Hollywood has lost a second iconic voice in less than 24 hours. Lauren Bacall, star of screen, stage and television, passed away at the age of 89 Tuesday.
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For Robin Williams, "Television was his cradle, and in some ways it was his true home”
TV, says Alessandra Stanley, allowed for the looseness and spontaneity that have less of a place in movies. Television was also where he shot to fame and, in recent years, it was where he returned to seek a steady mooring.” PLUS: “The Crazy Ones” seemed biographical for Williams, examining Williams’ TV legacy, Williams was light years better than network TV was in the 1970s, BBC played Williams’ “Family Guy” episode as news of his death broke, watch Williams’ 5 funniest late-night appearances and his most memorable “SNL” moments, Henry Winkler remembers meeting Williams for the 1st time, CBS is under fire for interviewing a man claiming to have gone to AA with Williams, Chris Rock remembers his mentor, and watch Williams profanely accept the 2012 Comedy Icon Award before many of today’s celebrated comedians.
As "Survivor" editors demand a union contract, the season premiere could be delayed
If their demands result in a labor action such as a walkout, the season premier could be delayed.
“Scandal” books Mary McCormack and Josh Randall
The “In Plain Sight” and “Ed” alums will play a couple in one episode.
Jimmy Fallon is redefining the host-guest relationship with the games he has celebs play
"When guests come on Fallon, there's not an intimidation factor like there might be on Letterman or even Kimmel or Conan,” explains Ryan Bort. “They know they have nothing to worry about and that Fallon is not going to challenge them in anything more consequential than a grade-school game. They can relax, they can have a good time, they can be themselves (as much as possible in front of a camera, anyway).”
“Girls” star Zosia Mamet reveals her battles with an eating disorder
"Do you have a secret?” she writes in Glamour magazine. “Is your secret something that could kill you, a silent gnawing feeling that's slowly melting you away, little by little, something deadly that nobody else can see? Mine is. And it is this: I've struggled with an eating disorder since I was a child. This struggle has been mostly a private one, a war nobody knew was raging inside me. I tried to fight it alone for a long time. And I nearly died."
Seth Meyers on his possible future 12:30 competitor James Corden: “We met at a dinner years ago”
”I've run into him at a few of Hulu's Upfronts, and we're actually friendly every time I've run into him,” says Meyers, who shares something in common with Corden — they both have Hulu shows. PLUS: Meyers says he didn't set out to hire a diverse writing staff.
Brooks Wheelan on his brief “SNL” stint: “As soon as I got hired I was like, ‘Well, I'm gonna get fired’”
"I was totally mentally prepared to get fired,” says Wheelan, who will be on stage Wednesday with Judd Apatow and Jay Mohr. "So when I did get fired, I was like, ‘Yeah, that adds up.’”
"Bachelor in Paradise” used a reenactment to depict a cast member’s affair with the boom mic guy
Unfortunately, producers didn’t have footage of Michelle K’s alleged affair with a crew member. PLUS: Texas Gov. Rick Perry chats with “The Bachelorettes” Chris Soules.
George R.R. Martin explains the lack of gay sex scenes in his “Song of Ice and Fire” books
"I'm not going to do it just for the sake of doing it,” he says. "If the plot lends itself to that — if one of my viewpoint characters is in a situation, then I'm not going to shy away from it — but you can't just insert things because everyone wants to see them."
RuPaul is helping pioneer a new kind of product placement
For Season 6 of “RuPaul’s Drag Race,” the Logo reality show partnered with the Las Vegas Convention & Visitors Authority so that it “can organically be part of this program.”
TV's character actors film a PSA
Watch Matt Walsh, Anthony Head, Donald Faison, Rob Corddry, Donal Logue and more explain why they matter, too.
Check out Shemar Moore back on “The Young and the Restless”
Here he is reprising his classic role of Malcolm Winters.
Has Guy Fieri destroyed the Food Network?
The Food Network star seems to have been redesigned in the “Food Network Star” winner’s shouty image.
Oxygen’s “Sisterhood of Hip Hop” shows that reality TV is the steadiest gig for female rappers
As the NY Times points out, "there are certainly more female rappers on this show than will release albums on major labels this year (and maybe next year, too).”
Watch Lauren Ambrose in Lifetime’s “Deliverance Creek” trailer from Nicholas Sparks
“The Notebook” author is producing the two-hour Civil War-era film.
“Twin Peaks” gets an 8-bit opening
What would the classic mystery drama look like as an early video game?
After “Desperate Housewives” ended, James Denton escaped to Minnesota
"I wanted to get my kids out of L.A.," he tells People. "So we moved to Minnesota right away. I've also got a house in rural Montana, which is our escape from Minnesota!"
