The Las Vegas Film Critics Society is the latest regional critics group to unveil award winners for 2014. It was "Birdman" that came away the biggest hit with seven awards, including Best Picture. And for the second time today, a critics group has totally shut Richard Linklater's "Boyhood" out. I'm beginning to wonder if that's a reaction to widespread acclaim, but maybe not; after all, it's #2 on the Las Vegas critics' top 10 list. Just an interesting note.
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A top 10 list is a such a subjective quandary. It should speak to the consensus of cinematic quality to a degree, but it also needs to reflect the films that moved you personally. A great piece of cinema can entertain and it can inform, but as art you need to feel something from it. It needs to haunt you. It needs to stick with you. Therefore, in theory, the list should be the films that immediately come to mind when you ponder the last 12 months. As a critic, it's a reflection of your taste at the time. There is no justification; it's an opinion. Simple as that.
Whoopi Goldberg & Rosie O’Donnell get into a “View” shouting match over racism
Watch as their backstage feud rumors emerge to the forefront after guest co-host Laverne Cox said she believes that "is racist when black folks are followed around stores and profiled.”
Stephen Colbert literally jumped the shark last night
“The Colbert Report’s” penultimate episode began with Colbert jumping over “The Shark.” PLUS: Steve Carell tweets "thank you" to “national treasure” Colbert.
Charlie Sheen says he hasn't been asked to return to “Two and a Half Men”
Despite Ashton Kutcher dropping hints, Sheen says: "I've heard not the best news but whatever. Things in this business change overnight.”
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It seemed this year that if any artist was due for the retrospective treatment, it was "Unbroken" cinematographer Roger Deakins. While I of course did not address all of the 50-plus films he has shot throughout his illustrious career during a recent extended interview, I settled on a few in particular that I think represent a nice cross-section of his work. Each of them — "Nineteen Eighty-Four," "Sid and Nancy," "Barton Fink," "The Shawshank Redemption," "Kundun," "The Man Who Wasn't There" and "The Village" — will get their own space in the next few days.
Jonah Hill and James Franco are both part of Judd Apatow’s comedy crew, together taking lowbrow to new heights (depths?) over the last decade. But they’re also Academy Award nominees; Hill being a two-timer, earning props for "Moneyball" and "The Wolf of Wall Street," and Franco earning a nod for his leading work in "127 Hours." So why don’t they ever act like it when they’re together? Well, now they do, thanks to the cold-as-ice, non-fiction drama "True Story."
The Utah Film Critics Association has spoken up with its list of superlatives this year and "Birdman" came out on top, winning Best Picture, Best Director, Best Actor and Best Original Screenplay honors. Jessica Chastain made for a nice change of pace in the supporting actress category, and guess what film was passed over entirely? "Boyhood."
It's time for your weekly reminder: CBS' "Mom" is taking creative risks that no other comedy on TV, especially no other multi-cam comedy on network TV, is even considering.
After tackling drug addiction, teen pregnancy, cancer and an assortment of other maladies and discomforts last season and delving into depression and economic hardship so far in Season 2, "Mom" delves into some of its darkest terrain with Monday's episode, "Free Therapy and a Dead Lady's Yard Sale," in which, as the title suggests, a group therapy session leads Christy (Anna Faris) and Bonnie (Allison Janney) to tell an acting-out Violet (Sadie Calvano) some distressing truths about her father. Long stretches of the episode play out in almost purely dramatic mode with nary a punchline.
But, as always seems to be the case on "Mom," if ever things get too somber, there's a corpse that "looked like a bean-bag chair in a nightgown," or an acerbic cut-down from the deservingly Emmy-toasted Janney.
That Janney and Faris have been able to sell the tonal rainbow that is "Mom" hasn't been a surprise. They were always the anchors for this Chuck Lorre show. The big surprise, especially since midseason last year and into this fall, has been Calvano, a 17-year-old actress whose most prominent credit before this was apparently "Melissa & Joey."
Last season, Calvano's Violet had to deal with comedic subplots -- Flatulence at prom is an issue if you're pregnant, apparently -- but also with the tough to decision to give up her baby to an adoptive couple. This season, things have gotten far murkier and I've been pretty reliably impressed by how effective Calvano has been in the raw, emotional moments.
Ahead of this week's admirable episode, I got on the phone with Calvano to discuss the challenges of "Mom," including how much she was prepared for when she signed on. We discussed the different on-set atmospheres for dramatic scenes versus comedy, as well as the influence of her two co-stars.
Check out the full Q&A below and check out "Mom" on Thursdays at 8:30 on CBS.
Kiefer Sutherland thinks he's done with “24"
In an interview with the UK’s Telegraph, Sutherland was asked if he had moved on from the Jack Bauer role: “Me, I don’t see going back to it,” he says. "We had set out to do 12 episodes to end the show and deal with some of the past history of the show. It was also an irresistible opportunity to go shoot in England. So for all of those reasons it made sense to do that last season.”
Sarah Silverman to star in an HBO comedy pilot
The project from the creator of "Secret Diary of a Call Girl” will star Silverman in "a comic look at a pathologically honest woman having a modern mid-life crisis.”
Jerry Seinfeld takes Jimmy Fallon boating
For the season finale of “Comedians in Cars Getting Coffee,” Fallon got to ride in Seinfeld’s truck and boat.
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Fast National ratings for Wednesday, December 17, 2014.
The two-hour finale and hour-long reunion show for "Survivor: San Juan del Sur" led CBS to an easy Wednesday sweet in all measures.
FOX's "Hell's Kitchen" finale and NBC's Michael Buble special and "The Sing-Off" were no competition for "Survivor," nor were The CW's "The 100" and a "Greatest Holiday Commercials Countdown" special, though both did OK numbers for The CW.
On to Wednesday's ratings...
Many thoughts on the season 1 finale of "Serial" coming up just as soon as I use Mail Kimp...
Craig Ferguson grills “Late Late Show” successor James Corden
“Are you sure you want to do this?” asked Ferguson, adding: “Got any plans?” To which Corden responded: "Not as many as I should have, really.” PLUS: Ferguson and Corden say goodbye.
“Survivor's" 30th season will be "Worlds Apart" with 3 tribes
“It’s White Collar vs. Blue Collar vs. No Collar,” says Jeff Probst of "Survivor: Worlds Apart." “White Collars are the people who typically in life are educated, might work in an office, wear a suit—they make the rules. Blue Collar—the heart of America. They typically work outdoors. They might wear a uniform. They work with their hands. They follow the rules. And the No Collars are the people who break the rules. They don’t go by convention. They don’t care about the status quo.”
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You don't see it very often these days, but once upon a time, some TV critics insisted on only including new series in their top 10 lists. This was, of course, the glory days of print journalism, when space was a precious resource and no one had room for the zillions and zillions of bonus lists (like this one) we have online, and those critics preferred to use their limited column inches to spread the gospel for new material that hadn't been lauded for years on end. I could always respect that argument, even as I would decide there was no way I could have a best of the year list that didn't include, say, "The Simpsons" on it.