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<p>Uzo Aduba of &quot;Orange Is The New Black&quot;</p>

Uzo Aduba of "Orange Is The New Black"

Credit: ABC

Interview: 'Orange Is The New Black' star Uzo Aduba talks Crazy Eyes and Suzanne

Scenestealer discusses Shakespeare, Season 2 possibilities and marathoning
Crazy Eyes was introduced on "Orange Is The New Black" as the somewhat scary, seemingly unhinged inmate who takes a fancy to Taylor Schilling's Piper when she first arrives at the Litchfield Prison. Soon, though, we heard her poems and her "Swirl" song and Crazy Eyes became a source of comedy, as well as fear. 
 
As with so many of the characters on the acclaimed Netflix original, Crazy Eyes didn't stay just one thing for very long. By the middle of the first season, as we learned to call her "Suzanne" and as we began getting hints at her internal struggles, the character took a permanent place as an audience favorite, delivering one priceless and revelatory moment after another: Meeting her surprising parents. Witnessing her unexpected Christmas Pageant talent. Watching her uncomfortably raunchy dance routine with Big Boo. Exposing her vulnerabilities to Piper. And, best of all, mining a deep cut from "Coriolanus" as a way of intimidating kids in a Scared Straight program. 
 
Now, everybody loves Crazy Eyes.
 
I got on the phone last week with star Uzo Aduba, who has gotten caught up in the snowballing appreciation for a series that Netflix is calling a drama for the purposes of awards. [SAG Awards voters should seriously examine their sanity if they pretend they can find five drama ensembles better than the one on "OITNB."] The stage actress, a veteran of "Godspell" on Broadway, discusses the Suzanne/Crazy Eyes dichotomy, hints at more great moments in Season 2 and picks her own favorites from amongst the Litchfield inmates.
 
Click through for the full interview.
 
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<p>Quentin Tarantino, seen here in Miike's 'Sukiyaki Western Django,' may be saddling up again for a return to the Old West since it sounds like he's almost done writing his new script.</p>

Quentin Tarantino, seen here in Miike's 'Sukiyaki Western Django,' may be saddling up again for a return to the Old West since it sounds like he's almost done writing his new script.

Credit: First Look International

Quentin Tarantino says his new script is a Western and it's almost finished

But which Western, and when will he shoot it?

One thing was very clear when watching "Django Unchained" last year: Quentin Tarantino was delighted to finally be making a Western.

I don't blame him. The conditions when making a film in the genre can be difficult. I know that John Carpenter has told me several times that the whole reason he's never made a real Western is because of how much he hates horses. You're outside, you're typically on a location, and it's not easy work. Tarantino took to it, though, so much so that it looks like he might be giving it another try.

Tonight, Tarantino was a guest on "The Tonight Show With Jay Leno," and a friend of mine went to the taping to see what happened. He Tweeted from NBC's studios about a comment that Tarantino made, and it's news even if it's still somewhat vague news. He said the director was sipping moonshine during the interview and that he revealed that he is almost done writing his next film. He also revealed that it's a Western.

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<p>The ladies of 'Spring Breakers' know full well that you're going to want to rent their film, but if you watch it with your family expecting a wacky comedy, you're in for a pretty big surprise.</p>

The ladies of 'Spring Breakers' know full well that you're going to want to rent their film, but if you watch it with your family expecting a wacky comedy, you're in for a pretty big surprise.

Credit: A23/Anapurna

13 recent movies you should never ever watch with your family

We warn you of some potential family gathering minefields in theaters and on home video

The holidays are almost here, and for many people, that means happy family gatherings with warm conversation and time well-spent together. For an equal number of people, that means finding something to watch so no one has to really talk to each other, and the best way to deflect things via movies is to find something everyone enjoys.

The worst way to do it is to throw on "Irreversible" and belly laugh all the way through.

I'm not saying you'd do that. Not you. You're a decent person, not Max Cady from "Cape Fear," and you would never intentionally make everyone in the family uncomfortable. You would never pick a film that would freak out your parents or your siblings or your kids or your spouse. You would never put something on that would stop conversation cold, replacing it with dense walls of silent judgment directed at you, just because you thought it was funny to freak everyone out.

Right?

