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<p>Mariah Carey's &quot;Triumphant (Get 'Em)&quot;</p>

Mariah Carey's "Triumphant (Get 'Em)"

Credit: Island

Listen: Mariah Carey's new 'Triumphant' is more glory for Meek Mill and Rick Ross

New 'American Idol' judge mostly gets the hook

Mariah Carey's brand new song "Triumphant (Get 'Em)" arrives right in time for the Olympics, and in the week following her confirmed appointment to the judgeship of "American Idol." Predictably, it's a track about rising to the top -- which Carey did years and so many years ago -- but she barely makes a victory lap with lab partners Meek Mill and Rick Ross.

The Maybach Music cohorts have sole claim over the verses and Milly kicks the whole thing off after the bounce-bounce of Carey's repeated rhythmic "get 'em get 'em get 'ems." He keeps the game pretty clean -- something about mountain climbing and sticking it to the haters. The Island folks are aiming hard at top 40 with this inspirationally PG song, and that point it driven home further by the fact that Ross edits his line about throwing "big money" at strippers and keeps the action with his "blonde bombshells" to a minimum. Instead, Rozay rehashes how hard he can make it rain and then rhymes "humble beginnings" with... "beginning."

Carey softly and sweetly tackles her inexplicably short bridge. But, for fans, you'll get your infamous high note runs as she battles an army of clicks and thumps from the drum machine.

Listen to the complete song here, on Mariah Carey's website.

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<p>Andy Samberg rocks the glasses during the recent press day for 'Celeste and Jesse Forever'</p>

Andy Samberg rocks the glasses during the recent press day for 'Celeste and Jesse Forever'

Credit: HitFix

Watch: Andy Samberg gets serious about his work in 'Celeste and Jesse Forever'

Plus how do you think Samberg felt about Jorma Taccone's work on 'Girls'?

When I interviewed Andy Samberg at the press day for "That's My Boy," he was joined by Adam Sandler, and it was a rowdy, loose conversation, which seems fitting based on the movie itself.

When we sat down to talk about his new film "Celeste and Jesse Forever," though, there was a very different mood in the room.  And while Samberg may be incredibly self-deprecating in the interview about his own abilities as an actor, he should be proud of the work he does in the film.  It's an indication that there's more to him than we've seen so far in films like "Hot Rod" or during his run on "Saturday Night Live."

We went pretty far out of our way not to talk about either SNL or "That's My Boy" during this conversation, and while that may sound limiting, I think there's enough to discuss in "C&JF," and the time zipped by as it always seems to during these interviews.  Samberg has an innate likability that was important to his part in the film, and I think people will be surprised by him when they see it.

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<p>Beyonce</p>

Beyonce

Credit: AP Photo

Report: Beyonce shopping around a documentary about her life

She also serves as the director of the nonfiction film

She’s only 30 and yet her life is already ripe for a film about... her life. Yes, we’re talking about Beyonce.

The music icon/actress/wife/mom has been shopping around a film about herself to Hollywood studios, according to the Los Angeles Times. Beyonce stars in the documentary and is the director.

The film combines concert footage and interviews. As the LA Times notes, we’ve already gotten a taste of what a non-fiction film about her life would look like via “Beyonce: Year of 4,” a short film about the making of her album “4” and the year off preceding it, which aired on MTV last year.

Should Beyonce’s documentary come to the big screen, she is following in the recent footsteps of fellow pop stars, Katy Perry (whose “Part of Me” is in theaters now), Justin Bieber, the Jonas Bros. and Miley Cyrus, all of whom have brought their lives in concert to theaters within the last few years.

Representatives from Beyonce’s agency, ICM, did not respond a request for comment from the Times.

 

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<p>&nbsp;Mariah Carey</p>

 Mariah Carey

Credit: AP Photo

Mariah Carey's 'Triumphant' single drops today; hear a snippet now

When can you hear the song in full?

