When the 69th Golden Globes began Sunday night, this pundit wasn't at a viewing party at the Beverly Hilton. He wasn't live-blogging the show from the comfort of home (less than two miles from the Hilton) either. Instead, and no disrespect to the never met a cologne they didn't like Hollywood Foreign Press Association, but Awards Campaign was in the middle of a championship final at a Las Vegas basketball tourney that was a tad more pressing (we all need lives people). And while the LA United pulled out an impressive win in over time (booyah), "The Iron Lady's" Meryl Streep found herself pulling away with an equally impressive win for best actress drama.
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With the Golden Globes a memory and the announcement of this year’s Oscar nominations on January 24 just on the horizon, perhaps it's time to take a bit of the piss out of awards season. The validity of certain awards shows and organizations aside, it is an incredible professional accomplishment to be included in the hunt at all. It speaks to a level of success that most only dream of in a profoundly competitive industry. At the same time, perspective is often in order.
I have worked in entertainment for my entire adult life and have as great a passion for film today as I did in the throes of dreamy youth. No one’s feeding babies here, however. Even in an arena as large as the one the artists under discussion here dwell in, it’s important to have at least some measure of humor and ability to self-deprecate to season the inevitable neurosis that comes with working in a creative field
Oh joy, it's time for Lisa's big opening of Sur. After months of demo work, painting and polishing, what better way to show off this lovely new space than a private party? Yeah, and the gods laughed hard at that one. Let's just say that if Pandora's wedding is even half as eventful, she might want to think about scrapping the whole thing and getting hitched at a drive-thru wedding chapel in Vegas. I'm fairly sure we will never see a gray hair on Lisa's head, but this evening would have turned most people's hair pure white.
It's off to San Francisco for the final 16 girls, which is sure to end in either a nervous breakdown in the City by the Bay or, possibly, someone jumping off the Golden Gate Bridge. Given how cray-cray this season has been thus far, I just can't rule it out.
I posted my review of FOX's "Alcatraz" this morning. Now it's your turn. On the J.J. Abrams continuum (whether or not you want to include non-sci-fi stuff like "Felicity" and/or stuff he was only tangentially involved in like "Six Degrees" and "What About Brian?"), where does this rank? Were you engaged by the two cases investigated by the team? Happy to see Jorge Garcia playing such a Hurley-esque character? Is Sarah Jones a compelling lead? Did the final moment of the second episode excite you or make you shrug?
Have at it. As I said in the review, I imagine I'll check back later in the season to see if it's gotten any less formulaic.
Fifty years ago today, Terence Young stood on a set in Jamaica and rolled film for the very first time on a feature film about Ian Fleming's creation, James Bond. It was the scene where Bond arrives at the Kingston airport and tries to avoid being photographed. It was a significant day at the end of a long search for the right man to play the part and even though Ian Fleming wasn't convinced at first, Sean Connery not only turned out to be a nascent movie star, but he made Bond an icon that endures even now.
Fifty years later, EON Productions and Sony are in production on the latest film in the series, with Daniel Craig playing Bond for the third time. And today, Sony Pictures released a terse but interesting summary of what we can expect when "Skyfall" opens later in the year.
I've been a Bond fan since my first exposure to the character. I was seven years old when my dad took me to see "The Spy Who Loved Me" in the theater, and it was love at first sight. Sure, part of the kick was the idea that my dad was taking me to see a "grown-up" movie with him, just the two of us. And part of it was because I could tell how important the character was to him. Mostly, though, the whole thing was just so damn cool.
After all, he had a car that turned into a submarine. When you're seven, that's the most insanely mind-blowing idea possible.
I'm not bothering to predict the BAFTA nominations this year because 1) the longlists largely take the guesswork out of that for us; 2) no voting group that thinks "Midnight in Paris" had better visual effects than "The Tree of Life" deserves too much of our time and attention; and 3) I mean, seriously. But anyway, they're a few hours away -- a breakfast-time announcement for the Brits, a pre-midnight one for Hollywood -- and if you have any last-minute thoughts, hopes or projections about the British Academy's selections, here's the place for them.
One thing we can be certain of: after struggling to gain traction on the US precursor circuit, "Tinker, Tailor, Soldier, Spy," which jointly led the longlists with 16 mentions, will finally receive a warm embrace here. The combination of literary cache, old-and-new-school British acting elite and spectacular box-office should set it up as the chief BAFTA rival to all-purpose frontrunner "The Artist," which can also expect a bucketload of nominations.
“Going solo” can be a pretty loaded term. Sometimes it points to loneliness, or alienation. Sometimes it’s a breaking-free, an inner-wildness. For Craig Finn, the tendency is simply one of being “alone and separate,” a “highway” individualism.
Wilco will return with its Solid Sound Festival in 2013 after taking this year off.
The group announced the hiatus on its website, but added that the band will play a summer concert to benefit MASS MoCA, the Massachusetts Museum of Contemporary Art in North Adams, Mass.
Solid Sound Festival 3 will take place June 21-23, 2013 at MASS MoCa.
Wilco introduced the Solid Sound Festival in 2010, with the first event featuring the band as well as such acts as Mavis Staples, The Autumn Defense , The Nels Cline Singers and Kristen Schaal.
Deftones have always had a flare for melodrama, which is part of the reason I've love them, will defend "White Pony" 'til doom, what-have-you.
So, as I previously reported, Deftones' Chino Moreno is lending his talents to new side project ††† -- or, for those who don't know the keyboard shortcut, Crosses -- formed with guitarist Shaun Lopez. And now there's another song to show for the pairing.
“Prurien†” very well could be a Killers song, with Brandon Flowers off gambling somewhere. A good one. It pulses with a thousand (sampled) voices rising. Appropriate, as he sings: "They got you so excited / you wanna climb in / taste the / violence."
It's got a lot of percussion dabbling around the high end, and a crescendo that'll have you tuning up your air guitar. It's short, or at least feels that way.
The track is from "EP ††," which is from -- you guessed it! -- Crosses' second EP. It's out Jan. 24.
Here are Crosses' first-ever tour dates:
1/31 – Pomona, CA at The Glasshouse
2/01 – San Diego, CA at The Casbah
2/03 – Sacramento, CA at Ace Of Spades
2/04 – San Francisco, CA at Slim’s
3/31-04/01 – Santiago, CL at Lollapalooza Chile
4/03-04 – Buenos Aires, AR @ Quilmes Rock
Madonna revealed more details about “M.D.N.A.” last night at the Golden Globes, in between swipes at Elton John and talking about her win for “Masterpiece” from “W.E.”
As we’ve previously reported, French producer Martin Solveig produced the majority of the album, out in March. “I love his sound. It’s really fresh, doesn’t sound like anybody else’s,” Madge said backstage. “I would say his music is happy. It puts a smile on your face.”
[More after the jump...]
What I originally like about Sleigh Bells is that they sound like, at any moment, the whole thing can become unhingled. Engine and body parts alike will go flying everywhere. Every song is played at 11.
The duo's proper first single from "Reign in Terror?" Comparatively, it's like a 7. The crew already released "Born to Lose," which I think is a lot weirder and edgier than this keyboard-assisted, pretty number.
Part of this is the soft refrain and post-chorus, softening the blow on that double-bass-pedal sound. It's pouring sugar on saccharine, which is Alexis Krauss' cheerleader coo. There's nothing too "off" about the mix...
Which is why this might be the kind of single the band to push it further into mainstream consciousness. Like some of their other songs, I can imagine this playing behind a commercial for a car with a lot of horsepower but also for a computer that computes at very fast speeds. CoverGirl need not apply.