AMC’s KISS football reality show premieres tonight
"4th and Loud” follows Paul Stanley and Gene Simmons’ L.A. Kiss Arena League team.
“Peyton Place star Ed Nelson dies
Nelson, 85, played a NYC doctor who set up a practice in the fictional town.
RIP Lauren Bacall: The legendary actress’ final acting credit was for a “Family Guy” episode from March
Bacall, 89, lent her voice to the episode “Mom’s the World” in which she plays Peter's mom's friend who forms a close bond with him. Bacall also nominated for three Emmys.
Be careful what you say about the music when you come out of a movie theater, composer Brian Tyler may be listening.
Tyler has a ritual: The day one of his movies opens, he and the director theater hop, checking out how several audiences are reacting to the film and to the music. “I just pop my head in to see how the crowd is doing, kind of see how everyone is reacting,” Tyler says. “I really like to stand outside the theater and see if anyone is humming the music.”
Tyler is spending a lot of time at local cineplexes this month: two movies he scored opened last Friday, Aug. 8: box office champ, “Teenage Mutant Ninja Turtles,” and “Into the Storm.” A third film, “The Expendables 3,” opens this Friday, Aug. 15.
For “Teenage Mutant Ninja Turtles,” Tyler composed an old-school, often lush, symphonic score. He and director Jonathan Liebesman both felt very strongly that “the turtles take care of the wackiness, we didn’t need to add to that.” They also felt the tone should stay relatively light. “I didn’t want it to feel like a “Batman.” On the dark-to-fun-ometer, we wanted it to be a perfect ‘Raiders of the Lost Ark’,” he says. “There are some moments of ‘Raiders’ that are hardcore, but the overall feel is that it’s encased in an adventure film.”
“TMNT” won the box-office, despite receiving fairly negative reviews.“It’s not a movie made for critics,” he says. “It’s a movie made for people who want to completely let loose, so by design, the score that fits that the best is the kind of throwback adventure.”
So on the difficulty meter, I asked Tyler who is harder to write for: “TMNT’s” Michelangelo or “The Expendables’” Sylvester Stallone? Hands down, it’s the turtle. “I’ve known Sly for so long, I feel like I speak his language,” Tyler says. The fun in scoring his third “Expendables” film came in writing for the new characters, including Mel Gibson’s villain, “Stonebanks,” Just as Tyler played against the insanity of Teenage Mutant Ninja Turtles be keeping the score light, but not frivolous, he makes Stonebank’s theme a beautiful solo piano piece that plays in opposition to the character. “I thought more of an etude would work really great so it’s not just arch,” Tyler says. “It shows he has an interesting villainy; there are wheels turning in that brain.”
Tyler deployed a similar device with Loki’s theme in “Thor: The Dark World” by writing the piece on the harp. Tom Hiddleson, who plays Loki, loved the theme so much, he made a point of telling Tyler that he’d downloaded not just that selection, but the whole score.
In addition to “Thor,” Tyler has scored a number of Marvel movies, including “Iron Man 3” and is now working on Josh Whedon’s “Avengers: Age of Ultron.” He, of course, is sworn to secrecy about “Ultron," but says of the music, "It’s coming into shape. It’s going to be a great and long process.”
The key to scoring any Marvel film, “is that you want to completely buy the idea,” Tyler says. “Especially with the Avengers, you buy the idea that there’s a genius billionaire playboy and a big green monster. Josh directs it in a way that you have fun with it, but you completely buy it.”
Tyler is scoring —every pun intended— on the little screen as well. He scores “Hawaii 5-0” and received an Emmy nomination this year for his theme music for “Sleepy Hollow.” Co-creator Alex Kurtzman and Tyler are friends and he approached Tyler about the supernatural thriller. “It was a blast,” Tyler says. “We wanted to make something that sounds quirky baroque, with violin, cello, a dulcimer and some percussion. It’s kind of a weird thing for a modern day TV show.”
Scoring a number of sequels allows him to sometimes get to know the actors, as he has Stone and Hiddleson. Through his work on the “Fast & Furious” franchise (he’s now scoring “Fast & Furious 7”), he became close to Paul Walker and the actor’s death still stings. In addition to the “Fast” series, Tyler also scored Walker’s 2008 film, “The Lazarus Project.” That was a labor of love for him,” Tyler says. “I wrote his theme for that and that’s what his family asked to have played as his memorial service. It’s called ‘Jaybird.’ He was really a great guy, just a sweet guy and outside the Hollywood system. He wasn’t interested in being a superstar, he’s rather be on a surfboard.”
