Yes, it's another season of "The Bachelor," and with boring Ben Flajnik at the helm, I wasn't expecting much. Boy, was I wrong. This may be, hands down, the weirdest, most gimmicky season opener in the series, and as for the girls, well, I don't know which mental institution the casting director hit, but some of these lovely ladies should be in restraints. Good luck, Ben! You're going to need it!
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The Vancouver Film Critics Circle has joined the chorus with a list of nominees (mostly three in each category). "The Artist" led the way with four mentions. Melissa McCarthy made it in for "Bridesmaids" despite it being a trimmed-down category. Check out the full list of nominees below.
If you've caught a screening of "Mission: Impossible - Ghost Protocol," you likely noted the new animated logo celebrating the studio's 100th anniversary. It's a grand occasion for any company to hit that kind of a mark, and Paramount will be wasting no time heralding the occasion later this month with a planned exhibition of Technicolor's restoration of 1927's first-ever Best Picture winner "Wings."
Meanwhile, the studio has launched a new app for the iPad that also celebrates the landmark year. The 100 Years of Movie Magic app "is an exploration of the studio’s incredibly rich and storied history," the iTunes blurb reads. "From Paramount’s modest beginning in 1912 with 'Queen Elizabeth' to 'Mission: Impossible - Ghost Protocol,' the app provides a fresh and innovative opportunity to experience your favorite films by flipping through never-before-seen photos, watching memorable film clips, and listening to timeless music scores."
In a recent interview with the Los Angeles Times, Elton John said that his No. 1 pick to play him in his forthcoming biopic is Justin Timberlake, “because he played me before in a David LaChapelle video of ‘Rocket Man’ and was superb.”
We saw that video, which played behind John’s performance of “Rocket Man” during his multi-year Las Vegas run of his “Red Piano” show, and agree that Timberlake did a great job portraying John in the early ‘70s, but he’s not our first choice.
Of course the moment we publish our list of the films we're anticipating most for 2012, we start to see trailers and things for movies we've never heard of that are coming out this year that immediately look like something we need to see.
"Upside Down" is a fantasy film from an Argentinean director named Juan Diego Solanas, and based on this peek at the movie, it's a big lovely Andrew Niccol style "imagine if the world was like this" movie. Jim Sturgess and Kirsten Dunst are the stars of this one, and it looks like Solanas has spent his money well, creating a great big visual hook that everything hinges on. Movies like this are tricky to pull off, and most of the time, it's coming up with a tone that matches the big visual decision and making it work beyond the gimmick.
The first thing I can't help but notice is that one of the most iconic moments in any of Kirsten Dunst's films was in "Spider-Man," with the upside-down kiss in the rain. Casting her in this is one of those choices that seems like a big bag of duh. The question mark for me is Sturgess, who has had a number of shots as a leading man, and so far, I haven't felt like he really connected at all. He does have his fans, though, and I suspect this will play an extended run on a double-bill with "Across The Universe" at the New Beverly for three or four months.
The New York Film Critics' Circle award may be the only significant trophy Meryl Streep has claimed so far this season, but she's certainly keeping her end up in terms of career honors. On the heels of an elaborate tribute to the actress at the Kennedy Center Honors comes news of a similar award on the other side of the ocean: Streep will be presented with an Honorary Golden Bear at next month's Berlin International Film Festival.
A screening of "The Iron Lady" will accompany the presentation of the Honorary Golden Bear, though I presume not as part of the official festival lineup. Other Streep films to be screened as part of the festival's Streep homage include "Kramer vs. Kramer," "Out of Africa," "Sophie's Choice," "The Bridges of Madison County" and (six years after it premiered at the Berlinale) "A Prairie Home Companion."
Welcome to the first Firewall & Iceberg Podcast of 2012, and the last before Dan and I are hip-deep in the events of the winter Television Critics Association press tour. I apologize in advance for two things this week: 1)The audio's not great, as Skype was not our friend today; and 2)The sports talk segment at the end goes on for quite a while. As we've said before, we're doing those things in addition to the TV coverage (nothing was dropped so we could debate Rodgers vs. Brees), and there's no content after, so you don't have to listen to that if you don't want, but we may have gotten carried away nonetheless. (The Hall of Fame discussion alone is longer than any show reviews.) Before that, we do a bunch of reviews of new and returning shows, including an early contender for the worst of the year, and the return of one of Dan's favorites from last year.
This year's PGA nominees (announced tomorrow) will do little to clear up the Best Picture scenario at the Oscars. Why? Because the guild will be chalking up a full slate of 10 nominees once again, despite the fact that the Academy's final line-up could be anywhere from five to 10.
The PGA made the shift to 10 the same year the Academy did, playing follow the leader. Those two years were incredibly close to the ultimate Oscar slate, though. In 2009, the guild's nominees "Invictus" and "Star Trek" were replaced by "The Blind Side" and "A Serious Man" at the Oscars, while in 2010, "The Town" was replaced by "Winter's Bone."
I don't think there's much of a pattern there worth considering, though films like "A Serious Man" and "Winter's Bone" certainly represent the kind of concentrated passion plays that are needed to register with the Academy. But it's entirely probable that neither would have made the cut under the new rules. The point being: we're likely to see all the Oscar nominees in tomorrow's PGA announcement. The trick will be sussing out which ones they are.
Tim McGraw’s last album for Curb Records will come out Jan. 24.
“Emotional Traffic,” co-produced by McGraw and his longtime producer Byron Gallimore includes “Felt Good On My Lips,” which reached No. 1 on the Billboard’s Hot Country Songs chart in 2011, as well as current single, “Better Than I Used to Be.”
The set also features a duet with Ne-Yo on “Only Human.” McGraw is no stranger to blending genres: he and Nelly collaborated on “Over and Over” in 2004. The album also has a song co-written by McGraw and Martina McBride.
After releasing quite the agreeable slate of nominees last week, the Online Film Critics Society has awarded "The Tree of Life" its 2011 Best Picture prize. The film won five awards in total. Previously announced special awards go to Jessica Chastain and Martin Scorsese. Check out the full list of winners below.