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<p>The &quot;American Idol&quot; Top 5</p>

The "American Idol" Top 5

Credit: FOX

Recap: 'American Idol' Season 13 - Top 5 Performances - America's Request

Plus, Jason Mraz serves as mentor for the Finalists

Several questions before Wednesday (April 30) night's "American Idol":

1) Why is the announced theme "America's Request" and not "America's Choice"? Is America going to make a suggestion followed by, "Pretty please?" and then Caleb Johnson's gonna be all, "Nuh-uh, America"?

2) FOX only said that the singers would be doing *a* song requested by America. What else will fill the time on Wednesday?

3) How excited do you think Alex Preston will be to have Jason Mraz as his mentor this week?

On to the full recap, after the break...

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Ariana Grande

Ariana Grande's 'Problem' with Iggy Azalea is bound for chart success

The alluring black-and-white lyric clip heats up the screen

Ariana Grande, who scored a top 10 hit last year with “The Way,” featuring Mac Miller,  has found another very valuable duet partner. “Problem,” featuring Iggy Azalea, is off to such a fast start, it could launch in the top 10 of the Billboard Hot 100 next week. Sources tell Billboard it could sell up to 300,000 downloads in its opening frame.

Grande bowed the song at the Radio Disney Music Awards on Saturday (26), without Azalea, but with some of the visuals from the pair’s black & white lyric video, which debuted today.

The song features Grande singing about how she’ll have one less problem when she lets her boyfriend go, features a squonky horn line, redolent of Macklemore & Ryan Lewis’s “Thrift Shop,” and a sassy rap by Azalea.

"I thought we would make the perfect girl-power duo for 'Problem', so I'm very grateful that she did it with me,” Grande told Rolling Stone. “I love meeting people I admire and discovering that they're really chill human beings and nothing's gone to their head." Azalea celebrates her first top 10 hit this week as "Fancy" rises into the Billboard Hot 100.

“Problem,” which plays off of Jay Z’s “99 Problems,” is the first single from Grande’s forthcoming second studio album. Her first album, “Yours Truly,” bowed at No. 1 last September.

Vevo is having trouble with the video right now, so as soon as we can, we'll embed it, but in the meantime, enjoy it here.

 

 

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Robert Pattinson and Mia Wasikowska in "Maps to the Stars."
Robert Pattinson and Mia Wasikowska in "Maps to the Stars."
Credit: eOne Entertainment

Cannes Check 2014: Robert Pattinson in David Cronenberg's 'Maps to the Stars'

Continuing our preview of the Cannes Competition

Welcome back to Cannes Check, In Contention's annual preview of the films in Competition at next month's Cannes Film Festival, which kicks off on May 14. Taking on different selections every day, we'll be examining what they're about, who's involved and what their chances are of snagging an award from Jane Campion's jury. Next up: David Cronenberg's "Maps to the Stars."

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"Grey's Anatomy"

"Grey's Anatomy"

Credit: ABC

Interview: 'Grey's Anatomy''s Caterina Scorsone talks Amelia's Seattle stint

The 'Private Practice' star says she'll be on until season's end

Caterina Scorsone, who made Amelia Shepherd such an indelible part of "Private Practice," returned to "Grey's Anatomy" last week to supposedly check in on brother Derek -- but really test the waters of parenthood. Since Scorsone was doing press after last week's surprise visit, it was pretty clear that Amelia is going to be staying in Seattle for a while. Given that Hurricane Amelia tends to stir up drama wherever she goes, this could be interesting.

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Flashing back to when Batman, Indiana Jones and the Ghostbusters ruled the summer of '89

Flashing back to when Batman, Indiana Jones and the Ghostbusters ruled the summer of '89

Looking back a quarter century ago as we kick off a new mini-series

In honor of the 2014 summer movie season, Team HitFix will be delivering a mini-series of articles flashing back to key summers from years past. There will be one each month, diving into the marquee events of the era, their impact on the writer and their implications on today's multiplex culture. We start today with a look back at the summer of 1989.

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Pharrell Williams

Pharrell Williams' 'Happy' scores its 10th week at the top

DJ Snake and Iggy Azalea have good weeks too

As Pharrell Williams continues his reign atop the Billboard Hot 100 for the 10th week, “Happy” joins the ranks of only 28 songs that have logged that much time at No. 1 in the chart’s 55 years.

The all-time record belongs to Mariah Carey and Boyz II Men’s “One Sweet Day,” which spent 16 weeks at No. 1 in 1996-1996, but Williams has an ace in his pocket: he was featured on the last song to top the chart for more than 10 weeks: Robin Thicke’s “Blurred Lines,” featuring Williams and T.I.

