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<p>&quot;Frozen&quot;</p>

"Frozen"

Credit: Disney

'Frozen' warms back up to the top album spot next week

Soundtrack fends off three chart newcomers

As the east coast thaws out from its latest Polar Vortex, the soundtrack to “Frozen” is, appropriately enough, poised to return to the top of the Billboard 200 next week, halting Bruce Springsteen’s run at No. 1 with “High Hopes” after one week. The Boss’s 11th No. 1 album will likely drop to No. 8.

It’s a bleak week for sales as no title comes close to the 100,000 mark. “Frozen” looks good for up to 90,000, according to Hits Daily Double, but then sales plummet as the No. 2 title, Beyonce’s “Beyonce,” is slated to sell no more than 50,000, the same number expected for A Great Big World’s “Is There Anybody Out There,” which will likely debut at No. 3.

Two other titles bow in the top 10: the 2014 Grammy Nominees set, at No. 4 (45,000) and Young The Giant’s latest effort, “Mind Over Matter,” at No. 6 (35,000).

Also in the top 10 next week:  the latest installment of “Kidz Bop Kids” will be at No. 5 (35,000), Lorde’s “Pure Heroine” at No. 7 (35,000), Eminem’s “The Marshall Mathers LP 2” at No. 9 (24,000) and Katy Perry’s “Prism” at No. 10 (24,000).

The Grammys, held Sunday night, will have little effect on next week's chart as the survey period ends Sunday at midnight. Look for most artists' Grammy bounce to be reflected in the chart released a week from Wednesday.

 

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Aaron Paul discusses 'Hellion,' 'Better Call Saul' and Corn Pops

Aaron Paul discusses 'Hellion,' 'Better Call Saul' and Corn Pops

Also from Sundance, young star Josh Wiggins discusses this big break
PARK CITY, UTAH. Aaron Paul has been wearing out a groove between Los Angeles and Sundance over the past 10 weeks, making appearances for the Golden Globes and SAG Awards in one location and zipping back and forth for premiere and press on the indie drama "Hellion" in the other.
 
In "Hellion," directed by Kat Candler, Paul plays a widower struggling to keep his family together, particularly rebellious, motocross-loving teen son Jacob (Josh Wiggins).
 
"Hellion" is Wiggins' first credit on any screen bigger than YouTube, which led me to ask Paul about his own first screen role and how his work in that project compared to his Sundance co-star. We also discussed how they kept things estranged on-screen, but warm and convivial off. 
 
Since this is the second time in three Sundances that I've interviewed Paul for a film in which he plays an alcoholic (following 2012's "Smashed"), I asked about different versions of addiction.
 
And, of course, we discussed "Breaking Bad," Jesse Pinkman and Paul's relief at escaping from that character's tortured headspace, but his excitement about returning to a younger, goofier version for the AMC spinoff "Better Call Saul." How soon will Paul be ready to return to that world? He explains.
 
"I love that family so much. Whenever they want me, I'm there, because it would be nice to jump into Jesse again in his lighter days," he says of the prequel.
 
Check out the full interview above.
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<p>&quot;Shark Tank.&quot;</p>

"Shark Tank."

Credit: ABC

TV Ratings: 'Shark Tank' nets ABC Friday win, 'Enlisted' up

'Shark' has highest-rated regular episode ever

Fast National ratings for Friday, January 24, 2014.

ABC won Friday night thanks to the highest-rated regular "Shark Tank" episode ever, while FOX's timeslot swap of "Enlisted" and "Raising Hope" paid dividends for the first-year military comedy without really hurting the veteran show.

For the night, ABC averaged a 1.7 rating among adults 18-49, and 7.2 million viewers overall. FOX was second (1.4, 5.1 million), followed by NBC (1.3, 5.4 million), CBS (1.1, 8 million) and the CW (0.3, 772,000).

8 p.m. --
"Bones" won the hour for FOX with a 1.8 rating and 7.4 million viewers, up from last week.  "Dateline NBC" was second (1.4, 7.3 million), followed by an "Undercover Boss" repeat on CBS (1.2, 6.4 million), "Last Man Standing" and "The Neighbors" on ABC (1.1, 5.1 million) and "The Carrie Diaries" on the CW (0.3, 916,000).

9 p.m. -- "Shark Tank" (2.2, 8.1 million) won the hour for ABC with its highest-rated regular episode ever. NBC's "Grimm" (1.5, 5.9 million) was second, followed by a "Hawaii Five-0" repeat on CBS (1.0, 8.1 million). Placed immediately after "Bones," "Enlisted" (1.0, 3.2 million) added more than a million viewers from last week and was up significantly in the demo, while "Raising Hope" (0.8, 2.4 million) actually did slightly better in the demo this week than it did a week ago at 9.  A CW "Supernatural" repeat (0.2, 628,000) was in last place. 

10 p.m. -- "20/20" (1.9, 8.3 million) won the hour for ABC, followed by a "Blue Bloods" repeat on CBS (1.0, 9.7 million). The "Dracula" season finale (1.0, 3.1 million) was up slightly over last week.

