Tonight's episode of "Hoarding: Buried Alive" is called "This House Killed Her," so you know it's bad. How bad, you ask? Well, you can watch below if you're not sure. And you have a strong stomach. That would help.
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And that, as they say, is that. The 2012-2013 film awards season was, in so many words, exhilarating, competitive, contentious, record-breaking, precedent-setting and awe-inspiring. Whether your favorites won or didn't even get an invite to the dance, the whole of it was a journey with many twists and turns. In the end, Ben Affleck's "Argo" dominated the critics awards, the industry awards and, eventually, the Oscars. And even if things soon enough settled into a bit of predictability, getting there was a blast. So if you'd like to relive all of the craziness along the way, feel free to do so via the links below, charting the ups and downs throughout the season.
This is somewhere in the fourth of five hours I'll spend at the writers offices of "New Girl" late on a Friday afternoon in January, watching as the show's writers work on a story outline for "TinFinity," the 18th episode of the terrific FOX comedy's second season. (It aired last night.) As Philbin suggests, it has not been coming easily to them on this day.
An unlikely awards season ended where it started.I had the pleasure of attending the first public screening of "Argo" at the Telluride Film Festival in September. Five months later, "Argo" pulled off a historical comeback to win the Best Picture prize many of us predicted it would take that sunny Labor day weekend. In the half a year between those moments, Hollywood managed to release six $100 million-plus-grossing best picture nominees (unthinkable at the beginning of the season) and make past controversies such as Melissa Leo's infamous for your consideration ads seem as inconsequential as a playground fight between two 5-year-olds. This season was serious and a battle of mammoth egos that won't long be forgotten. Thankfully, however, there are always lessons for pundits, studio executives, their likely still-stressed-out consultants and, most importantly, the powers at be at the Academy of Motion Picture Arts and Sciences.
Open up your books to page one, students, and let's review...
So, we all know that "The Real Housewives of Orange County" will be returning for an 8th season on April 1 (insert for April Fool's Day joke here). The question is, how many of us care? And is plunking just one new housewife into the mix enough to keep this branch of the franches alive?
'Jack the Giant Slayer' director Bryan Singer talks 3D, family films and 'X Men: Days of Future Past'
I posted my review of CBS' "Golden Boy" earlier today. Now it's your turn. For those of you who tuned in, what did you think? Does the flash-forward structure intrigue you, or did it just feel like window dressing on the latest CBS cop drama? Did you buy British actor Theo James as a New York cop, or will he always be Pamuk to you? (And does anyone else agree with Fienberg that he's just channeling Peter Gallagher's voice?) Did you like James together with Chi McBride? Did the Kevin Alejandro character seem like an interesting foil or a two-dimensional villain? Did you find the mystery interesting? And will you watch again?
Have at it.
A review of tonight's "Justified" just as soon as I plan to make it rain at the Lobster Box...
Atoms For Peace is the project name for Thom Yorke’s full band when he’s gone solo, and structurally the album “AMOK” shows he’s still its leader. For it, the Radiohead frontman assembled a mighty drum circle.
Justin Timberlake is keeping it in the family. He appears in a small role as Carey Mulligan’s husband in the new Coen Brothers’ movie, “Inside Llewyn Davis,” and now he and Mulligan’s real-life husband, Marcus Mumford, have recorded a song for the film’s soundtrack.
[More after the jump...]
Adele is taking more than an Oscar home from Feb. 24’s Academy Awards ceremony. The winner for best original song for “Skyfall” will also see a big sales increase on Billboard’s digital download chart.
Billboard predicts that the James Bond theme could soar 45% in sales over last week, when it sold 36,000 copies.
Adele isn’t the only Bond girl to see a nice bounce: Shirley Bassey, who deservedly earned a standing ovation from the audience for her performance of “Goldfinger,” will also see a huge increase in sales, with as much as a 275% increase in downloads for a tally up to 2000 copies.
Though never a singer of a Bond theme song (how did that happen?), Barbra Streisand’s theme from another classic movie, “The Way We Were,” will also see a rise, perhaps as high as 175%, following her performance of the tune during the In Memoriam segment of the evening. She sang in honor of the song’s co-writer and her close friend, Marvin Hamlisch, who died on Aug. 6.
Also seeing increases are the soundtracks from “Les Miserables,” “Chicago” and “Dreamgirls,” all of whom had featured songs performed during the show.
While some of the increases will be immediately apparent on the charts released tomorrow (Feb. 26), given that the charts close on Sunday night, some of the titles could see even bigger bumps the following week.