Set your clocks: The full version of Mariah Carey’s new single, “Triumphant (“Get ‘Em),” will arrive, trumpets blaring, no doubt, at 3:45 EDT on her website, www.mariahcarey.com. In the meantime, hear a snippet below.

Her first single in two years, features Rick Ross and Meek Mill, and will be the first release from her 14th studio album, which will come out...well, the label doesn’t really know. According to a press release, more news about the album “will be announced in the months ahead.”

[More after the jump...]


Carey wrote “Triumphant,”  “when I was going through a difficult time and it helped me get through it,” she tweeted, asking that her fans pay special attention “2 the lyrics #win.” Other writers on the song include Jermaine Dupri, Brian Michael Cox, William Roberts, and Robert Williams, according to showbiz411.  From the snippet below, all we know is it talks about going to the mountaintop.

A number of dance remixes are forthcoming.

The news of the new single comes a week after “the earth-shaking announcement,” (yes, her label actually describes it as such) that that Grammy winner is joining “American Idol” as a judge for the 2013 season.

 

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<p>Zac Brown</p>

Zac Brown

Credit: Cole Cassell

Zac Brown Band's Southern Ground Festivals include Avett Bros., Grace Potter and more

Group-curated fest expands to two cities

The Avett Brothers, Grace Potter & The Nocturnals, Gregg Allman and The Lumineers are among the artists who will join Zac Brown Band for ZBB’s  two Southern Ground Music & Food Festivals this fall.

After bowing last year in Charleston, the Southern Ground Music & Food Festival will expand to Nashville this year. ZBB headlines each night at the events.

The line-up for the Sept. 21-22 Nashville fest, which will be held at Riverfront Park, is Amos Lee, David Gray, Edward Sharpe & The Magnetic Zeros, The Lumineers and Los Lonely Boys, among others.

Top names for the Charleston fest, which will be held Oct. 20-21 at Blackbaud Stadium, include The Avett Bros., Grace Potter & The Nocturnals, The Charlie Daniels Band and The Wailers.

In addition to ZBB, both festivals will feature Michael Franti & Spearhead, Jerry Douglas, and Southern Ground artists Sonia Leigh, Nic Cowan and Blackberry Smoke. Southern Ground is ZBB’s label.

As the name connotes, the emphasis is also on the food, with chefs from around the globe working with Southern Ground executive chef Rusty Hamlin. Among the ticketing options are Front Porch Stage Boxes, which allows patrons to sit on stage, enjoying a four-course gourmet meal, just feet away from the performers. Prices start at $325/seat.

Non-VIP tickets are priced for as little as $89 for a two-day early bird ticket.  For more information, go to www.southerngroundfestival.com

In an interview I did earlier with Brown for the Los Angeles Times, he told me the guiding principal behind planning the line-up and festivities: “What would I want to have if I was at a festival?’,” Brown said. “I’d want to have amazing food and drink and see an eclectic group of artists play. Too much of any one kind of music for six hours in a row is going to wear people out.” Brown added that ultimately, he'd like to expand the festivals to 10 cities.

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<p>Brad Pitt in Andrew Dominik's &quot;Killing Them&nbsp;Softly.&quot;</p>

Brad Pitt in Andrew Dominik's "Killing Them Softly."

Credit: The Weinstein Company

Brad Pitt has punk criminals to eliminate in new 'Killing Them Softly' trailer

Style and crime in New Orleans

If there is any film I'm disappointed I missed by skipping the 2012 Cannes Film Festival it's Andrew Dominik's "Killing Them Softly."  His last picture, "The Assassination of Jesse James by the Coward Robert Ford," was one of the best films of 2007 and of the 21st Century's first decade.  He's re-teamed with the producer and star of "James," Brad Pitt, for his follow up.

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<p>Bill Nighy sneaks a peek inside Colin Farrell's head in 'Total Recall,' and what do you think he finds?&nbsp;Cigarettes, supermodels, and enough beer to fill the Grand Canyon.</p>

Bill Nighy sneaks a peek inside Colin Farrell's head in 'Total Recall,' and what do you think he finds? Cigarettes, supermodels, and enough beer to fill the Grand Canyon.