All ratings information comes from preliminary Fast National Nielsen data, which includes live and same-day DVR viewing. All numbers are subject to change.
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<p>Guy Lodge, Chris O'Dowd and John Michael McDonagh at the Sundance Film Festival.</p>

Guy Lodge, Chris O'Dowd and John Michael McDonagh at the Sundance Film Festival.

Chris O'Dowd and John Michael McDonagh talk 'Calvary' and finding the darkness in comedy

The Fox Searchlight pickup was one of Sundance's hottest international titles

PARK CITY - John Michael McDonagh's "Calvary" was one of my most anticipated titles heading into Sundance, and with the festival at a close, it's among the films my mind returns to most often.  The Irish writer-director's follow-up to the raucous cop comedy "The Guard" -- also a Park City premiere a few years back -- has a sharper, more complex comic flavor, taking on matters of faith, morality and mortality in the story of a Catholic priest (Brendan Gleeson) threatened with murder by one of his own troubled parishioners.

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<p>Could Motoko Kusanagi finally be on her way to the big-screen, and if so, who in the heck is going to play her?</p>

Could Motoko Kusanagi finally be on her way to the big-screen, and if so, who in the heck is going to play her?

Credit: Production IG

Rupert Sanders reportedly set for 'Ghost In The Shell' movie at Dreamworks

Will this Spielberg pet project finally get off the ground?

I remember the first wave of Hollywood's flirtation with anime, and it was obvious at the time that none of the films that they talked about making were actually going to get made. They would have all been prohibitively expensive and even more prohibitively bizarre, a combination that never ends well for studios.

For a while, Guillermo Del Toro was positively manic about getting "Domu" made as a movie, and I'll admit… I would have loved to have seen that, but I acknowledge that as a commercial proposition, that is insane. "Akira" has gone through the development mill for years with any number of different directors attached, and I've read several radically different scripts for that potential project over that time. James Cameron came very close to making "Battle Angel Alita" instead of "Avatar," and there was a period of time where he transformed an entire floor of the Lightstorm building, allowing his artists to work in the environment from the movie, with the rich people's paradise overhead and the garbage-strewn Earth below.

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Obama takes on 'The West Wing' tradition of 'Big Block of Cheese Day'


Obama takes on "The West Wing" tradition of "Big Block of Cheese Day"

On Wednesday, the Obama administration will copy the Bartlet administration with a day-long open house.


Mitt Romney "Slow Jams The News" with Jimmy Fallon

The former presidential candidate was promoting his "Mitt" documentary on "Late Night." PLUS: Zach Braff was seatmates with Romney on a plane.


Mira Sorvino is headed to BBC America
She'll play two characters stuck in one body in "Intruders."


"American's Next Top Model" finalist joins an ABC comedy pilot

Cycle 11's Analeigh Tipton will play one-half of a young couple. PLUS: ABC orders "Astronaut Wives Club" and three other dramas.


Margaret Cho to star in Tina Fey's Fox comedy pilot
She'll play the college president in the comedy about a female college that's about to accept males.


NBC orders a remake of the Tom Hanks movie "The Money Pit"

The 1986 film also starring Shelley Long got a pickup, as well as "Fifth Wheel."

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<p>&quot;Rudderless&quot;</p>

"Rudderless"

Credit: J.R. Cooke

Review: Billy Crudup shines in William H. Macy's 'Rudderless'

Sundance closer also co-stars Selena Gomez, but don't see it for her
It's funny, but if you asked me to list my favorite actors, it would take me a while to get to Billy Crudup.
 
Probably that's Crudup has made some strange, but often admirable, career choices and has occasionally vanished in the background in the sort of paycheck roles I wouldn't begrudge him for a second.
 
However, when I think back on Crudup's body of work, he's given some performances that I consider to be all-time classics.
 
"Almost Famous," for example, doesn't work without Crudup's passionate, mercurial Golden God Russell Hammond. In a perfect world, Crudup would have picked up an Oscar nod for "Almost Famous." He did not. Instead, his highest profile acting honor is an Independent Spirit nomination for "Jesus' Son," a cult classic in which he gets astounding comedic mileage from some very dark material, etching one of cinema's best and most unique depictions of drug addiction. And although I may be a party of one on the movie, Crudup's commitment in Robert Towne's underrated "Without Limits" never ceases to impress me.
 
He's done decent work since then, but perhaps the reason I don't include Crudup among my favorite actors is because his last great performance -- unless you were a fan of his radioactive blue super-wang in "Watchmen" -- was all the way back in 2000.
 
That's no longer true. 
 
"Rudderless," one of the Closing Night films of the 2014 Sundance Film Festival represents a confident directing debut for William H. Macy and gives Crudup his best role in years. The actor responds with a performance that's funny, heartbreaking and confidently musical, anchoring a film with a challenging and sometimes shaky premise that very much requires his steadying presence.
 