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"Dancing with the Stars"

 "Dancing with the Stars"

Credit: ABC

'Dancing with the Stars' recap: The winner is revealed

Ylvis performs - in fox costumes, of course

Really nice continuous shot to open the show and remind us of who's been given the boot. And hey, is Bill Nye double-jointed? Because I don't think arms are supposed to spin like that. While I'm excited to find out who takes home the mirror ball tonight, I'm not quite sure why we need two hours to allow three people to compete, eliminated dancers to dance, and announce rankings. An hour, absolutely. Two? Seems a bit much. But maybe it will be fun. Oh, and Ylvis is performing "The Fox (What Does the Fox Say?)"!

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R. Kelly, Kendrick Lamar answer 'What's your 2013 jam?' on the spot
Credit: HitFix

R. Kelly, Kendrick Lamar answer 'What's your 2013 jam?' on the spot

We caught up with Shemar Moore, Fifth Harmony, Nelly and others at the AMAs

Don't want you to count 'em, but just note: some artists think their own jam is the jam of 2013. And why shouldn't they?

HitFix caught up with a number of stars on the red carpet at the American Music Awards, including Akon, Fifth Harmony, Nelly, Kendrick Lamar, 2 Chainz, R. Kelly and Shemar Moore (?!) and asked, "What's your No. 1 song this year?"

Kells said "Do What You Want With My Body," his jam with Lady Gaga, Lamar went with his "Bitch, Don't Kill My Vibe." And Shemar Moore? He's a Drake man.

Watch our quick-hitting video from the AMAs above and answer for yourself: what's your 2013 jam?

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<p>Ming Na-Wen is front and center in this week's episode, but is 'Repairs' the character showcase it should have been?</p>

Ming Na-Wen is front and center in this week's episode, but is 'Repairs' the character showcase it should have been?

Credit: ABC/Marvel Studios

Agent May's past plays a big part in this week's creepy new 'Agents Of S.H.I.E.L.D.'

Is the reveal worth all of the build-up?

We're nine episodes into the season now. At this point, there's really no point in saying things like "Wait for it to find its voice" or "they're still figuring it out." Sure, things can continue to change, but this is "Agents Of S.H.I.E.L.D.", and it's time to stop grading on a curve. Besides, this episode is written by Maurissa Tancharoen & Jed Whedon, the creators of the series, so this is a chance for them to demonstrate what the show they think they're making really is.

Heading into the episode, my first question is whether or not they're really going to give us Agent May's full backstory and the explanation of her nickname "The Cavalry" already. If so, then I think it's clear the paradigm in serialized television has changed and become more season oriented than ever before, with set-ups and pay-offs coming closer together, presumably to avoid pulling a "Red John" or a "Lost" or a whatever you want to call the sort of home-stretch fumble that's making "How I Met Your Mother" such a chore as it tries to wrap things up.

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<p>&quot;We Steal Secrets: The Story of WikiLeaks&quot;</p>

"We Steal Secrets: The Story of WikiLeaks"

Credit: Focus World

PGA surprises with documentary nominees, but Alex Gibney makes the cut

Will any of their choices show up on the Academy shortlist?

Unlike their award for narrative features, which tends to closely mirror the Academy's Best Picture race, the Producers' Guild of America Award for documentaries is far less predictable and more idiosyncratic. The PGA may have agreed with the Academy (as did pretty much every major awards body) on "Searching for Sugar Man" last year, but the year before, not a single one of their nominees wound up in the Oscar race.

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<p>Andy Samberg and Andre Braugher in &quot;Brooklyn Nine-Nine.&quot;</p>

Andy Samberg and Andre Braugher in "Brooklyn Nine-Nine."

Credit: FOX

Review: 'Brooklyn Nine-Nine' - 'Thanksgiving'

Everything comes together in the freshman comedy's funniest episode to date

A review of tonight's "Brooklyn Nine-Nine" coming up just as soon as I make the cover of Hair Pulled Back Magazine...

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<p>Broken Bells and Anton Yelchin in &quot;After the Disco&quot;</p>

Broken Bells and Anton Yelchin in "After the Disco"

Credit: PopFilms/Columbia/The Creators Project

Jacob Gentry, Anton Yelchin talk Broken Bells space adventure

Kate Mara also stars in the retro-cool intergalactic love story

By now you may have seen Part 1 and Part 2 of music crew Broken Bells' mini-film "After the Disco." What you may not know is what Bob Fosse has to do with any of it.