First, let's address the Vin Diesel rumors. Over the weekend, Vin dropped some cryptic hints about possibly joining the cast of an "Inhumans" movie, and if he does end up in the movie, there's a strong chance he'd be playing Black Bolt, one of the main characters in the comics. Here's what makes that sort of a genius-level move on Marvel's part. When they announced Paul Bettany as The Vision for "Avengers: Age Of Ultron," it was not only a great chance to see him onscreen finally after just hearing his voice in the "Iron Man" movies so far, but it also makes sense from a story standpoint. Jarvis is part of the DNA of the creatures that are both Ultron and The Vision.
Ariana Grande's summer jam "Problem" was successful because it was an amalgam of a things we already knew we liked. She reminds us of classic Mariah Carey in her range; there's that four-part harmony that's like the Andrews sister; there's hints of New Jack Swing and the funk of the horns section from Macklemore & Ryan Lewis' "Thrift Shop"; even if you don't know the verse, everyone can sing "you-hoo-HOO!"; Iggy Azalea is/was on fire at time of impact.
Grande has released a new song, "Best Mistake," ahead of her second album "My Everything," out on Aug. 25. This song may similarly ring a couple bells. There's a particular treatment to the keyboards that are reminiscent of Miley Cyrus' "Wrecking Ball." The vocal bend and auto-tune filter is a reminder of Rihanna. Those chimes make us think our princess is in another castle.
But unlike her first big number, this is a song I have listened to many times now and keep forgetting I've heard it. Big Sean turns in a verse that gets a C+ -- hey, slightly above average without sticking out in the crowd! -- and Grande's voice is appropriately if not robotically melancholy.
So to answer the question what happens when the water dries up? You wait until Aug. 25 to get a real gulp of what Grande can really offer. This is a pretty, easy song. The next hit's in another castle.
TV cancellation isn't as permanent as it used to be. "Community" is moving to Yahoo, we're allegedly going to get another "Arrested Development" season on Netflix soon, and the "Entourage" cast will soon be infecting a movie theater near you.
One thing I've learned about doing these on-camera junket interviews is that anything more than three people in the room can lead to chaos. In the case of this interview with the young cast from "The Expendables 3," I had four people to interview together, and it was just on the verge of devolving into total chaos.
To complicate matters, there was no way I was going to jump in and try to assert any sort of control over that group of people. I was talking to Glen Powell, Ronda Rousey, Victor Ortiz, and Kellan Lutz, who all play new characters who are recruited by Barney Ross (Sylvester Stallone) to replace the older Expendables, since Barney's worried that they'll get killed on an upcoming mission.
Happy Tuesday, boys and girls! Time for a roller-coaster of emotions on the Firewall & Iceberg Podcast, which starts off with some sad Robin Williams talk, then shifts into discussion of TNT's mostly forgettable "Legends" with Sean Bean, later pivots into irritation in our discussion of the final season of "The Killing" before getting into all the ridiculous doings of our latest episodes from "Friday Night Lights" season 2.
There's also now a complete archive of all the podcasts to date.
Happy Tuesday, Boys & Girls.
It's time for another installment of The Firewall & Iceberg podcast.
Even though this week's only new show is TNT's "Legends," this still ended up being a long podcast.
We honored the legacy of the late Robin Williams and we answered some mail and we also both watched the final season of "The Killing" on Netflix. Note that the "Killing" segment is a spoiler-y segment, because we watched all six episodes.
And we also had two very eventful "Friday Night Lights episodes to talk about.
Robin Williams (00:01:00 - 00:21:05)
"Legends" (00:21:06 - 00:31:50)
Listener Mail - "Arrested Development" (00:32:10 - 00:38:40)
Listener Mail - SimpsonsWorld implications (00:38:40 - 00:46:15)
"The Killing" Final Season (00:46:15 - 01:00:15)
"Friday Night Lights" Rewatch (01:00:15 - 01:41:00)
As always, you can subscribe to The Firewall & Iceberg Podcast over at the iTunes Store, where you can also rate us and comment on us. [Or you can always follow our RSS Feed or subscribe on IHeartRadio.]
And as always, feel free to e-mail us questions for the podcast.
The Toronto International Film Festival announced more selections Tuesday for the upcoming 2014 edition of the annual awards season kick-off. The majority of the festival's program was announced last month, but this group includes intriguing world premieres from notable directors such as Todd McCarthy ("The Cobbler") and Gina Prince-Bythewood ("Beyond the Lights").
Robin Williams fans descend on “Mork and Mindy’s” house
The house located in Boulder, Colorado, was decorated today with flowers and signs in tribute to the late actor.
“It’s Always Sunny’s” Kaitlin Olson could end up as Zooey Deschanel’s “New Girl” stepmother
Olson will recur next season as the fiancee to Jess’ dad, as played by Rob Reiner.
“The Wire’s” David Simon recalls his “Homicide” encounter with Robin Williams
"I found Mr. Williams good-hearted, hilarious, talented, and remarkably, indescribably sad,” writes Simon, who co-wrote the episode guest-starring Williams. "We were in the Maryland morgue on the given day, though the location had little to do with the sadness….”