More on "Rudderless" after the break.
 
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"Lizzie Borden Took An Ax"

 "Lizzie Borden Took An Ax"

Credit: Lifetime Television

Review: 'Lizzie Borden Took An Ax' is a swing and a miss

The biopic can't decide what to do with a troubled main character

There's a lot to like about "Lizzie Borden Took An Ax" (Sat. Jan. 25 at 8:00 p.m. on Lifetime). It's a thoroughly modern take on the woman who made parental murder the stuff of a catchy little rhyme perfect for jumping rope. The music is slick (songs by the Black Keys, Sons of Jezebel and the Kreeps jazz up the soundtrack), the cinematography slicker, the cast stellar. Christina Ricci, with her doe-like eyes and callous smirk flutters easily between insincere delicacy and murderous glee. It's all such fun... if only it worked.

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<p>Geoff Stults and Parker Young in &quot;Enlisted.&quot;</p>

Geoff Stults and Parker Young in "Enlisted."

Credit: FOX

Review: 'Enlisted' - 'Pete's Airstream'

Pete tries to deal with his emotions, Jill makes new friends and Randy gets naked

A review of tonight's "Enlisted" coming up just as soon as we have a mini-seminar on mole people...

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"My Strange Addiction"

 "My Strange Addiction"

Credit: TLC

Watch: Fan spends over $100k to resemble Justin Bieber on 'Addiction'

Hope he still feels it's money well spent this week

No matter what happens to Justin Bieber in the courts, he can always count on one fan rooting for him all the way. In the season 5 finale of "My Strange Addiction" (airs Wed. Jan. 29 at 10:00 p.m. ET), we meet 33-year-old Toby. He has spent over $100,000 on plastic surgery to transform himself into (by his standards) a doppelganger of Justin Bieber. In this clip, get the full rundown of everything he's had done to be more of a Belieber.

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Oscar Talk: Nominations postmortem (finally) and Sundance chatter

Oscar Talk: Nominations postmortem (finally) and Sundance chatter

Is this really going to be a split year?

Welcome to Oscar Talk.

In case you're new to the site and/or the podcast, Oscar Talk is your one-stop awards chat shop between yours truly and Anne Thompson of Thompson on Hollywood. The podcast is broadcast in special installments throughout the season, charting the ups and downs of contenders along the way. Plenty of things change en route to Oscar's stage and we're here to address it all as it unfolds.

On the docket today…

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<p>&quot;Fed Up&quot;</p>

"Fed Up"

Credit: Scott Sinkler

Review: Obesity documentary 'Fed Up' isn't fresh, but it's persuasive

Sundance doc continues a conversation about healthy eating
I'm into the third week of the TCA Press Tour/Sundance double-bill and things have begun to get just a bit punchy and, with punchiness, I start falling back on intellectually facile puns. 
 
So when I tell you that Stephanie Soechtig's Sundance US Documentary Competition entry "Fed Up" offers ample food for thought, you're going to have to take that with a grain of salt.
 
Oy. See what I did there?
 
Yeah. I have no pride. 
 
Just because it's punny doesn't mean it isn't true. One of the pleasures of Sundance is riding shuttles with passionate audiences discussing the movies they've just seen and I don't remember the last time I took a shuttle in which every single rider was so deep and loudly in conversation about the film that they just saw as after catching a matinee of "Fed Up."
 
It's telling that I don't think I heard a single person discussing "Fed Up" in terms of its cinematic quality or lack thereof. Nobody wanted to talk about whether or not "Fed Up" was a "good" movie, but everybody wanted to engage with the documentary's central polemic.
 
Even at a film festival, not everybody is equipped with the vocabulary or the desire to talk about the merits of direction or editing or cinematography, but no matter who you are or where you go, absolutely everybody has the vocabulary and the desire to talk about food and eating. And just as devoted moviegoers are stubborn in their subjective approval or disapproval of certain films, "eating" is something that most people think they know how to do correctly, so when a documentary like "Fed Up" comes along and assails the fundamentals of this very basic human process, everybody has an opinion and everybody wants to share the things that they're sure they're doing right and the things they're apparently doing wrong. 
 
So that's something I have to keep in mind when I'm reviewing "Fed Up."
 
I don't think it's a very good movie, but I think it's a hugely effective documentary, at least in certain contexts. It happens that the Sundance Film Festival is exactly the context in which "Fed Up" would be most superficially effective. The question is how the filmmakers, including executive producer and narrator Katie Couric, will be able to get "Fed Up" out into our national bloodstream so that its ideas will be able to circulate. Without wide distribution, concentrated most heavily among young viewers, it has no value at all. With wide distribution, particularly in schools, I've seen first-hand how well it instigates conversation. Ultimately, I think that Soechtig will be happier with that compliment than she'll be unhappy about any minor disappointment I feel in "Fed Up" as an aesthetic endeavor. "Fed Up" is designed to make people rethinking their eating habits, not to win Oscars.
 
More on "Fed Up" after the break...
 
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