Finally. Cock-rockers The Darkness have released the studio version of their Radiohead cover "Street Spirit (Fade Out)." The prophecies have been fulfilled, the earth can now enter a period of raining frogs, the seven horsemen and all the trimmings of the 2012 apocalypse.
There are natural limitations to hair metal revisited, but the English band delivers in stripes on this track, particularly since "The Bends" original last for about 4:15 and this one clocks in (in my mind) at about 35 seconds, more or less. Tenacious D may have cornered the market on tongue-cheeking '80s hard-rock, but the Darkness are straight-up making out with it.
"The Dark Knight Rises" is here and lists are wildly en vogue this week. Lots of picking it apart here, sticking up for it there, etc. It's turned out to be an unexpectedly divisive film, and after a second look yesterday, I certainly still have my issues. But I should be clear: I'm really appreciative of what Christopher Nolan has given us.
People will twist themselves into pretzels to discuss the zeitgeist elements of the new film and drawing over-inflated political parallels, etc., but I think most Batman fans -- even those like me who were disappointed by "The Dark Knight Rises" -- can agree on one thing. We're glad there is a series of films built around this character that we can be proud of.
So while we will surely be talking about the new film for a number of months to come -- perhaps into the awards season, perhaps not -- I personally feel like I've had my say. And I'd rather leave it on a positive note.
I am almost embarrassed about how excited I am for this year's Toronto International Film Festival.
Then again, when you look at the list of movies playing this year, announced this morning by the fest, it is overstuffed with potentially excellent films, and the one problem I have right now is figuring out how I'm going to see everything I want to see. Sometimes, festivals can kick the crap out of you no matter how well you plan, and I've certainly had festivals where I felt like the schedule beat me. I think I had a pretty great Toronto last year, and I think it may be one of the best examples of what I want to do at a festival, and part of that is just because I've gotten comfortable in the city finally and I feel at ease when I'm there and working. In addition, the people who actually put on the festival have always made me feel, as both journalist and audience member, like I was welcome, like they can't wait to share the films they've programmed.
This year, it looks like they have every reason to be proud of the festival they're putting together, with a huge buffet of films that represent a pretty spectacular who's who in filmmaking around the world right now.
One could say that the now-canceled TV show "Firefly" was simply ahead of its time. Childish Gambino's track "Fire Fly" makes a similar argument for why it's taking the rapper so long to be appreciated among peers.
The music video for the song is a little combination of both. The narrative features an underdog that very much looks like Donald Glover, put on the trail to intergalactic travel. But a more traditional action plot unravels, there's conflict, and dude even gets to kiss The Girl. Queue the lens flare.
"I used to get called 'Oreo' and 'faggot' / I used to get more laughs when I got laughed at / Oh you got a mixtape? That's fantastic," he raps. "It's hard to make Hov the footsteps you followin' / Especially when your n*ggas look like Carlton... No live shows, cause I can't find sponsors / For the only black kid at a Sufjan concert... Now I'm firefly like a burning kite / And you'sa fake f*ck like a Fleshlight."
Perhaps a "Revenge of the Nerds" plotline would be more befitting, but space travel also fulfills that "Living well..." adage.
Because the summer press tour takes place right around the time network shows are resuming production for the next season, there's been something of a tradition of contract disputes playing out right as the network in question is about to arrive at the tour. One of my first tours involved the cast of "Friends" uniting to negotiate a better deal, with every reporter too busy covering the salary impasse to pay any attention to the new shows NBC was trying to promote. In the mid-'00s, CBS fired "CSI" cast holdouts George Eads and Jorja Fox midway through the tour, eventually welcoming them back — at their previous salaries — after enough time had passed for them to learn their lessons.
These issues tend to crop up around hit shows — the cast of "Happy Endings," great as they are, don't have a ton of leverage — and this summer's dispute involves one of the biggest hits anywhere in television: "Modern Family."
Matchbox 20’s Rob Thomas has joined “The Voice” as a mentor for Season 3. Thomas will work with Cee Lo Green’s team.
His participation leaves Christina Aguilera as the only judge yet to announce a mentor: Mary J. Blige recently signed on with Team Adam Levine and Michael Buble is with Team Blake Shelton. I’d love to see Aguilera bring in someone like Bruno Mars or Taio Cruz. Each of the mentors brings a different vocal perspective to the show and they contrast nicely with the judge they've been paired with.