Kristen Bell and her fellow “Veronica Mars” castmates will be part of the spinoff web series
"Play It Again, Dick,” starring Ryan Hansen, will also feature Jason Dohring, Enrico Colantoni and Percy Daggs III.
Taylor Lautner is playing Andy Samberg’s son on BBC’s “Cuckoo”
The BBC3 sitcom revealed the twist in its 2nd season opener.
E! cancels "Hello Ross," announces “Live From E!” starring Maria Menounos, Ross Mathews and Jason Kennedy
Matthews will be part of a pop-culture debate show. And since he’s moving to primetime, his talk show will end.
Starz orders “The One Percent” from "Amores Perros” director Alejandro Gonzalez Iñárritu
Ed Helms, Hilary Swank and Ed Harris are expected to star in a drama series about a farmer who struggles to hold onto his family farm "when a bizarre twist of fate becomes a life-changing secret that will either save them or ruin them."
Ryan Adams' single "Gimme Something Good" wears out its '70s roots rock influences, but the singer-songwriter fully embraces his love of the '80s in the new music video for the track.
Or, rather, he wishes to embrace Elvira in this clip. Adams has an unabashed and well-documented love of metal, even hair metal and power-rock from the 1980s, and if all the bros I remember from my youth are any indication, Elvira and her witch wiles go hand-in-hand with all things 1980s rock 'n' roll.
So what do you do when you grow up ("grow up")? You enlist the help of the Mistress of the Dark in a stoically cheeky video, complete with the home video aesthetic chirping into your mid-tempo longings.
I've always had a soft spot for Adams. I feel bad for any songwriter who's endured maligned bullsh*t after they get sober, and after they leave the fold of traditionally admired labels like Lost Highway, all of which happened around 2007 and 2008. There's shining moments in sets like "Orion" and "Ashes & Fire," since then, that expose his heavy metal past, his sense of humor, his endless production ethic.
But most of all, it's sounded like he's rebuilding his mold, working with Mike Viola on this new, forthcoming self-titled album instead of producing himself, or working with consistent former collaborators like Glyn or Ethan Johns, Jamie Candiloro, Tom Schick. Or even dipping back into the waters of switching up the Cardinals lineup. (Fun fact: Viola previously produced albums for Ryan Adams' wife, Mandy Moore.)
"Gimme Something Good" isn't bold. But it is catchy as hell, like something from "Gold" or "Easy Tiger" that highlight his deft touch at rock-pop. "My Wrecking Ball," which is also available now (stream below) will tickle anybody who has enjoyed the lo-fi, solo workings of the Bedhead bootlegs, and his finer solo moments.
This is all to say I'm hopeful. He's striking a chord with this lightly funny video of Darkness (and oh those famous breasts).
Expect a redux of it tomorrow (Aug. 13) on "The Tonight Show With Jimmy Fallon."
"Gimme Something Good" and "My Wrecking Ball" are on "Ryan Adams," due out on Sept. 9 via Adams' Pax Am label with distro from Blue Note. Tour dates are below the videos.
Here are Ryan Adams' tour dates:
09/08/14 — Washington, DC — 9:30 Club *
10/01/14 — Santa Barbara, CA — Arlington Theater
10/03/14 - San Francisco, CA - Hardly Strictly Bluegrass
10/05/14 — Portland, OR — Arlene Schnitzer Hall
10/06/14 — Seattle, WA — Paramount Ballroom
10/07/14 — Vancouver, BC — Orpheum Theater
10/09/14 — Edmonton, AB — Francis Winspear Theater
10/10/14 — Calgary, AB — Southern Alberta Jubilee Auditorium
10/12/14 — Winnipeg, AB — Burton Cummings Theater
10/13/14 — Minneapolis, MN — Northrop at the University of Minnesota
10/14/14 — Milwaukee, WI — Riverside Theater
10/16/14 — Chicago, IL — Chicago Theater
10/18/14 — Ames, IA — Stephens Auditorium @ Iowa State Center ***
10/19/14 — St. Louis, MO — Peabody Opera House
10/20/14 — Kansas City, MO — Uptown Theater
11/06/14 — Indianapolis, IN — Murat Theater *
11/08/14 — Columbus, OH — Palace Theater *
11/09/14 — Detroit, MI — The Fillmore *
11/11/14 — Cleveland, OH — State Theatre at PlayhouseSquare **
11/18/14 —Boston, MA — Wang Theatre *
11/19/14 — Philadelphia (Upper Darby), PA — Tower Theatre *
* On sale Friday, August 15 at 10am local time
** On sale Friday, August 15 at 11am local time
*** On sale Friday, August 22nd