The big question is if “Happy” will finally be toppled next week by John Legend’s “All of Me,” which has been stuck at No. 2 for six weeks. Legend’s song continues to gain steam at radio and via streaming.

As they have before, Jason Derulo’s “Talk Dirty,” featuring 2 Chainz, and Katy Perry’s “Dark Horse,” featuring Juicy J, trade places, with “Horse” rising 4-3 and “Dirty” retreating 3-4.

DJ Snake scores his first top 5 hit as “Turn Down For What,” featuring Lil Jon, move 7-5, pushing Idina Menzel’s “Let It Go” 5-6.

Like DJ Snake, Iggy Azalea scores her first top 10 hit, as “Fancy,” featuring Charli XCX, soars 18-7. That’s not the only good news for the Australian rapper: her debut album, “The New Classic,” enters the Billboard 200 at No. 3.  Azalea is the first female rapper to have her debut single reach the top 10 since M.I.A. with “Paper Planes” in 2008, according to Billboard. Guest vocalist  Charli XCX matches her previous Billboard Hot 100 high from when she guested on Icona Pop’s “I Love It” last year.

Bastille’s first Top 10 hit, “Pompeii,” slides 6-8, while Justin Timberlake’s “Not A Bad Thing” and Chris Brown’s “Loyal,” featuring Lil Wayne and French Montana or Too $hort or Tyga (there are two versions floating around), each fall one spot to No. 9 and No. 10, respectively.

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'Pawn Stars' to star in 'Pawnography' game show

“Pawn Stars” to star in “Pawnography" game show
The History channel stars will compete against contestants in various trivia.


CBS airing a “Judge Judy” primetime special
"Judge Judy Primetime” will explore Judy Sheindlin’s background amid all new court cases.


“The Mindy Project” losing its receptionist
Zoe Jarman is the latest cast member to exit Mindy Kaling’s comedy.


Louis CK: I’d never want to host a late-night talk show
"The only reason I would think of doing it would be just to see how badly it would go,” he says of talk of him replacing Letterman.


Syfy developing samurai comic book “Ronin”
Frank Miller’s DC Comics series is set to become a miniseries.


Bryan Cranston creating a comedy detective show for Crackle
“Tightrope” will use modern actors in old detective show formats.


“Top Chef” moving to Boston
Season 12 will premiere later this year.


Syfy developing reality shows “Adam + Eve,” “Twins,” Alive and Alone” and “Billion Dollar Club”
New unscripted series will involve romance, tech and survival and fraternal twins.

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"Top Chef"

"Top Chef"

Credit: Bravo

'Top Chef' headed to Boston for season 12

It's time for the Bravo cooking competition to pack its knives again

"Top Chef" will be cooking up a twelfth season for Bravo, this time taking the series to Boston, Massachusetts. The season will premiere in late 2014.

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Oprah: L.A. Clippers co-owner?

Oprah: L.A. Clippers co-owner?
ESPN reports that Oprah Winfrey is considering teaming up with David Geffen and Larry Ellison to buy the NBA team from the banned Donald Sterling.


HBO reviving “Project Greenlight” with Ben Affleck and Matt Damon
The filmmaker reality show originally aired on HBO from 2001 to 2003 and starred a young Shia LeBeouf in its 2nd season, before moving to Bravo in 2005 for a horror-themed 3rd season.


Syfy has already ordered a 3rd “Sharknado” movie
No details have been revealed, but Syfy greenlit the 3rd film ahead of the “The Second One’s” broadcast.


Hulu renews Tyler Labine’s “Deadbeat,” announces the return of Seth Meyers’ “The Awesomes”
"The Hotwives of Orlando” will premiere on July 15, while “The Awesomes” returns Aug. 4.


Watch the extended “I Wanna Marry Harry” promo
How will the bachelorettes react to being duped?

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Jackson Browne

Interview: Jackson Browne: 'People want to see you stumble'

On his new tribute album and revisiting his past hits

Earlier this month, some of Jackson Browne’s friends, including Bruce Springsteen, Don Henley, Bonnie Raitt and many more, covered their favorite Browne tunes for  “Looking Into You: A Tribute to Jackson Browne.”

The set also included some newer singer/songwriters, like Griffin House and Bob Schneider, with whom he was not as familiar but now considers himself a fan.

The release comes at a time when Browne is working on a new album and so he was a little wary of revisiting some of his biggest hits, especially delivered in such an appealing way.

“It’s funny because you tend to compete with your younger self anyway. You tend to always try to do something worthy of what you’ve done already,” he said, when we interviewed him last week at the ASCAP Pop Awards. He was presenting the Founders Award to Tom Petty.  “[The tribute] comes at a time when I’m trying to make a new record and I didn’t really want to hear too much of that and it’s like ‘Damn, that’s good. That’s a great record.’ I’ve written a few songs, but who knew all this time that all these songs really needed was a singer.”

