 30 Years Later
Get Instant Alerts on Awards Campaign
Latest Posts
-
Working on already infamous 'Gun' is 'so much fun'Wednesday, May 22, 2013
-
But will you care at the end?Wednesday, May 22, 2013
-
J.T. on a 'mission to be continually inspired'Tuesday, May 21, 2013
-
T Bone Burnett spills the beans...a bit earlyMonday, May 20, 2013


Comments
Option 1
Comment instantly as a guest GuestOption 2
Option 3
Login or create a HitFix account Login Signup
October 10, 2009 at 4:36PM EST Reply to CommentThe Tinkerbell movie is straight to DVD, so that won't count.
It is being released in Los Angeles at the El Capitan for a one week qualifying run at the end of the month. It actually will.
October 10, 2009 at 5:36PM ESTbrian
October 10, 2009 at 5:21PM EST Reply to CommentAll I know is that Coraline 3D was better on every level than Up 3D.
tabonga
October 10, 2009 at 7:00PM EST Reply to CommentThe animated features should be considered as much as the regular live-action feature, period.
Rich
October 10, 2009 at 7:02PM EST Reply to CommentThe Academy DOESN'T give mo-cap'd films the shaft. "Monster House" was mo-cap, and it was nominated in 2007. Also keep in mind that a film that uses motion capture does not mean there are no animators involved. Mocap data is NEVER taken exactly as it's recorded. It is cleaned up, amplified, altered and exaggerated by animators, and in some cases it's only used as reference and the animation itself is done mostly by hand.
fairprotfan
October 10, 2009 at 10:31PM EST Reply to CommentWell, based on the trailers, if they got to a three-picture slate, i'd have no trouble dropping "Ponyo" and "Cloudy whit a Chane of Meatballs" off the list.
October 11, 2009 at 12:29AM EST Reply to CommentThis family of 5 are Miyazaki fans, but Ponyo left me wanting. I was not able to accept the story at face value. Some elements seemed out of place, or they just didn't have enough back story to keep me along for the ride.
The intro was stunning, but it seemed that they used most of the "good paint" in that first 10 minutes. Mr. Miyazaki needs a few more people on his team. A Wild Genius without guidance, goals and a team of handlers is one bad day from the rubber room. Focus the director before he focuses the camera.
Matt
October 11, 2009 at 1:15AM EST Reply to CommentI think nostalgia will get The Princess and the Frog a lock before Mr. Fox has one.
Shawn
October 11, 2009 at 2:19AM EST Reply to CommentWhy's they leave Delgo off? It may have done really crappy, but it was released in February for at least a week. They have their 16 with it.