Is it possible to say we had too much fun with this podcast? Possibly, but that had a lot to do with the return of our favorite guest (and that's saying something), Steve Silverman. The writer-director popped by to introduce us to his friend Ginger Parker, who has a new Web series, "Beverly Pills," debuting Monday, March 10 at beverlypillstheseries.com. But that wasn't all we talked about. And we were drinking. That was our way to salute the series, which is about a spoiled rich girl who starts dealing prescription drugs after she loses her income stream. Yeah, that's why we were drinking.
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“True Detective” creator: "This is a story that began with its ending in mind”
Nic Pizzolatto talks about what was going through his mind in the writing the season finale, and offers a clue on a likely Season 2: "Okay. This is really early, but I'll tell you (it's about) hard women, bad men and the secret occult history of the United States transportation system.” PLUS: Was “True Detective” trolling us?, it was the perfect conclusion to a perfect season, what an underwhelming end to the season, the finale worked because it showed the best example of the buddy cop genre, the finale’s biggest flaw was “Scarred Man,” “True Detective’s” power was the way it made us feel when we watched it, the epilogue made the ending immensely satisfying, the theme song gets an 8-bit makeover, and HBO Go crashed due to “True Detective” demand.
Jennifer Beals joins TNT’s “Proof” from producer Kyra Sedgwick
She’ll play a brilliant female surgeon who investigates reincarnation.
Mindy Kaling: "I'm a f*cking Indian woman who has her own television show”
At SXSW, Kaling talked about the lack of diversity on network TV. "I look at shows on TV — and this is going to seem defensive, but I'm just going to say it — I'm a f*cking Indian woman who has her own television show," Kaling said. "I have four series regulars that are women on my show, and no one asks these other shows (run by white men) why there are no women or women of color. People have a higher expectation for me. They say, why aren't you doing enough? And the answer is, I always want to do more because people should always be doing as much as they can, but my fulltime job is not casting 'The Mindy Project.’” PLUS: Kaling is writing another book.
“The Simpsons” says goodbye to Edna Krabappel
Last night’s episode formally paid tribute to Marcia Wallace’s character.
Watch President Obama’s “Cosmos” introduction
“The next great discovery could be yours,” the president says in the 30-second intro.
Watch Julia Roberts in HBO’s “The Normal Heart” teaser
The Ryan Murphy film about the AIDS epidemic also features Jim Parsons, Matt Bomer, Mark Ruffalo and Taylor Kitsch.
HBO unveils the most action-packed “Game of Thrones” trailer yet
The 3rd Season 3 trailer is called “Secrets.” PLUS: Virtual reality “Game of Thrones” impresses SXSW attendees, and Seth Meyers sits on the Iron Throne.
Jonathan Groff talks “Looking” season finale — and how it educated straight people about gay sex
“It’s certainly not like the intention of the show is to, like, educate straight people about how (gay people) have sex,” he says. "But it’s obviously happening with my friends, and I feel like, 'Wow, what an added bonus that we’re telling some things that maybe people didn’t know.' Isn’t that crazy?” PLUS: “Looking” creator on the future of the series, and Scott Bakula.
Is Peggy Olson the new star of “Mad Men”?
When the final season premieres next month, the AMC series will focus just as much on Elisabeth Moss’ character as it has on Don Draper.
Go behind the scenes of Cuba Gooding Jr’s famous Oscar-acceptance speech
Control room footage from the March 1997 Academy Awards, in which Gooding won the best supporting actor for “Jerry Maguire,” has just been released.
“The Walking Dead” has taken on a “Lost” feel this season
Episodes are focusing on different characters week to week.
Lifetime unveils the final “Drop Dead Diva” promos
Check out the final season trailer.
AUSTIN - Ethan Hawke walked into the Gibson Guitar Lounge at Maggie Mae's, one of 6th Street's biggest clubs, looking sharp and still flushed from how well Richard Linklater's new film "Boyhood" played for a packed house at the Paramount on Sunday morning.
His parents had joined him, and while he had seen the film at Sundance, it meant something different to him to see it in the city where it was filmed. As soon as he walked in, we started talking, and I've noticed that about him. He's one of those guys who always just seems like he's picking up a conversation with you after a brief interruption, and if you're willing to really dig into a subject with him, he'll absolutely give you thoughtful, interesting answers.