Helmed by Jacob Gentry ("The Signal") and starring Kate Mara and Anton Yelchin, this sentimental space journey is both retro-cool and futuristic, a look the director intended with the eye-popping space-scapes against throwback colors schemes and costumes.

"Science fiction is my favorite genre," Gentry said in our interview, an it shows. His first go with Broken Bells -- which consists of James Mercer of the Shins and producer/songwriter Danger Mouse -- was for 2010 music vid "The Ghost Inside," featuring Christina Hendricks literally selling pieces of herself to enjoy an intergalactic utopia straight from of a 1940's style Hollywood postcard.

The love story for "After the Disco" had Yelchin's character, boring and lifeless, finding his way into the arms of space cadet Mara, then lulled into the belly of a ship and a dance party that goes on forever. Sweet living, no? Tough luck, sweethearts, the scene goes sour. Read a full Q&A with Kate Mara on the video and more here.

"I wanted to take the deign elements of 'Logan's Run' and give it a melancholy," Gentry continues, mentioning that Broken Bells' "bold pop music references" suited the scope of a small story in a big universe. Gentry and Danger Mouse (aka Brian Burton) have known each other since college and each being a fan of each others' work appears to have helped with the shorthand and creative vision it takes to shoot a story like this in only two days.

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'Spring Breakers,' 'Short Term 12' and 'Mud' lead 2014 Spirit Awards snubs and surprises

'Spring Breakers,' 'Short Term 12' and 'Mud' lead 2014 Spirit Awards snubs and surprises

It's a tough awards season if you're an indie or studio player

This morning's 2014 Independent Spirit Awards nominations were, as expected, dominated by Steve McQueen's "12 Years A Slave," but the nominating committees did spread the love around more than most pundits would have expected. Many awards players earned one or two expected nominations only to be overlooked in key categories you would have expected a nod in. As HitFix's own Kris Tapley noted in his Spirits analysis, there may just be too many fantastic movies to go around this season, independently or studio produced.

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Baz Luhrman may direct Stanley Kubrick's unfinished Napoleon script for HBO

 

Steven Spielberg, who is producing the Kubrick script, is said to be courting Luhrman for the miniseries on Napoleon Bonaparte.

"They killed my show," he says. "And I have to take some responsibility for that myself." PLUS: Joan Rivers defends Baldwin by uttering slurs.

Hewitt, who gave birth to Autumn James today, recently married her "Client List" boyfriend Brian Hallisay.

The Brian Griffin decision, explained.

Sarah's ex-husband will resurface on Episode 13.

The movie legend's great grandson recalls: "We'd watch bad TV and eat popcorn."

He explains: "If I really get pressed, I've already established that red comet. I can just have it hit Westeros and wipe out all life."

The Oprah network will also air NBA family reality series "Mom's Got Game."

About 2.18 million watched the Season 4 finale.
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<p>Oscar Isaac at the 2013 BFI&nbsp;London&nbsp;Film&nbsp;Festival</p>

Oscar Isaac at the 2013 BFI London Film Festival

Credit: AP Photo

An epic interview with 'Inside Llewyn Davis' star Oscar Isaac

And an attempt at nailing down the ethereal genius of the Coens

CULVER CITY, Calif. — A few weeks ago we ran an interview with the Coen Bros. about their latest film, "Inside Llewyn Davis." I put it up in a Q&A format rather than the usual prose kind of thing because the back and forth was so interesting to me. And for a pragmatic pair whose answers almost have more power in the context of the question, it made a lot of sense.

As I sat down to write up a lunch interview with star (and recent Spirit Award nominee) Oscar Isaac, it became apparent to me that it would benefit just as much from that treatment. The discussion has a natural flow and Isaac is so thoughtful in all of his responses that it would seem wrong to pick and choose the quotes that work best for a piece about the themes and character-building that went into the film.

Which brings me to another point about why a simple Q&A made a lot of sense. Just like the Coens, Isaac — as you'll plainly see in his answers — isn't too caught up in affectation and applying meaning to art. The existence of the thing is the thing. So the conversation, then, is the conversation. No fluffy piece built around choice excerpts. Just an hour-long chat about nostalgia, the life of a nomad, the impact of artists on community, music as an outlet, the inspiration of Buster Keaton and the danger of an actor's personality becoming bigger than the work itself.

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