To celebrate the July 15th premiere of her new summer talk show, “Kris," Kris Jenner has announced a contest seeking an individual who captures the "spirit, strength, love and entrepreneurial attitude" of the Jenner-Kardashian family. The winner does not, however, need to speak in a dull monotone or have a sex tape. Phew!
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It’s as if little elves woke from their slumber, consulted the teen idol manual that hasn’t changed since Elvis or the Beatles, and then worked their little elf magic to craft the perfect movie trailer for One Direction’s 3D movie, “This Is Us”
[More after the jump...]
Here are five things you will learn about the British-Irish lads from the clip, all of which will absolutely SHOCK you:
*All they ever wanted to do was sing: “When I was little I knew I wanted to entertainment people,” says Harry. Adds Niall: “I used to get kicked out of class for singing Irish traditional songs.”
*They are totally adorbs: They skateboard backstage, laugh, resort to funny, goofball Beatles-type antics such as fishing each other out of the sea, and tearing their too tight trousers, all in G-rated fashion. Even though they were a totally pre-fabricated group, they never, ever argue and love each other like brothers.
*They love their fans: “I know they love me, even though they don’t know me,” says a teenage girl on the beach, quivering with overpowering adolescent love (don’t laugh, we’ve all been there.....)
*They are good boys: See Zayn’s mom cry as she’s handed the keys TO HER NEW HOUSE because every single teen idol in the history of teen idol-dom has bought his parents a new house. It’s in the handbook. See the other moms resort to kissing cardboard cut-outs of their sons at night since they are always on the road, spreading their love to their fans.
*They crave adventure: “When you come somewhere completely new, it’s really exciting,” says one of them. And it would be almost believable if it weren’t said by one of the band members in a voiceover that sounds so void of life, so exhausted that it verges on comical. And then poor Niall has to figure out what to do with miso soup.
Starz formally picks up "Outlander" from "Battlestar Galactica's" Ronald D. Moore
The cable network ordered 16 episodes of the sci-fi series based on the bestselling books.
"Idol" may scrap all-alum judging panel idea
Kelly Clarkson isn't interested, Adam Lambert hasn't been approached and Jennifer Hudson's reported $4-5 million contract is being held up by the producer shakeup.
Broadway to dim the lights for James Gandolfini
"The Sopranos" star appeared in several Broadway productions, including "A Streetcar Named Desire" and "God of Carnage," which earned him a Tony nomination.
OWN increases Tyler Perry's "The Have & The Have Nots" order to 32 episodes
The freshman comedy was originally ordered with 16 episodes.
LeBron James: "24" got me through the NBA playoffs
The NBA Finals MVP binge-watched through several seasons of the Fox series.
Kate Gosselin addresses "racist" photo controversy
She says she was complimenting her family's Asian heritage, not insulting it.
Stephen Colbert introduces a new word: "truthinews"
It describes how the cable networks tell their viewers want to hear.
Here's your first look at the "Big Brother" cast, together
See them in their bathing suits.
Comic-Con will host "The Walking Dead's" 10th anniversary
Robert Kirkman's comic book first appeared in October 2003.
Watch John Hodgman in "Codefellas"
The "Daily Show" star spoofs the NSA in a new web series from Wired.
First 'Counselor' trailer features Brad Pitt, Javier Bardem, Michael Fassbender, Cameron Diaz and Penelope Cruz
Ridley Scott's "The Counselor" has a lot of people curious what with it being the first original screenplay from "No Country for Old Men" and "The Road" author Cormac McCarthy. It's a marriage of two visionaries and it has a stellar cast -- Michael Fassbender, Brad Pitt, Penelope Cruz, Cameron Diaz, Javier Bardem etc. Diaz in particular has a pretty showy (and raunchy) role and could end up in the Best Supporting Actress Oscar conversation at the end of the day.
Beth McCarthy-Miller has been a part of the "30 Rock" family almost since inception. She’s directed some of the show’s finest episodes, including both live ones and “TGS Hates Women,” so it was natural for co-showrunners Tina Fey and Robert Carlock to place her at the helm for their show’s two-part finale. “Hogcock!” and “Last Lunch” aired January 31 one right after the other, requiring McCarthy-Miller to meld two episodes into a cohesive whole and put a button on the series' seven-year run. HitFix spoke with her about this process as Emmy voters are casting ballots -- McCarthy-Miller has been nominated five times for her work on “30 Rock,” but never won.
"Under the Dome" attracts 13.1 million
The CBS series had the best broadcast TV summer debut since "The Singing Bee" in 2007.
NYC won't let Nik Wallenda walk across the skyline
The stuntman wanted to try walking from the Chrysler Building to the Empire State Building, but NYC police commissioner Ray Kelly isn't keen on the idea.
Paula Deen's sons deny their mom is a racist: This is "character assassination"
"That word," said Bobby Deen, "that horrifying, terrible word that exists and I abhor it coming from any person ... we weren't raised in a home where that word was used." PLUS: Late-night hosts take on Deen.
