While Cameron Crowe directed “We Bought A Zoo,” he and his team juggled completing this fall’s “Pearl Jam Twenty” documentary and “The Union,” his film about the making of Elton John and Leon Russell’s 2010 album of the same name, which comes out in January.
“They all fueled each other,” Crowe says, noting that he’s hardly the first moviemaker to multi-task. “To me, the best documentary certainly in the last 25 years was [2005’s] ‘No Direction Home,’ and I heard [Martin] Scorsese did that while he was doing ‘The Departed’.”
For “We Bought A Zoo,” which had a sneak peak this past weekend (read Drew McWeeny’s glowing review here) and will open nationally on Dec. 23, Crowe knew that for the first time in one of his movies, he wanted to focus more on a score than licensed music (although “Zoo” features a number of songs). “I just had the feeling that this was the movie where we could do more score than ever before,” Crowe told me when I interviewed him recently for a piece for Variety (this article includes a few comments from that piece, but primarily is previously unpublished material).
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