The Santa Barbara International Film Festival has as of late extended its role call of "Virtuosos" Award winners, an annual tip of the hat to a given year's stand-out performers not honored elsewhere in its tribute program. And this year's line-up is as exemplary as ever.
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The New York Film Critics Online also jumped into the fun on a very busy day for the precursor circuit by handing "12 Years a Slave" its Best Picture award. "Gravity" helmer Alfonso Cuarón took Best Director while acting honors went to Chiwetel Ejiofor, Cate Blanchett, Jared Leto and Lupita Nyong'o: the consensus quartet at this stage, I think it's safe to say. Check out the full list of winners below.
The Houston Film Critics Society has announced its list of nominees for 2013, and "12 Years a Slave" leads the way with eight nominations. The slate is full of the usual, though there were unique notices for "The Hunt" (Best Actor) and "Man of Steel" (Best Original Score). Check out the full list of nominees below, and remember to keep track of the season at The Circuit.
Well, the esteemed men and women of the Los Angeles Film Critics Association were certainly in an indecisive mood today: in the course of today's voting, which took over four hours to complete, no fewer than three categories ended in ties. Chief among them, of course, was Best Picture, where Alfonso Cuaron's space epic "Gravity" was named alongside Spike Jonze's more intimate technological drama "Her." Both were clear favorites throughout: "Gravity" took three other awards, for Best Director, Cinematography and Editing, while "Her" won the day's first award (for Production Design) and was a close ruinner-up for Director, Screenplay and Music.
Well, one thing we've learned this weekend is that Beantown critics think very highly of "12 Years a Slave." Steve McQueen's film practically swept the Boston online critics' awards yesterday, taking seven awards in all. And it was similarly triumphant in today's voting by the Boston Film Critics' Society -- the more established and arguably more prestigious of the city's two groups -- where it took Best Picture, Best Director and Best Actor for Chiwetel Ejiofor.
NEW YORK — The big screen revival of Andrew Dominik's 2007 western "The Assassination of Jesse James by the Coward Robert Ford," economically dubbed the "Jesse James Revival" by a passionate young man named Jamieson McGonigle who set the whole thing in motion, kicked off in earnest Saturday night with a presentation of the opus to a sold out crowd at the Museum of the Moving Image in Queens.
It's safe to say members of the Boston Online Film Critics Association were big fans of Steve McQueen's "12 Years a Slave." The group handed the film seven awards Friday including Best Picture, Best Director, Best Actor (Chiwetel Ejiofor) and Best Supporting Actress (Luipta Nyong'o). Cate Blanchett ("Blue Jasmine") and Jared Leto ("Dallas Buyers Club") rounded out the acting honors, while "Before Midnight" took Best Screenplay. Check out the full list below.
Spike Jonze's "Her," Alfonso Cuarón's "Gravity" and especially Steve McQueen's "12 Years a Slave" turned up great showings in the nominations stage for the Washington D.C. Area Film Critics Association this year. All three films were nominated for Best Film along with David O. Russell's "American Hustle" and the Coen brothers' "Inside Llewyn Davis."
We’re in the home stretch for 2013 episodes of “Saturday Night Live.” Starting tonight, we have a run of three weeks involving hosts familiar with the program. Paul Rudd is making his third appearance as host to kick things off, and if you think he’s the only actor associated with the “Anchorman” franchise that will appear tonight in Studio 8H, well, I have some swampland to sell you. Not only is Will Ferrell an alum of the show, but the film’s co-writer/director Adam McKay tweeted earlier today that he would be writing another iteration of a moderately-famous recurring sketch as well. (And others involved with the franchise have experience as well, almost too many to name here.)
Simon Kinberg has quickly become one of Fox's greatest assets, and it looks like they're about to double-down on him for the foreseeable future.
Earlier today, I recorded a short video piece about Kinberg's new deal to help expand both the "X-Men" and "Fantastic Four" worlds on film, and I'm sure he's got some big ideas about what to do with both of those properties. He's also hard at work on his "Star Wars" spin-off film, whichever one it is, as well as the TV show "Star Wars: Rebels." He's joined that club where he is pretty much booked every day of the year, and on giant movies that are absolutely going to be made. It's pretty rarefied air, and he seems to be handling it well. When I spoke to him last, at an event for "Elysium," he talked a little bit about how great it had been participating in the "Star Wars" process and spending time with Lawrence Kasdan, who has to be considered one of the old school masters of this sort of thing.
This raises a larger question, though, about the sudden move everyone's making to this model that's worked so well for one company. I feel like I may not have made the point I was trying to the other day, or at least I didn't make it clear with what I wrote. When I wrote about the way Warner is approaching their DC comic movies right now, I wasn't trying to say that I know the way they HAVE to fix things. Far from it. Ultimately, all that matters is that each studio look at what they have and find the best way to make it. That's all any of them can hope to do. There are hundreds of ways to screw up any potential adaptation, and only a very few ways it really works.
As I anticipated, "The Great Beauty," Paolo Sorrentino's visually extravagant, Fellini-referencing reflection on contemporary Rome, emerged the big winner at tonight's European Film Awards in Berlin, taking four prizes for European Film of the Year, European Director of the Year, European Actor of the Year for Toni Servillo and European Editor of the Year for Cristiano Travaglioli. The film, a critics' pet since Cannes, is Italy's entry for the foreign-language Oscar; and this haul lends a handy boost to its campaign across the pond.