Introducing "So You Think You Can Prance"
America's new favorite competitive dance show, courtesy of Funny or Die.
"Mad Men's" Kevin Rahm reacts to the season finale
Will there be a Pete Campbell-Ted Chaough spinoff? PLUS: Don Draper's childhood home found in L.A.
Claim: "Sopranos" stars are upset with Joe Gannascoli for doing interviews about James Gandolfini
Gannascoli, who played gay mobster Vito Spatafore, was reportedly not close to Gandolfini, which upset many of his co-stars.
Jimmy Kimmel is sporting a black eye, thanks to a car door
Kimmel declined to wear makeup, but did show a "reenactment" of him getting bruised on last night's show.
"Homeland's" Damian Lewis is currently bald
Lewis shaved off all his hair not for the Showtime series, but for a new movie he's filming.
Part 7 of our journey through the Emmy ballot brings us to Outstanding Lead Actress in a Comedy Series. As always, Fienberg will attempt to rank the contenders from most likely to least likely to be nominated, throwing in a bunch of preferential wild cards along the way. And, as always, I will pretend that I am an actual Academy member who has a ballot and therefore has to narrow his choices down to six people.
Same rules apply: we are working off of the actual Emmy ballot, so we can't nominate people who didn't submit themselves (like if I wanted to nominate Tony Hale for "Arrested Development" rather than "Veep"), and we have to consider people in the category they submitted themselves for, even if that means supporting actors submitting as leads (Rob Lowe, every year) or vice versa (Amy Schumer as supporting for a show that's named after her). I also have to feel like I've seen enough of a representative sample to pick someone; I'm too far behind on "Veep," for instance, to seriously consider reigning Emmy winner Julia Louis-Dreyfus.
Dan's exhaustive analysis is here, and embedded below (click Launch Gallery to see it), and my picks are coming right up.
I published my review of CBS' Stephen King adaptation "Under the Dome" on Sunday. Now it's your turn. What did everybody else think of the pilot? Did a svelter Dean Norris work for you in a more prominent role than he usually has as Hank Schrader? Did you like Mike Vogel as the mysterious Barbie? Was Junior creepy or campy? And do you find this town and its inhabitants compelling enough to spend a summer watching?
I understand Brian K. Vaughan and company have made some significant departures from the book. Nevertheless, let's keep any book discussion as vague as possible, if not ignoring it altogether, rather than let this turn into a "Game of Thrones" situation. I haven't decided yet if I'm going to cover this weekly; I'll have to see what I feel about the next few episodes, but I can try to at least put up brief discussion posts about them.
In the meantime, have at it.
Pedro Almodóvar's cabin-crew comedy "I'm So Excited!" finally jets into US theaters on Friday, and as I suggested in my review, some of the kooky Spanish auteur's fans may want to brace themselves for a crash landing.
But you may disagree. The critical reception for his latest is cooler than Almodóvar has come to expect, but as many die-hard fans of the director have been tickled as have been dismayed. One thing both camps will agree on, however, is that it couldn't be the work of anyone else: from his recurring themes of fringe sexuality to his Crayola color palette, Almodóvar's films are arguably the most immediately and universally identifiable of anyone's in the current hierarchy of European auteurs -- to the point that even the Academy has embraced him and even Almodóvar himself has taken to parodying his own stylistic tics.
Earlier this month, the Canadian indie label Arts & Crafts celebrated its 10 years of existence by combining its biggest assets -- its artists -- on stage at the Field Trip Festival in hometown Toronto and on a genre-spanning compilation "X." A reunited Broken Social Scene performing classic "You Forgot It in People" headlined the former, while BSS and its members, Feist, Ra Ra Riot, The Hidden Cameras and other A&C acts collaborated for the latter.
Arts & Crafts has survived these 10 by expanding outward from "You Forgot It in People," starting with BSS and its solo and reformed offshoots, then to new original artists, then into different mediums and revenue sources. It's not just a label, but a management firm, merchandiser, and publisher; A&C has segued through the tumult of digital retail, the resurgence of vinyl and the advent of streaming services like Spotify to find new music audiences. But it doesn't stop at audio: they've partnered with visual artists like photographer Norman Wong and fashion designer Jeremy Laing for unique presentations of their artists' unique brands of indie rock.
The bachelors and Des are off to Munich, so… lots of beer, yodeling and sledding! Because "The Bachelorette" has never met a cultural cliche it doesn't like! This will be great fun, I'm sure, but the big nail biter in this episode is the dreaded two-on-one. As in seasons past, the most loathed creepazoid will be sharing the date with Des with a likable guy we doubt she'll pick.
Even though I'm fairly sure this will play out the way all of these dates play out (the creepazoid gets the rose and we scream at the television), I'm hoping against hope that Des fights back against producer manipulating her to follow the formula and actually kicks the jerk to the curb. And you know which jerk I mean -- Ben. It's not even anything I have against Ben (though I don't care for him a bit). I'd just like to think this show isn't as thoroughly predictable as it seems to be. Still, this episode starts throwing big curveballs before the first hour is over -- so I'll withhold judgment, briefly.