“Men in Black III”’s U.S. release inspired Kris to post a list of legendary effects/makeup artist Rick Baker’s top 10 contributions to cinema earlier this week. With 12 Oscar nominations and seven wins, Baker is perhaps the most well known and revered man working in his field.
As Kris’s article indicates, the creature effects mastermind’s catalogue of work is both varied and prolific. Baker has run the gamut between horror (“The Ring,” “Cursed”), comedy (“Tropic Thunder,” “Ed Wood,” “The Nutty Professor” and, a personal favorite, “Coming to America”), fantasy (“Hellboy,” “Enchanted”) and of course, sci-fi comedy with the distinctive “Men in Black” franchise.
In his interview with Baker, Drew McWeeny mentions the transformation sequence in “An American Werewolf in London” as a moment that forever altered his perception of what is possible in the world of filmmaking. McWeeny is certainly not alone. For many, the thriller remains, if not the most successful, the most beloved on-screen rendering of the shape-shifting beasts.