The 20th annual Screen Actors Guild Awards have come and gone and so it's time for another round of best and worst. What were the touching, heartfelt, funny and endearing moments of the evening? What were the cringe-worthy, false-note, unfortunate moments? Some of Team HitFix has a few ideas, so click through the gallery story below for our thoughts and feel free to tell us what you thought of the show in the comments section.
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The SAG Awards aren't usually the highlight of the season from a fashion point of view. If you have dibs on a really great dress, you're saving it for the Oscars or you already wore it to the Golden Globes. Let's face it; the SAG Awards only airs on basic cable, anyway. Thus, we get a motley assortment of prom dresses, summer frocks and stuff stars' stylists may or may not have found on the sales racks at the mall. In the mix, there are always a few winners, though -- as well as some fashion fails.
In two decades, the only years the SAG winners matched up 100% with the Academy's individual acting category winners were 2010, 2009 and 2004. Sometimes it's because the early deadline rears its head. For instance, the SAG nominating committee didn't fully catch up to "Django Unchained" last year, so they didn't even nominate eventual Oscar winner Christoph Waltz. Other times, it's category placement that causes a shift; Kate Winslet being nominated in and winning supporting for "The Reader" but going on to win lead at the Oscars. Still others, it's because the buzz wave has a certain shape to it, Oscar winners like Alan Arkin and Judi Dench supplanting SAG champs like Eddie Murphy and Kathy Bates.
So it's a fair bet that tonight's winners (with the ensemble prize subbing for "Best Picture," even though the guild doesn't quite view it that way all that time) won't all be holding matching Oscars in their hands in March. Nevertheless, I think this year might just go that way, at least in the individual acting categories, because the line-up is beginning to settle in as a sure quartet.
PARK CITY - Certain films show up at festivals or in theaters with targets painted on them.
The best example of that this year at Sundance is Zach Braff's long-awaited follow-up to "Garden State," and I can understand why. After all, this is the film that he took to Kickstarter, even as people complained about the idea of a millionaire asking people for hand-outs. Beyond that, though, hating "Garden State" has become a cottage industry. The only thing Braff could possibly do to counter all of the naysayers would be to make a genuinely great movie.
Which, thankfully, is exactly what he did.
PARK CITY - This is probably the last thing co-writer and director Craig Johnson wants to hear, but watching his new dramedy "The Skeleton Twins" Saturday afternoon, I was struck by a recurring thought: Why didn't Lorne Michaels produce more movies like this one?
The 20th annual Screen Actors Guild (SAG) Awards were be held Saturday night at the Shrine Auditorium in Los Angeles. Kudos were dished in an array of acting categories, for stars of both film and television. Check out the full list of winners below, and be sure to check out Dan Fienberg's live blog of the proceedings and don't forget to keep track of the whole season via The Circuit.
And we're back! It was only six days ago that we were all here for the Golden Globe Awards, where "American Hustle" and "12 Years a Slave" won best picture awards and cemented their positions as Oscar best picture favorites. How will things play out at the 2014 SAG Awards?
And will "Breaking Bad" continue its recent drama domination?
One thing's for sure: "Brooklyn Nine-Nine" won't win any awards tonight.
Click through for my full live-blog of the 2014 Screen Actors Guild Awards and chat along in the comments!
PARK CITY - Those of us who have never seen a single episode of "Saturday Night Live" have a somewhat stymied relationship with a vast network of variously talented performers -- with their backstories and creative personae largely unfamiliar to us, they often arrive as blank slates when they finally make the jump to the big screen. That can be a drawback in film vehicles that are essentially extensions of their "SNL" shtick, but it can also make for unexpected, preconception-free discoveries, and so it is with Jenny Slate. I may know little about her apparently uneven TV career, but I now know from "Obvious Child," a winning slacker comedy from first-time writer-director Gillian Robespierre, that Slate has the makings of a rather special movie star: lovably gawky, casually relatable and very, very funny.
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