Atoms For Peace is the project name for Thom Yorke’s full band when he’s gone solo, and structurally the album “AMOK” shows he’s still its leader. For it, the Radiohead frontman assembled a mighty drum circle.
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Justin Timberlake is keeping it in the family. He appears in a small role as Carey Mulligan’s husband in the new Coen Brothers’ movie, “Inside Llewyn Davis,” and now he and Mulligan’s real-life husband, Marcus Mumford, have recorded a song for the film’s soundtrack.
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Adele is taking more than an Oscar home from Feb. 24’s Academy Awards ceremony. The winner for best original song for “Skyfall” will also see a big sales increase on Billboard’s digital download chart.
Billboard predicts that the James Bond theme could soar 45% in sales over last week, when it sold 36,000 copies.
Adele isn’t the only Bond girl to see a nice bounce: Shirley Bassey, who deservedly earned a standing ovation from the audience for her performance of “Goldfinger,” will also see a huge increase in sales, with as much as a 275% increase in downloads for a tally up to 2000 copies.
Though never a singer of a Bond theme song (how did that happen?), Barbra Streisand’s theme from another classic movie, “The Way We Were,” will also see a rise, perhaps as high as 175%, following her performance of the tune during the In Memoriam segment of the evening. She sang in honor of the song’s co-writer and her close friend, Marvin Hamlisch, who died on Aug. 6.
Also seeing increases are the soundtracks from “Les Miserables,” “Chicago” and “Dreamgirls,” all of whom had featured songs performed during the show.
While some of the increases will be immediately apparent on the charts released tomorrow (Feb. 26), given that the charts close on Sunday night, some of the titles could see even bigger bumps the following week.
Iron & Wine has now unleashed two new songs from forthcoming album "Ghost on Ghost," due April 16 via Nonesuch.
Today's "Grace for Saints and Ramblers" is one of Sam Beam's wordy-word tracks, chugging along an easy snare beat and sunnily beaming on its Tom Waitsian cousin "Lovers' Revolution." That track is an obvious example of how Iron & Wine's collaboration with Calexico has rubbed off, in a slinky, dreamer-lidded rumble of horns and bass-centric sound.
Both are part of the style evolution of Iron & Wine, which has become increasingly visible among the AAA crowd since moving over to a major two years ago for "Kiss Each Other Clean." It's no coincidence that set became I&W's best-selling and highest charting effort, peaking at No. 2 on the 200.
Judging from these two tracks and from Beam's trajectory, do you think "Ghost on Ghost" can go higher?
Here we are with the newest frontier in entertainment reporting. Now we are reporting at the moment that someone is ready to walk into the room to pitch a project. There was the story last week about the pitch for a remake of "The Stooge" starring Roger Rabbit and Mickey Mouse at Disney, and I think there's more to say about that this week, but that's all it was… a pitch. The studio hadn't made a decision yet, and in the case of Guillermo Del Toro's proposed "dark DC" movie, currently titled "Heaven Sent," it's also true that no decisions have been made yet.
Instead, today's story is that Del Toro is now ready to present his version of the story to the studio to see if this is something they want to to continue to develop or if it's too esoteric. Right now, Warner Bros is taking a ton of heat over the way they're making decisions about the superhero properties they own, but I'll give them credit for at least taking occasional chances in development. I am a huge fan of "Galaxy Quest," and the script by Robert Gordon is one of the best comedy scripts of the last 20 years. Gordon has not had the huge career I expected when I first read "Galaxy Quest," but he has written a few unproduced gems, the best of which was "Bizarro," which is exactly what it sounds like. He told a Superman story in which Superman only appeared for about three pages, and the entire rest of the film was about Bizarro's time on Earth doing his best to be Superman, mangling the task in every possible way. It is a hell of a read, and I would have loved to have seen it. I get why they didn't make it, but it would have been glorious to see trailers for a "Bizarro" movie and then listen to the general public's collective "WTF?!" every time it played. They've also developed several different versions of a possible "Lobo" movie, and while I'm not a huge "Lobo" fan, I think it's cool that they were willing to even consider doing the character as a movie.
As promised, the names of the new cast of "Dancing with the Stars" were revealed on ABC's "Good Morning America" today, and they are... okay, I guess. As usual, we have some athletes, some Olympic gold medal winners, and at least one potential train wreck/inspiration (Andy Dick), though no name suggests inherent drama (and more than a few are head scratchers). We'll just have to see if the show can find the ratings gold that has, of late, been illusive. The new season starts Mon. March 18 at 8:00 p.m. Here's the list of 11 celebrities and their professional partners.
I don’t what’s stranger in David Bowie’s brand new video for “The Stars (Are Out Tonight)": the concept of David Bowie and his wife, played by Tilda Swinton, being taken over by some blend of aliens tabloid stars and their former selves or the images of Bowie as some regular old husband trotting down to the grocery store with his wife.
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It's hard for a writer to let go of a good idea that didn't work the first time out. That's why, from time to time, you'll see a TV producer present a new show very obviously inspired by a past project that failed. On very rare occasions — Joss Whedon turning "Buffy the Vampire Slayer" into a TV show after he was unhappy with how the movie was directed — the second time's the charm. More often, though, you get something like "The Black Donnellys" — Paul Haggis using his Oscar juice to do another show like his brilliant-but-canceled '90s CBS drama "EZ Street," to similar ratings and lifespan.
Will CBS' "Golden Boy" (it debuts tonight at 10) be another second chance to fail with the same broad idea for producer Greg Berlanti? Or has he found the right tweak to the formula this time out?
A review of last night's "Bunheads" season finale coming up just as soon as I name my banana...
A review of last night's "How I Met Your Mother" coming up just as soon as I stop sitting on the art...
You know what's fun? Watching rich, miserable people mess up a perfectly good vacation. Not just any vacation, mind you, but one to Paris. Granted, in this episode we only get the first glimmers of how completely this trip is going to go off the rails, but with these women we can guess pretty well what's going to happen. My suspicion? None of it good.