Thomas told Us Weekly, which broke the news, that he “loves the idea that I may be in the room with a future superstar that the world has yet to discover.”
He probably also loves how “The Voice” helped bring Maroon 5 and Adam Levine back to the top of the charts with their smash “Moves Like Jagger” featuring Aguilera. Levine has used his “The Voice” stint as a launchpad to get into acting as well, including an upcoming role in “American Horror Story” and in the movie "Can A Song Save Your Life." Matchbox 20’s first full album of new material, “North,” comes out Sept. 4. The new season of “The Voice” premieres Sept. 10 on NBC. Nice timing, right? The group has already released “She’s So Mean,” the first single from the set, which I reviewed here.
Thomas is a funny, smart guy who is going to be a great asset to the show. He’d been hinting in recent tweets that he had something big coming up and I was hoping that he was going to be named an “American Idol” judge, but this may be a better move for now since it allows him to get his feet wet and see how he likes the reality show world. Still, it would have been a kick to see Thomas, who is very low-key, and newly-announced "AI" judge Mariah Carey bounce of each other. I assessed Carey's strengths and weaknesses as a judge here.
LOS ANGELES - Cinematographer Ben Richardson was living in the Czech Republic in 2003 working on an animated film with a friend when he moved into a building full of interesting, creative filmmaker types, a salon of sorts for like-minded film enthusiasts. One of those enthusiasts was director Benh Zeitlin, who was hard at work on his own animated endeavor. They hit it off over their love of animator Jan Švankmajer and a collaboration was born.
"I’d always wanted to be a filmmaker," Richardson says, "but I had kind of concluded that I really wanted just to explore something unique. And animation is a great way to do something ambitious on an incredibly low budget. The only thing you really need is time and perseverance. You don't need a lot of materials or equipment, you know, lighting-wise. You just need a sensitivity to light."
Eventually his passion for animation bridged a gap to a passion for photography. He had played with dark rooms when he was younger and took classes in school, but he was mostly taken by theater at a younger age. Soon, though, he started to fall in love with the role of the camera in filmmaking and the way it related to the actors.
Things have been dire at NBC for so long that network entertainment chairman Robert Greenblatt could be forgiven for opening his press tour session by celebrating the network's third-place finish for the season in the adults 18-49 demographic. Even if it was boosted by the Super Bowl, it was still NBC's first finish above fourth place since the 2003-04 TV season.
The one good thing NBC has had going for it during this dark, dark period has been a collection of shows — particularly the comedies on Thursday — that have been praised early and often by the TV critics Greenblatt was addressing. Unfortunately, our love doesn't translate into ratings, and part of Greenblatt's plan to bring the network back from oblivion involves moving away from the strategy that gave us "30 Rock," "Parks and Recreation" and "Community."
Sonically and thematically, Owl City and Carly Rae Jepsen's "Good Time" occupies the space between Miley Cyrus' "Party in the U.S.A." and Katy Perry's "Last Friday Night (T.G.I.F.)." And it's accompanying music video is as predictably squeaky clean as fans have come to expect from Owl City mastermind Adam Young.
It's all Slurpees, fishin' poles and daisy chains for Young's band of marauding Hollister models and from "Call Me Maybe" star Jepsen's flower children's children. I need a toothbrush and a rare steak after all that sugar.
BEVERLY HILLS - NBC actually finished third for the 2011-2012 season. Well, NBC finished tied for third among adults 18-49 for the 2011-2012 season. That's the sort of optimism you can expect from NBC Entertainment Chief Robert Greenblatt when he meets with the Television Critics Association on Tuesday (July 24) morning at the Beverly Hilton.
Press tour keeps moving quickly, so after FOX wrapped things up last night, NBC moved in for two days: one devoted to the broadcast network, one to NBC Universal cable. Because the broadcast network is in such dire shape, they're launching a whole lot of new series this fall, which means there's no time on the schedule for any returning shows. So no quizzing the new "Community" showrunners, no getting a sense from Greg Daniels on what will become of "The Office," no Offerman-stache, etc. But lots and lots of panels.