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You didn't think "Argo" and its Oscar run was through with you yet, did you?
Tonight on "Saturday Night Live," last year's golden boy Ben Affleck took up hosting duties for the fifth time in his career, bringing the 38th season of the show to a close and putting a big bow on the 2012-2013 Oscar season.
A quick review of the "Doctor Who" season finale coming up just as soon as I retire and take up watercolors or beekeeping...
Welcome to Reality TV Roundup -- a quick look at some of the reality TV-centric stories that have recently popped up across the fine, old Interwebs. Click away, my couch potato friends. But before you do...
SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! One more time: SPOILER ALERT. If you watch any competition shows, the latest elimination for each show is probably revealed in the text below. The hope is that, if you missed this week's program and would rather clear out your DVR than watch the episode, you can get a quick hit here. But don't come crying to me if you find out something you didn't want to know. You've been warned. Also note: lots of non-competition reality info lurks below, too.
Shakira and Usher are coming back in the spring. Thank God.
THE REAL HOUSEWIVES OF NEW JERSEY
Teresa and Melissa are fighting, this time over "On Display." Whatever.
CANNES - After making her feature film debut with 2010's "Belle Epine," director Rebecca Zlotowski returns to Cannes with the compelling new drama "Grand Central." While Zlotowski benefits from the presence of a number of critically acclaimed French actors this is the sort sophomore jump that will cement her status as one to watch within the global filmmaking community.
J.J. Abrams' "Star Trek Into Darkness" has arrived. From here the film goes out into the unforgiving summer and we'll just have to see where it stands fiscally on the other side of things. But I imagine at the very least its various craft achievements will be in the awards discussion at the end of the year.
So with that in mind, how has a franchise that spans 12 films over 34 years fared at the Academy Awards all this time? It seemed like something worth digging into for our purposes here and with the new film on screens, so let's take a look…
CANNES - Something's ailing Benicio Del Toro's title character in "Jimmy P. (Psychotherapy of a Plains Indian)," but let's lay that to one side for now. More pressingly, what is up with Arnaud Desplechin? The French writer-director is typically one of his country's liveliest talents, with big, crowded, unapologetically chaotic films like "A Christmas Tale" and "Kings and Queen" bristling with emotional and intellectual curiosity -- but he's come a cropper in this lethargic, self-important psychiatry study, which he himself seems to have directed from the couch.
Vampire Weekend, George Strait and Demi Lovato walk into a bar... wait a minute, that’s not right. Actually the three artists are in a tight race to debut at No. 1 on the Billboard Hot 100 next week.
Going into the weekend, it looks like Vampire Weekend’s “Modern Vampires of the City” has the edge and is poised to sell up to 135,000 copies. The other two titles are both going to top the 100,000 mark as well. George Strait’s “Love Is Everything” will move up to 120,000 copies for No. 2, while Demi Lovato’s “Demi” is looking good for 115,000 units, which will land her at No. 3.
Unless Amy Grant’s latest sneaks in, that looks like it for debuts next week. Dropping 2-4 will be “The Great Gatsby” soundtrack. Though it moves downward, it is still targeted to sell up to 95,000, according to Hits Daily Double. This week’s No. 1, Lady Antebellum’s “Golden,” will likely drop to No. 5 with sales of 65,000.
“Now That’s What I Call Music 46” will be at No 6. Justin Timberlake’s “The 20/20 Experience” and Michael Buble’s “To Be Loved” are in a dead heat for the No. 7 spot, with each looking strong to sell up to 45,000 copies.
The chart ends on a country note with Pistol Annie’s “Annie Up” at No. 9 and Kenny Chesney’s “Life On A Rock” at No. 10.
The chart closes Sunday night.
CANNES - Nothing I've seen at Cannes so far -- not even the current Palme d'Or favorite, Hirokazu Kore-eda's button-cute parenthood drama "Like Father, Like Son" -- has, to my ear, pushed the end-credits clap-o-meter quite as far into the red as Alain Guiraudie's Un Certain Regard entry "Stranger by the Lake." Elated whoops and whistles greeted this minimalist French thriller's final fade to black: not the reaction you'd usually expect from a civilian festival crowd for a work of such sleek, stark nihilism as to prompt visions of Robert Bresson adapting Patricia Highsmith. All of which leads me to at least one conclusion: audiences out there are really starved for gay sex.
I suspected Penn Jillette was going to make the finals of "All-Star Celebrity Apprentice." No, I'm definitely not psychic. I'm not deeply in tune with the production, or worse, Donald Trump. But I had a feeling before the show even began that the magician who makes up half of Penn & Teller might go a little further on the franchise this time around.