Okay, so you've probably got the message by now that we love "Margaret" around these here parts. So any word from the film's embattled writer-director Kenneth Lonergan is something we're going to seize upon, even if it's a fairly brief Q&A with Variety's Christy Grosz, recorded in the presence of his lawyer. Sadly, the film's continuing legal problems mean he can't cut loose on his desired edit (or indeed the one that we've seen), but he offers some nice insights on the writing process and what the eponymous Gerard Manley Hopkins poem means to him. Finally, he describes the #TeamMargaret phenomenon as "astonishing and wonderful." Right back atcha, sir. [Variety]
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NEW YORK - There’s something oddly perfect about meeting “Win Win” writer/director Tom McCarthy in a small café in Chinatown with Gershwin's “Rhapsody in Blue” playing in the background. (Though that would feel slightly less charming when transcribing the interview weeks later.)
Firstly, it is the last sort of place one would imagine either McCarthy’s writing partner, Joe Tiboni, or their central protagonist, Mike Flaherty (Paul Giamatti), to turn up. In fact, McCarthy recalls that Tiboni’s daily, cyclical routine consists of his self-described “triangle of death” from home to Dunkin’ Donuts to work and back again.
Secondly, it's difficult to not enjoy the novelty of speaking to the filmmaker about his restrained, deceptively simple suburban life offering with Gershwin’s exultant, experimental ode to urban chaos as a backdrop.
The big birthday bash for Mauricio in Lanai, Hawaii continues, and even though it should be a pretty fabulous trip, Kyle and Kim seem damned and determined to turn it into an unhappy family reunion that only needs an uncooked turkey and a Jell-O wrestling match to qualify as the most miserable outing Mauricio could have hoped for. Good going, guys!
Natalie Portman, Jake Gyllenhaal, Helen Mirren, Clive Owen, Nicole Kidman, Salma Hayek, Antonio Banderas, Melissa McCarthy and Freida Pinto have all been announced as presenters at the 69th Annual Golden Globe Awards, which is scheduled to air this coming Sunday on NBC.
The group was announced via the official Twitter account of the Hollywood Foreign Press Association (HFPA), the organization that chooses the winners and nominees at each year's ceremony.
Portman, of course, won the award for Best Performance by an Actress in a Motion Picture - Drama at last year's show for her performance in Darren Aronofsky's "Black Swan", which also netted her an Oscar. Gyllenhaal and Kidman were also nominated last year, for their performances in "Love and Other Drugs" and "Rabbit Hole", respectively.
Mirren has been nominated for a total of ten Golden Globes over the course of her career, with her biggest coup coming in 2007, when she took home the statues for both "The Queen" (Best Performance by an Actress in a Motion Picture - Drama) and "Elizabeth I" (Best Performance by an Actress in a Miniseries or a Motion Picture Made for Television). Owen won for Best Performance by an Actor in a Supporting Role in a Motion Picture in 2005, for his performance in "Closer".
Among the other presenters, Hayek was nominated in 2003 for her title performace in "Frida", while Banderas has been nominated three different times, most recently for his performance in the 2003 made-for-TV movie "And Starring Pancho Villa As Himself".
Neither McCarthy nor Pinto have ever been nominated for a Golden Globe, though the HFPA's snub of the former this year was considered especially galling considering the Oscar buzz she's been receiving for her winning turn in last year's "Bridesmaids" - not to mention the fact that she won the Best Actress Emmy for "Mike & Molly" back in September. Perhaps giving her a presenter slot is the HFPA's version of a consolation prize?
Stay tuned for further presenter updates as they're announced...
Miranda Lambert grew up the daughter of private eyes, so it’s no wonder that the girl likes a good who-done-it.
The country superstar will appear on an upcoming episode of “Law & Order: Special Victims Unit” as an actress who is assaulted by a reality show producer (a you’ll recall, Lambert got her start on talent reality show, “Nashville Star”). The producer will be played by Michael McKean from “This is Spinal Tap.”
NBC has not announced the air date for the episode. TVguide.com broke the news of Lambert's appearance. Harry Connick Jr., who has signed on for a four-episode arc as the love interest for Mariska Hargitay’s character, Detective Olivia Benson, will also be in the episode, which sounds very special indeed.
Lambert is quite happy about the development. Over the weekend, she tweeted, “Y’all, I’m so freaking excited to be on my favorite show ever!!!”
Ben's down to just 18 women, which is a lot more ladies to juggle than he'd likely scoop up on match.com or at a church social, so our determined bachelor has his work cut out for him. To test these women, he's dragging them to Sonoma to see if they like his old hometown. I suspect they'd say they liked inner city Detroit or Skid Row if they had to, but best of luck with that litmus test, Ben.
Ah, the trumped-up non-controversy. It's a kind of hazing ritual that many a certified Oscar frontrunner has to go through: remember the accusations of child actor neglect levelled at the makers of "Slumdog Millionaire," the supposed military inaccuracies (not to mention poor producer etiquette) of "The Hurt Locker," or even the revelation that a key set in "The King's Speech" had previously housed a gay porn shoot? These mildly tangy stories tend to be forgotten as quickly as they flare up, and rarely do much lasting damage, so it's just as well "The Artist" is getting it over with now.
I'm speaking, of course, of the ludicrous full-page Variety ad taken out against the film by, of all unexpected people, veteran Hitchcock blonde Kim Novak, who may not have made a film in 20 years, but is still gifted with an Oscar ballot -- one she presumably will not be using to vote for the French silent film she has more than a little melodramatically accused of "raping" her "body of work."
I don't care if you judge me for it or not: I am dying to see another Riddick movie.
The original "Pitch Black" was one of those great little B-movie genre surprises, and when Harry and I first saw it, there was still some uncertainty on the part of USA Films about what to do with it. We programmed the film at the very first Butt-Numb-A-Thon as our "middle of the night wake everyone up" movie, and it was a great screening. Vin Diesel even ended up flying to Texas just to do a meet-and-greet at 3:30 in the morning.
When Universal made the much-bigger-budget sequel, it seemed to be the kickoff to a larger franchise, building out a SF world in which Riddick was more than just a scary dude, but a lynchpin for an epic adventure. I have a huge affection for the work of writer/director David Twohy anyway. I think he's a guy who speaks B-movie fluently, and while some might see that as an insult, I don't. I think there's something about the high-concept genre movie that can be especially exciting when done right, and Twohy strikes me as a guy who genuinely wants to entertain, and who doesn't have a single film snob bone in his body. While "The Chronicles Of Riddick" did not succeed wildly at the box-office, I thought it was wild, wicked fun, and had a great "what's next?" ending.
A brief bit of business here. HitFix has been in the process of getting a slate of message boards off the ground, and as of today, they're live.
I imagine most of the discussion from those around these parts will be confined to the movies section, and specifically the Oscars and Golden Globes arenas. But HitFix being a unique collective of music, television and movie content, there are naturally other areas, too.