Credit: Sony

Review: Colin Farrell in 'Total Recall' remake delivers modest action movie pleasures

If you're looking for a beat-for-beat remake, this is most assuredly not that

I'm that guy who really doesn't like the Paul Verhoeven film.

I like things about it, certainly.  I like the idea of Rekall as a company and as a premise for a science-fiction film.  Then again, Rekall isn't really a premise for a movie… it's a device, something you still have to build a plot around, and the one undeniably genius move of the original script is having someone ask to have the secret agent memories implanted, only to suddenly find himself in a secret agent scenario, unsure if it's really happening or if this is what he paid for.  Great idea.  Huge idea.  So much you can do with it.

Perhaps that's why I remain disappointed by both versions of "Total Recall" to some degree.  Here's this amazing opportunity, and both films eventually just turn into fairly standard action movies.  Verhoeven's film ladles on the weird and tries to be subversively funny in the same way "Robocop" was, but it's an uneasy mixture at best, and I think the Schwarzenegger film is largely witless.  This is a movie that actually contains a scene where Arnold sits at the controls of a giant drill that he uses to kill someone as he screams "SCREEEEEEEEWWWWWW YYYYYOOOOOUUUU!"  It's hard for me to see the things the Verhoeven film does right when there is so much of it that makes me actively embarrassed to be watching it.  I saw the film a few days before it opened at a midnight screening at the theater where my friend worked.  I was tremendously excited for it, and I was a fan of Verhoeven's work even before "Robocop."  I'd seen "Soldier Of Orange" and "Flesh and Blood" and "The Fourth Man" already, and I really liked his overall sensibility.  To me, "Total Recall" felt like Hollywood swallowing him up, and it's not until it spit him back out and he made "Black Book" that I was fully onboard one of his films again.

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<p>Colin Farrell seemed pleased with the end result when we sat down to talk about the pressures of remaking a widely-loved science fiction film like 'Total Recall'</p>

Colin Farrell seemed pleased with the end result when we sat down to talk about the pressures of remaking a widely-loved science fiction film like 'Total Recall'

Credit: HitFix

Watch: Colin Farrell talks about being a more 'human-sized' lead for 'Total Recall'

Watch his eyes light up at the mere mention of the David Cronenberg draft

I think it's specifically appropriate to say that Colin Farrell is one lucky cat.  After all, if anyone in Hollywood has nine lives, it's Farrell.  

He was an overnight sensation when he starred in "Tigerland," Hollywood's hot new flavor of the month.  Never mind that he'd been working for four years beforehand, including the show "Ballykissangel."  "Tigerland" was the moment international audiences first noticed him, and almost immediately, he was everywhere.  His first big commercial run included roles in "Hart's War," "Minority Report," "Phone Booth," and "Daredevil," and he failed as many times as he succeeded, enough so that when "Intermission" rolled around in 2003, just three years after "Tigerland," it was already referred to by some of the media as a "comeback."

I think Farrell has made choices over the years that indicate just how seriously he takes the job and how little he cares about stardom.  You don't star in "Ask The Dust" because you think you're going to get an action figure deal out of it.  You don't make "In Bruges" because you're hoping to make $50 million off of your gross points.  He's worked with Malick, Stone, Mann, Gilliam.  He's taken some outrageous chances, and even in his most mainstream movies, like "Miami Vice," it seems like he makes the least safe versions of these big studio films.

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<p>I was sort of hoping the sequel would be called 'X-Men:&nbsp;Magneto Kills A Whole Bunch More Nazis,' but I&nbsp;guess I'll settle for 'Days Of Future Past'</p>

I was sort of hoping the sequel would be called 'X-Men: Magneto Kills A Whole Bunch More Nazis,' but I guess I'll settle for 'Days Of Future Past'

Credit: 20th Century Fox

Bryan Singer teases further details on 'Days Of Future Past' and X-Men continuity

Will Matthew Vaughn's sequel be the unifying point of the whole franchise?