Even on those occasions where I haven't liked a film that he was in, the interviews with him over the years have been excellent, and I feel like this latest was one of the best overall interviews we've done so far. We covered a lot of ground, starting with my extreme irritation at so far having missed "Boyhood" at both Sundance and this festival. I am dying to see it. If there's any film this year that I want to see, it's that one. It's just been a brutal twist of timing so far that has kept me from having a chance.
Relative newcomer Michael Lannan and acclaimed director Andrew Haigh ("Weekend") have created a remarkable new series with "Looking" that just wrapped up its first season Sunday night. Already picked up by HBO for another season, the show centers on Patrick (Jonathan Groff), a somewhat naive video game developer in San Francisco on the cusp of turning 30 and finally coming into his own. He's surrounded by two friends who have some issues of their own; Dom (Murray Bartlett) and Agustin (Frankie J. Alvarez).
Jonathan Groff is an amazingly nice guy. No, really. It's not just an act. There are many actors who would blow off an interview after a scheduling mishap, but not Groff. Either he was raised by saints or he really believes in his new HBO series "Looking."
Or, maybe it's a combination of both.
A week ago the 86th Academy Awards wrapped up what was one of the closest Best Picture races in history. An awards season full of unexpected distractions, pretenders and results came to an end. Many in Hollywood could finally take a deep breath and exhale.
Earlier tonight, "True Detective" concluded its first season — and, with it, the stories of Rust Cohle and Marty Hart. I reviewed the finale here, and as a bookend to a conversation we had before the season started, I spoke with the show's creator, Nic Pizzolatto, about the finale and the season as a whole (along with a vague but intriguing hint about season 2, which hasn't been officially ordered yet, but only because I suspect HBO is waiting until they've signed the actors they want before announcing). That's coming up just as soon as I strike you as more of a talker than a doer...
The list of top per-screen averages tends to be dominated by Disney fare, everything from "The Lion King" to "Frozen" putting up staggering numbers. But sometimes something on the art house circuit can put up a whopper of a number, such as "Red State" or "The Master." Late last year, "American Hustle" surged in this frame, and just a few years ago, Wes Anderson proved his fan base was hungry for "Moonrise Kingdom" on just four screens, averaging over $130,000 per screen.
Well, this weekend Anderson broke his own record and entered the top 10 of limited releases as "The Grand Budapest Hotel" averaged over $200,000 on four screens for an opening weekend tally of $800,000.
Denis Villeneuve's "Enemy" won the most hardware at this year's Canadian Screen Awards, as the freaky psychological thriller (which Villeneuve shot back-to-back with his Hollywood debut "Prisoners") took home five awards, including Best Director, Supporting Actress and Cinematography. But it lost the top prize to something a little more warm and fuzzy. The tender, sentimental "Gabrielle" -- a love story between two special-needs choir singers -- took Best Film, as well as Best Actress for developmentally disabled lead Gabrielle Marion-Rivard. (The film was Canada's savvy submission for the foreign-language Oscar last year, but didn't make the shortlist.)
A review of tonight's "True Detective" season finale coming up just as soon as I ask you what "scented meat" is...
Just so that we know "Lindsay" (Sundays at 9:00 p.m. on OWN) is not a trashy reality show, somber black-and-white text greets us to set the stage. On July 30, 2013, Lindsay Lohan ended her 90-day stint in rehab. Four days later, she began filming this show. About two minutes after that, she started a deeply sublimated quest to make her handlers, sycophants and slave labor intensely crazy by stirring up drama in the most mundane tasks you can imagine. I half expected to see Lindsay arguing with the coin slots at the laundromat, but we can all assume Linsday does not do her own laundry.
You've got to have some sympathy for the minds behind HBO's "Looking." It's not easy to create three-dimensional characters with less than 30 minutes of story over eight episodes. Especially, when you have - in theory - three "main" characters whose stories you are trying to tell. Patrick, the centerpiece of the show, has been expertly crafted by co-creators Michael Lannan and Andrew Haigh as well as star Jonathan Groff. As we reach the conclusion of the first season, his BFF's Dom and Agustin finally beginning to feel almost as real.