One of Browne’s new tunes already showed up on the internet, but, as he laughed about it in the video, it was hardly the version he wanted out there. It was during a performance when he “completely went blank” on the lyrics.  Though he’s fine with it now, he mused over the fact that, for better or worse, seeing him sing it badly, as opposed to all the nights he’s sung it perfectly, is what people want to see. “That’s what people want. They want to see you stumble.”

In the above interview, Browne also talks about artists he never misses when they come to town.  

 

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<p>Chadwick Boseman of &quot;Get On Up&quot;</p>

Chadwick Boseman of "Get On Up"

Credit: Universal

Set Visit: 'Get On Up' team promises a James Brown biopic done right

Tate Taylor and Aakomon Jones discuss capturing The Hardest Working Man in Show Business

NATCHEZ, MISSISSIPPI. If you greet biopics with a certain amount of trepidation, "Get On Up" director Tate Taylor is right there with you.

"I’ve never been a big fan of biopics," the well-dressed helmer of "The Help" tells a pair of visiting reporters, pausing between shots in mid-December, more than eight months before the scheduled August 1, 2014 release date.

"The last one I really loved was 'Coal Miner’s Daughter.' I loved that," Taylor continues.

"Coal Miner's Daughter," which won an Oscar for Sissy Spacek, opened in 1980.

"For me I think what makes them successful is I approached this as, 'This is a movie about an amazing man. And, oh yeah, he’s James Brown.' That’s how I approached this, is who he was and what made him the man he was," Taylor explains. "And what I honed in on, what I thought was special is you can usually do a movie about someone’s drive to succeed and how they got there but what I think’s interesting about James Brown, is he didn’t want to go backwards. And that’s a fear, I think, I have and a lot of people relate to. Everybody can relate to that and that’s what made me think it would be accessible for audiences regardless of the music, is that fear of, 'Oh my gosh, what if this all goes away?' Not, 'Oh, I’ve done enough and I can coast.' Some people, they don’t want it to go away. And that’s what I really wanted to focus in on what it takes to keep it where you are and then reinvent yourself over and over and over."

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<p>Chadwick Boseman of &quot;Get On Up&quot;</p>

Chadwick Boseman of "Get On Up"

Credit: Universal

Chadwick Boseman channels James Brown on the 'Get On Up' set

How does the '42' star tap into his inner Godfather of Soul?

NATCHEZ, MISSISSIPPI. It's mid-December on the Mississippi set of "Get On Up" and it's possible that the hardest working man in show business is the young actor playing The Hardest Working Man in Show Business.

We're between shots in a scene recreating James Brown and The Famous Flames' iconic performance in the concert film "T.A.M.I. Show" and everything is resetting. 

For Chadwick Boseman, though, there's no such thing as a reset. The cameras may not be rolling, but Boseman's feet keep shuffling across the shiny green linoleum of the Natchez Auditorium stage, which is standing in for the Santa Monica Civic Auditorium. He only pauses to run over to the monitor to see how his footwork looks, but then he returns to the stage, dancing his way there and back.

Chadwick Boseman has become something of a perpetual motion machine, but if you watch old videos of James Brown, the rhythmic restlessness is one of the first things you'll notice about the Godfather of Soul as well. 

When I mention this to the movie's choreographer Aakomon Jones, also playing one of the Flames, he's instantly gratified.

"That's literally where I start," Jones smiles. "Because we got into the cool slides and all that footwork and the spins and all that. It's just this thing that James Brown does when he's like driving the beat, he's clicking both heels, one into the other -- right-left, right-left, right-left. I worked with Chad on that for hours, maybe two days straight before we ever started trying to add flashes. I knew that if he got that, he had 60 percent of what James Brown is as a performer as far as quantity, because he does that throughout his entire performance. He'll flash here, he'll slip off to the fight and dance-break and he'll hit a spin or a split, but 75 percent of the time? He's right-left with the heels. That's what keeps the band locked in."

And Boseman is certainly locked in as well. 

Director Tate Taylor, the man behind the Oscar-winning hit "The Help," is shooting James Brown's "T.A.M.I. Show" numbers as full, uninterrupted songs. [After editing, I highly doubt that's the approach Taylor will take, but I can assure you that at least in the moment, the performances are sustained.]

Boseman goes through the entirety of his "Out of Sight" performance, which includes spins, a split and ends with him on his knees as the crowd shrieks.

"Mr. Brown, would you like another?" Taylor asks. And every time, Boseman does, indeed, want another.. 

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