"X-Men: First Class" felt to me like a Hail Mary pass, a last-ditch effort to figure out what to do with the franchise, and the creative and commercial success of the film seems to have surprised the studio tremendously.

Part of what happened with the film was based on time, or the lack thereof.  They had a very tight production window on "X-Men: First Class," and in situations where that happens, there is far less opportunity for anyone to second guess a choice.  Matthew Vaughn and his writing partner Jane Goldman crafted something that gave a shot of adrenaline to the series, and it's little wonder they've been brought back to work on the second film in this new series as well.

When word broke recently about the possible title of the sequel, we double-checked with the MPAA and confirmed that the title "Days Of Future Past" had indeed been registered as the title.  That's exciting because, like with "Captain America: The Winter Soldier," the title immediately suggests a particularly well-known story arc from the comics.

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"Big Brother"

"Big Brother"

Credit: CBS

'Big Brother' recap: Shane gets in the game with a controversial move

The POV contest results in an unexpected play

Ah, the house is in turmoil as the POV contest looms and Janelle faces the prospect of being the last judge to face losing a wee hamster. Really, it's a surprise that Janelle hasn't lost anyone yet, as her players are all such obvious floaters. Although everyone keeps talking about how Wil is physically capable of winning a physical challenge, I think this is only possible if Shane and Frank both break their legs and perhaps get electrocuted. Even Joe seems to have more of a chance, though he might suffer a massive coronary in the process. The guy really is like a walking "this is your heart on cholesterol" commercial. But I'll give the guy credit; he REALLY wants to play. Personally, I can't imagine why he wants to be surrounded by a bunch of whiny kids who spend all their time braiding hair and running up and down the stairs, but maybe his kids at home are just too mature or something.

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<p>Carly&nbsp;Rae Jepsen performs at the 2012 Teen Choice Awards.</p>

Carly Rae Jepsen performs at the 2012 Teen Choice Awards.

Credit: John Shearer/Invision/AP

Does Carly Rae Jepsen make it 8 weeks atop the Billboard Hot 100? Maybe

Katy Perry and Flo Rida have good weeks too

It’s an 8th week at the summit for Carly Rae Jepsen’s “Call Me Maybe,” as the song ties Goyte’s “Somebody That I Used To Know” for the most weeks at No. 1 on the Billboard Hot 100 this year.

We’ll see next week if she can break the tie and hit nine weeks or if Katy Perry’s “Wide Awake,” which rises 3-2 this week, will surge ahead to No. 1. Billboard notes that every time a Perry song has reached No. 2 before, it has gone on to hit No. 1. “Wide Awake” switches places with Maroon 5’s “Payphone, which drops to No. 3.

Flo Rida’s “Whistle” blows its way from No. 6 to No. 4, pushing Ellie Goulding’s “Lights” down one spot to No. 5.

Once again, there are no new entries in the Top 10: Gotye’s “Somebody” falls from No. 5-6, while the rest of the chart looks the same as it did last week: Rihanna’s “Where Have You Been” is No. 7, David Guetta’s “Titanium”  featuring Sia is No. 8, Usher’s “Scream” is No. 9 and Pink’s "Blow Me (One Last Kiss)” holds at No. 10.

Jepsen’s duet with Owl City, “Good Time,” will likely jump into the Top 10 next week: this week is powers its way from No. 23 to No. 13.

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<p>Olivia Munn and Jeff Daniels in &quot;The Newsroom.&quot;</p>

Olivia Munn and Jeff Daniels in "The Newsroom."

Credit: HBO

Aaron Sorkin faces 'The Newsroom' critics

HBO series creator and the press agree to disagree

"We all know that there were critics who did not enjoy the first four episodes" of "The Newsroom," that show's creator Aaron Sorkin, said, "and there were critics that did. Obviously, you'd prefer that the praise be unanimous."

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